Tag: TWHumanTrafficking

  • Content Warning:
    This poem contains explicit depictions of violence, abuse, and retribution. It touches on sensitive subjects such as grooming, sexual assault, complicity in the face of injustice, human trafficking, and war crimes. Readers should proceed with caution, as the themes explored in this work may be triggering for some. This poem is intended for mature audiences and is a work of fiction that seeks to explore vengeance, justice, and the consequences of unchecked power and harm.

    Please read with caution, and know that this series is not intended to glorify violence but to reflect the pain, rage, and consequences that often go unnoticed or unpunished in the real world.

    Seven more shadows stir.
    Seven more await their fate.

    The knives are fewer now—
    Not from mercy, but from use.
    Their edges whisper memories,
    Still stained with unrepentance.

    Tonight, the table returns.
    Seven chairs, seven fates,
    Seven shadows dragged from hiding.
    Each thinks they can run.
    Each forgot—
    Vengeance remembers.

    First: The Groomer Teacher
    He taught literature like seduction.
    Underlined consent with a wink,
    Graded innocence on a curve.
    Gave praise with too many hands.
    Now he’s pinned beneath a blackboard,
    His lessons returned in silence and steel.
    I staple every love note he wrote to skin
    He once dared touch.
    He says he only wanted to inspire.
    So I make him inspirational art.
    Blood as ink. Truth as canvas.

    Second: The Human Resources Manager
    She passed around cupcakes on birthdays,
    But passed over every complaint.
    Buried trauma in manila folders,
    Told victims to be professional.
    Now I file her under complicit.
    Each page of silence becomes a lash.
    I build her a cubicle from every name she erased.
    Inside it, her voice cannot leave—
    Just like theirs never did.

    Third: The ICE Agent
    He wore cruelty like a uniform.
    Said “orders” while dragging toddlers away.
    Stamped paperwork soaked in lullabies.
    Built cages and called it law.
    Now I lock him in a cell of memory—
    Walls made from lullabies interrupted.
    I tattoo their names on his arms
    So he never forgets who he unmade.
    The key melts in front of him.
    He screams like a father now.

    Fourth: The Frat Brother
    His laughter echoes in solo cups.
    Shot after shot, shame drowned in alcohol.
    He called her a myth, a mistake,
    As if blackouts erased guilt.
    Now he drinks from a bottle
    Filled with her memory—undiluted, unforgiving.
    Each swallow burns the truth into his bones.
    I leave him slumped in silence,
    Party over, cameras rolling.
    Replay on loop.

    Fifth: The “Pick-Me” Woman
    She climbed their shoulders
    By stepping on broken backs.
    Called survivors jealous,
    Said they “wanted the attention.”
    Now I seat her in a hall of mirrors.
    Each one shows the woman she betrayed.
    I peel back her words until only envy remains.
    She cries for her reputation—
    Too bad it’s the only thing she ever loved.

    Sixth: The Landlord Slumlord
    He charged gold for rot.
    Turned homes into health hazards,
    Blamed poverty for his greed.
    Called heat a luxury.
    Now he shivers in the dark,
    Air thick with mold and vermin songs.
    I padlock every exit with unpaid rent.
    He begs for a repair request.
    I send rats instead.

    Seventh: The War Criminal in a Suit
    Never fired a gun,
    But his pen was a missile.
    Signed cities into rubble,
    Children into statistics.
    Called it “strategy.”
    Now I drop silence like bombs.
    His ears ring with names he never learned.
    I dress him in oil-slick skin,
    Force him to drink from the well he poisoned.
    His empire burns with no flag to wave.

    The knives are dull now.
    The flames are tall.
    Seven new candles flicker—
    Not for them.
    Never for them.

    There is no forgiveness
    In the blade’s reflection.
    Only truth,
    And the hand that dares to hold it.

    But the dark is never empty.
    Seven more shadows stir.
    Seven more await their fate.
    And I—B.D. Nightshade wait, too—
    Patient as the grave.


    Author’s Note:
    Vengeance is a complex, deeply personal concept. In Table of Judgment: Volume III, I explore the idea of retribution—not as a simple act of revenge, but as a reckoning for those who have inflicted harm, whether through direct action or silent complicity. These figures are not faceless villains, but representations of broader societal ills: the abusers, the enablers, the silent bystanders. The blade of justice is sharp, and the flames of truth burn without mercy.

    This poem is a meditation on justice—both personal and collective—and the long-lasting impact of those who perpetuate harm. It is a reminder that the past cannot be erased, and the consequences of one’s actions follow them into the dark. While this work is dark and intense, it is also an outlet for those who have felt powerless, a space where the scales of justice can be balanced, even if only in the realm of imagination and poetry.

  • Content Note:
    This poem contains vivid depictions of trauma, including sexual assault, child abuse, domestic violence, human trafficking, religious abuse, medical abuse, and graphic descriptions of vigilante justice. Reader discretion is strongly advised. Please take care while reading.


    I am not holy.
    I am not kind.
    But I am coming.
    For every shadow that thinks it can hide.

    I stand before him, sharpening knives—
    Each blade sings a lullaby in steel,
    Echoing screams not yet spilled.
    He lays strapped to the table,
    His wrists worn raw from resistance.
    He called it “just a misunderstanding.”
    Said she “asked for it,”
    Her dress, her smile, her drink a signal.
    Now I signal back—with silence and a scalpel,
    Etching apologies he’ll never mean
    Into the flesh of his trembling face.
    I carve out the smirk he wore in court
    When she cried behind closed eyes.
    His voice breaks as her memory blooms in red.
    I whisper, “Do you feel misunderstood now?”

    The preacher follows,
    Still mouthing verses between ragged sobs.
    He who touched in the name of grace,
    Laid hands on innocence and baptized it in shame.
    Told her body was a temple—
    One he visited in the dark.
    Now I anoint him in holy flame.
    Trace crucifixes in gasoline,
    Sear scripture into his chest,
    Each burn a passage he twisted.
    Let the angels turn their eyes away,
    Let the heavens choke on his pleas.
    Your God didn’t stop you.
    He won’t stop me.

    Third comes the lover.
    Gaslight king, puppetmaster,
    The alchemist of self-doubt.
    He turned “I love you” into a leash,
    Told her the bruises were dreams,
    That her panic was drama,
    That she broke things—when it was always him.
    I give him a mirror and a mask made of glass,
    Slice truth across his tongue,
    So he chokes every time he tries to lie.
    He begs, “I didn’t hit her.”
    I say nothing.
    She didn’t need bruises to bleed.

    She walks in next—
    The friend who laughed when it happened.
    She passed the drink.
    Watched her stumble.
    Left her in a room full of wolves.
    Said it was “just one night.”
    One night that swallowed decades.
    Now she’s gagged with the silence she gave,
    Each tooth yanked for every “I didn’t see.”
    I let the drip of guilt echo in the basin,
    So slow, it becomes a scream.
    She cries, not for her—but for herself.
    Typical.

    And then the uncle.
    No introduction needed.
    He knows why he’s here.
    His eyes scan the room for exits—
    Funny, how he gave her none.
    He said it was “just a game,”
    A “secret” they would keep.
    Now I tattoo every secret on his skin
    With needles tipped in venom.
    Every thrust of pain is a childhood reclaimed.
    I bind his hands with tiny shoes,
    And break his bones to the rhythm
    Of nursery rhymes.

    Sixth was a doctor,
    A healer by name, butcher by act.
    He diagnosed weakness in rebellion,
    “Fixed” what wasn’t broken—
    Lobotomized dissent, shocked grief into silence.
    His clipboard weighed more than souls.
    Now I strap him to the same bed
    He used like a throne.
    Inject truth into his veins,
    His screams pure, sterile, and… finally real.
    Let him rot in his own white coat.

    The last is a trafficker,
    Dealer of dreams turned nightmares.
    He sold little girls for money and men.
    Branded their worth on their thighs,
    And slept like a king while they bled.
    I strip him bare,
    Force him to wear the names of those he broke.
    With every scream he offers,
    I count another name, another child.
    He doesn’t last long.
    Cowards rarely do.

    And now, the table is empty.
    The blades are dull.
    The floor is slick with justice.
    I light a candle for each soul they stole.
    Seven flames flicker—none for them.
    Not one prayer.
    Not one plea.

    Because I do not ask forgiveness
    From gods who watched
    And did nothing.
    Who stayed silent while hymns turned to screams.
    Where were they when the children wept?
    When innocence died in locked bedrooms
    And courtroom lies?
    If heaven won’t hold these monsters to fire,
    Then I will.
    If the angels won’t draw their swords,
    Then I’ll become the blade.

    I am not holy.
    I am not kind.
    But I am coming.
    For every shadow that thinks it can hide.


    Author’s Note (from Rowan Evans):
    This piece came from a place beyond me—voiced through B.D. Nightshade, a facet of my writing that channels the rage and vengeance that survivors are so often denied space to feel. While I, Rowan, do not condone violence, I understand the emotional truth in needing justice when the world remains silent. If you are a survivor reading this, know that your pain is valid, your story matters, and you are not alone. Please care for yourself in whatever way you need right now.