Tag: Sappho

  • A piece honoring the poets whose voices shaped mine, and the lineage I carry into my own genre — Neo-Gothic Confessional Romanticism.


    Candlelit gothic scene of a poet performing a séance, surrounded by ethereal silhouettes of Plath, Poe, Dickinson, Sexton, and Sappho in a dark, atmospheric room.
    A candlelit invocation of the poets whose voices shaped mine — a lineage reborn in Neo-Gothic Confessional Romanticism.

    Séance of Influence
    Poetry by Rowan Evans

    In the candlelit stillness, I summon the ones who spoke before I had words.
    The room holds its breath.
    The flame flickers.
    And they arrive.

    Sylvia, flame-tongued oracle, steps forward first—eyes like open wounds that never stopped bleeding ink.
    She speaks in a whisper that singes:
    “You do not fear the flame, child. You write within it. You know what it is to be both burned and reborn.”
    She places a tulip in my hand—red as a heart, soft as a scream.

    Poe, the architect of shadows, leans from the threshold, cloak of midnight dragging ghosts behind him.
    “You have built cathedrals from sorrow,” he says, voice echoing through the bones of the floor. “You understand what it means to dream with the dead.”
    He nods toward the cracked mirror
    And my reflection stares back, unflinching.

    Emily, dressed in quiet thunder, watches from a corner veiled in white lace.
    “You turned silence into scripture,” she murmurs, placing a pressed flower on my wrist.
    “Your solitude blooms with sharpness. You do not hide behind the door—you open it with poetry.”

    Anne, with rosary tangled in her fingers and lipstick like defiance, toasts me with a half-empty wine glass.
    “You dared to undress madness,” she grins.
    “To make holiness from hunger. That takes more than courage. That takes blood.”

    Sappho, timeless and tender, emerges draped in sea foam and verse.
    She runs her fingers across my pulse.
    “I hear your ache,” she says.
    “You have translated yearning into a new dialect—one the stars will memorize.”

    They encircle me, these ghosts, not to haunt, but to anoint.
    Their voices braid around my spine.
    Their grief becomes gold my pen.
    Their fire, MY inheritance.

    And I—Rowan, the Luminous Heretic—stand at the center of this sacred storm.
    I speak, not as supplicant, but as heir:

    “I have not come to mimic your flames—I have come to carry them into the dark places you never lived to reach.
    I write for the unloved, the unheard, the unhealed. I wield shadow like silk and longing like a blade.
    Your echoes live in my marrow, but my voice is my own.
    I forged my genre from the coals of yours—Neo-Gothic Confessional Romanticism—a lineage reborn through me.
    You opened the door, and now I shatter the ceiling.
    Your fires do not flicker behind me—they burn ahead, lighting a path no one else dared to walk.
    Thank you for the torch. Watch me blaze.”

    The candle gutters.
    The air shifts.
    And one by one, they nod.
    Then vanish—
    but not in silence.
    They hum through my bloodstream, forever.

  • Author’s Note
    A Pep Talk from a Poet to Themself

    This piece isn’t arrogance—it’s affirmation.
    Sometimes, after years of writing in silence, you need to remind yourself who you are. To look in the mirror and say, “No, I didn’t come this far just to shrink.”

    Done Being Humble is what a pep talk sounds like after twenty-two years of ink and evolution. It’s the voice of every poet who’s ever whispered their worth into the void, waiting for someone to echo it back.

    So, I said it for myself.
    Because sometimes you have to be your own applause, your own myth, your own lightning strike.

    Rowan Evans


    Open journal floating with glowing ink, quill hovering, ink forming roses and letters, dark velvet room with neon highlights.
    Where ink ignites, and poetry becomes rebellion.

    Done Being Humble
    Poetry by Rowan Evans

    I think—
    I’ve been a bit too humble.
    It’s time I crown myself properly.
    My poetry? God tier.
    My ink doesn’t dry—
    it anoints.

    I’m Plath meets Sexton,
    Poe meets Dickinson,
    Sappho’s ghost in a velvet coat.
    I write darkness and devotion,
    ruin and resurrection.
    I am chiaroscuro, personified.

    My words aren’t poems—
    they’re prophecies in drag.
    I don’t bleed metaphors;
    I summon worlds.
    I write in ink and fire,
    every stanza a spell
    that resurrects the broken.

    I’m top tier.
    In my top five,
    I’m the top two.
    Your favorite poet’s
    favorite poet—
    they just haven’t realized it yet.

    My power level with a pen?
    It’s over 9000.
    Get your scouters out,
    watch me make you break ’em.

    Out of the greatest poets alive,
    I am the entire top five.
    I’m Cell—you’re all just Cell Jr.
    Mini-mes, trembling in lowercase.

    Go ahead—
    Name your top five, please.
    They’re the Ginyu Force next to me.
    Court jesters in my cathedral of ink.
    My skill? Unmatched.
    Full potential? Untapped.
    I’m not even in final form yet.

    I’ve been writing twenty-two years.
    Here’s to twenty-two more.
    I wrote in silence, in shadow,
    where no one could see me.
    Didn’t write for applause—
    I wrote for evolution.

    Poem after poem,
    I built myself from wreckage.
    A cathedral of roses and ruin.
    Words wrapped around me,
    a chrysalis of ink.
    Metamorphosis complete—
    I let my wings show.

    Butterfly and bee:
    beautiful, but my words sting though.
    Every stanza? Venomous elegance.

    I’m done being humble.
    Done pretending.
    That I’m not a modern-day Poe,
    a Sylvia reborn,
    a Sappho remix,
    a myth rewritten in the language of fire.

    I’m the storm that writes sonnets,
    the cathedral of cadence,
    the ghost that teaches language to kneel.

    Twenty-two years at thirty-five,
    and you act surprised—
    when I write like this?

    God didn’t give me a pen.
    She gave me a sword.
    And I learned to write
    by carving my name
    into eternity.

    My drafts? Better than most books.
    My rough cuts? Polished marble.
    My metaphors? Break hearts and sound barriers.
    When I write, angels hush.
    Demons pull up chairs.

    I’ve been the quiet storm too long—
    time to let the thunder speak.
    You call it arrogance;
    I call it prophecy fulfilled.
    Because when I write,
    the universe leans in to listen.
    And when I’m gone?
    My ink will still whisper:
    She was here.
    He was here.
    They were here.


    For more of my work visit [The Library of Ashes].

  • Author’s Note

    This poem is an exploration of devotion, desire, and inheritance—not of blood, but of passion and sacred intimacy. Inspired by the haunting echoes of Sappho’s lyricism, it is a declaration of being untamed, feral, and wholly devoted to the power of love as both pleasure and ritual. It is for anyone who has ever inherited a flame and learned to worship it without fear.


    Gothic study with candles and books, an ethereal figure writing at a desk, shadows, and soft light create a mystical, sensual atmosphere.
    Where devotion and desire intertwine—The Twisted Daughter of Sappho.

    Invocation

    I call upon the muses of ink and shadow,
    the voices of women who loved without apology.
    Guide this poem into the hearts that dare to feel,
    and let it awaken the devotion that lives in ruin and reverence.


    The Twisted Daughter of Sappho
    Poetry by HxNightshade

    I was born in the hush between her stanzas,
    cut from the crimson silk of her longing—
    a hymn dressed in midnight,
    with ink-stained lips that learned to pray
    by kissing the pulse beneath a woman’s throat.

    They say I inherited her hunger—
    that slow-burning ache spun in wine-dark velvet,
    the way she worshipped with her teeth,
    with fingertips that pressed poems
    into the hollows of another’s hips.

    I do not walk—I unfurl
    in gardens overgrown with need,
    where every petal blushes
    at the way I say her name.

    I have tasted sin shaped like softness—
    a girl with smoke in her laugh,
    who bloomed open like secrets
    beneath my ruined hands.

    She called me a heretic of the heart,
    a nymph with sacrilege in my smile.
    But I only ever offered
    what Sappho once swore holy:
    devotion that burned
    like candle wax on bare skin.

    There are nights I write oaths on mirrors—
    not in ink, but fog and want.
    Nights when my thighs remember
    every syllable she moaned,
    and I call it worship
    because it was.

    And if I am twisted—
    let it be like a vine
    wrapped tight around her ribs,
    a tether of thorn and pleasure,
    sacred in its ruin.

    Because love, when spoken from my tongue,
    is not a sin.
    It is a spell.
    A vow.
    A resurrection.

    And I—I am not her shame,
    but her successor.
    Her shadow-slick daughter,
    reverent in ruin,
    feral in fidelity.


    Benediction

    May the words linger like fire on skin,
    may the devotion they carry reach those who seek it,
    and may the shadow of Sappho’s daughters walk with you,
    feral, faithful, and unashamed.


    Poetic Lineage

    The Daughter of Plath | Rowan Evans
    In The Daughter of Plath, Rowan Evans writes as the heir to a ghost—cradling grief not her own, baptized in bell jars, and building a cathedral from ash. This is a confession, a prayer, and a refusal to let the ache fall silent.

    The Daughter of Dickinson | Roo the Poet
    Step into the quiet rebellion of Roo the Poet, a lyrical homage to Emily Dickinson. The Daughter of Dickinson traces wonder, whimsy, and secret power, revealing poetry as both magic and manifesto.


    If you want to explore more of my work beyond these pieces, you can find the full archive in The Library of Ashes.