Tag: Personal Reflection

  • Author’s Note

    This piece wasn’t planned.

    It started as a stream of thought—just letting whatever was there come out without trying to shape it into something clean or intentional.

    Somewhere in that flow, a pattern surfaced.

    The realization that you can share a label with someone—same country, same language—and still feel like you’re speaking from completely different worlds.

    This isn’t about rejecting where I’m from.

    It’s about acknowledging that belonging isn’t always defined by it.

    Rowan Evans


    Two people standing apart representing cultural and emotional disconnect despite shared identity.
    Same label. Same place. Different worlds.

    Two Americans
    Poetry by Rowan Evans

    Time flies
    when you’re lost inside
    a wandering mind
    as days turn to nights.

    It’s a cycle—
    thoughts repeat,
    recycled.

    Up before the sun,
    still up
    when the day is done.

    I smile
    when the moon
    greets me.

    Waves crash down
    as thoughts echo out—
    it’s the tide
    that leads me.

    Drifting at sea,
    looking for a place
    that’ll hold me.

    It’s not here.

    I’m not a
    star-spangled,
    salute-the-flag
    patriot.

    I don’t understand
    nationalistic
    points of view.

    That’s why I drift a lot—
    lost in thought
    like I forgot
    how to talk.

    “You’re an American?”
    “Me too.”

    “You speak English?”
    “Me too.”

    Then why
    does it feel like
    two different languages
    when I speak
    with you?

    Two Americans.

    Two different
    cultural views.

    Same place—
    but never
    felt the same.


    Journey into the Hexverse!

    [None of It Means a Thing]
    Success, fame, and money don’t mean much without someone to share them with. None of It Means a Thing explores love, purpose, and what truly makes life feel complete.

    [Of No Single Nation]
    What if belonging isn’t tied to where you’re from? Of No Single Nation explores identity beyond borders, reframing home as something found in connection rather than geography.

    [Coordinates of Escape]
    A deeply introspective poem about overthinking, emotional loops, and the desire to start over. Coordinates of Escape traces the journey from internal chaos to a deliberate destination—both physical and personal.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This started as a practical problem.

    I fell asleep with my glasses on and snapped them in my sleep. For about thirty minutes, I was irritated and squinting at the world. Then I realized there was still one arm left – and that was enough.

    So I made it work.

    Headphones became scaffolding. Music held my vision in place long enough to avoid a headache.

    Sometimes clarity doesn’t need to be perfect. It just needs to be functional.

    Rowan Evans


    A pair of glasses sits on a desk next to a pair of wireless headphones, soft light being cast over them through a window.
    Not perfect.
    Just enough to see.

    Scaffolding (Good Enough to See)
    Poetry by Rowan Evans

    I woke up this morning
    to find my eyes broken—
    arm missing, broken in sleep,
    had me squinting at screens.

    I felt blind,
    I couldn’t see.
    Words merged
    and blurred together—
    accidentally silenced me.

    It was like—
    I could speak,
    but I couldn’t speak.
    Couldn’t find
    the words I seek.
    They were lost to me.

    I tried to make it work for me,
    MacGyver’d my vision
    just so I could see.
    Headphones propped
    like scaffolding—
    music holding
    sight for me.

    It wasn’t clear—
    just clear enough.

    And sometimes
    that’s the difference
    between pain
    and peace.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece is a quiet confession—half shadow, half devotion. In In Her Light, I explore what it means to exist in the spaces someone else illuminates, to be tethered to their glow without asking for it, to guard what they give freely. Sometimes devotion is loud, sometimes it’s invisible; this is the latter, folded into every heartbeat and breath.

    B.D. Nightshade


    Shadowed figure bathed in a single warm beam of light in a gothic room, symbolizing devotion and the interplay of shadow and illumination.
    “Existing in her light, a shadow of devotion and quiet confession.”

    In Her Light
    Poetry by B.D. Nightshade

    She’s the light,
    I’m the shadow she casts.

    I’ve always known my place—
    not in the center,
    not demanding attention,
    just here, steady, waiting.

    Every laugh she lets loose
    echoes against the walls of me.
    Every glance she doesn’t notice
    leaves fingerprints on my chest.

    I’m the quiet behind her flare,
    the pulse she doesn’t feel,
    but the one that steadies her steps
    when the world threatens to wobble.

    She doesn’t need me to shine—
    but I need her light.
    And if the only way to keep it safe
    is to linger unseen,
    then unseen I remain.

    I memorize the way she breathes,
    how her shadow bends against the floor,
    the subtle tremble in her hands
    when she’s trying not to break.

    I’ve built invisible walls around her glow,
    stone by stone, heartbeat by heartbeat,
    so no one steals what she gives freely,
    so no one dims what she can’t contain.

    And still, I ache.
    I ache to be more than a sentinel,
    to be the warmth that touches her skin,
    to be seen by her, truly.

    But for now, I exist in the quiet,
    folded into corners she never notices,
    a whisper of devotion
    she feels only when danger passes,
    when chaos recedes,
    when the world bows down
    and leaves her whole.

    I am her shadow,
    but even shadows have edges.
    I will guard her light,
    even from myself.


    Looking for more poetry? You can find it all in [The Library of Ashes].

  • Author’s Note

    Made for the Burn is a meditation on intensity, desire, and the kind of connection that ignites something raw inside us. It’s about falling—not gently, not cautiously—but fully into the heat of someone who challenges, awakens, and reshapes the self. This poem honors the fire in others, but more importantly it honors the fire in my muse, and the courage it takes to sit close to it without fear.

    Rowan Evans


    A person standing near a blazing fire, their face illuminated by the flames, symbolizing passion, intensity, and the courage to embrace desire.
    “Sitting close to the fire—embracing intensity, desire, and the lessons only heat can teach.

    Made for the Burn
    Poetry by Rowan Evans

    I fell for her. No parachute.
    I fell for her for the fire,
    not the soft or the sweet.
    I was made for the burn,
    for every lesson heat could teach.

    She struck the match just by speaking—
    a spark in the dark that lit the fire of my yearning.
    And I never wanted gentle anyway.
    I wanted the blaze that strips you clean,
    the truth that hurts before it heals.

    She lit my shadows softly,
    laughed the fear right out of me.
    I didn’t choose the falling,
    but I chose the way I landed—
    open palms, open heart, unbroken faith.

    But it’s no delusion, I know she’s not mine,
    and it’s fine, ’cause I told her I’m not leaving.
    I’d be damned if I didn’t stay—
    ‘Cause I’m no liar,
    so I sit as close as I can to her fire.

    Feel the warmth brush against my skin,
    it’s the only thing that makes me feel alive.
    It’s like a drug coursing through my veins,
    I feel it inside—it’s what she does to me,
    and she does it beautifully,
    without even trying.


    For more of my poems, explore the Library of Ashes—a curated collection of work that dives into desire, darkness, and devotion.