Tag: feeling out of place

  • Author’s Note

    This poem is the second part of an experiment I started in Crossing the Sea—an attempt to write without leaning on metaphor, or at least to notice when metaphor appears even when I’m trying not to use it.

    The first piece focused on direction: the place I’m moving toward, the literal ocean I have to cross to get there. But I realized that before I could talk honestly about where I’m going, I needed to talk honestly about why I’m leaving.

    That’s what this poem is.

    It’s the part I’ve always written around instead of through.
    The part I’ve buried under tides, distance, storms, and moonlight.
    The part I’ve hinted at for years without ever saying plainly.

    The truth is simple, even if it took me a long time to say it:

    I’ve never felt at home in the country where I grew up.

    Not in childhood.
    Not in adulthood.
    Not in all the years in between.

    It’s a quiet ache—persistent, steady, familiar.
    Not dramatic, not catastrophic, just a sense of misalignment I’ve carried since I was fourteen. A feeling of being held in a place I never belonged to, waiting for a life that didn’t start here.

    I’ve called it restlessness.
    I’ve called it longing.
    I’ve called it distance.
    Eventually, I called it the ocean.

    But naming it directly felt necessary.
    Not to erase the metaphors, but to understand what they were protecting.

    This poem is that attempt.
    Not a rejection of metaphor, but a recognition of the truth beneath it.

    Rowan Evans


    A traveler stands at the edge of a familiar neighborhood looking toward a distant horizon with a suitcase in hand.
    Sometimes leaving isn’t running away. Sometimes it’s finally walking toward the place that feels like home.

    Only Waiting (No Metaphor Left Behind)
    Poetry by Rowan Evans

    Turn the page,
    I’ve got more to say.

    I’ll try again
    not to hide behind
    metaphors
    and coded lines.

    Last time—
    I talked about the destination,
    the place I’m moving toward.

    This time—
    I’m going to talk about the ache.
    The persistent empty feeling
    that I’ve been feeling since I was fourteen.

    I’ve written about it before
    woven in metaphors.
    But this time I’m going to try
    and say it plain.

    It’s the ache of living in a place
    that never felt like mine.

    Not once.

    Not in childhood,
    not in adulthood,
    not in all the years in between.

    People talk about home
    like it’s a given—

    a birthplace,
    a neighborhood,
    a country that shaped them.

    But I never felt shaped by this place.

    Only held in it.
    Only waiting.

    I learned early
    that you can grow up somewhere
    and still feel like a visitor.

    You can know every street
    and still feel lost.

    You can speak the language
    and still feel unheard.

    Since fourteen,
    I’ve carried this quiet emptiness—
    not dramatic,
    not catastrophic,
    just a steady sense
    that I was meant to be somewhere else,
    and somehow ended up here instead.

    I used to call it restlessness.

    Then longing.

    Then distance.

    Then the ocean.

    But the truth is simpler:
    I’ve never felt at home
    in the country that raised me.


    Journey into the Hexverse…

    [Crossing the Sea (No Metaphor Left Behind)]
    A deeply personal poem about relocation, longing, and the realization that some truths naturally arrive through metaphor—even when we try to leave it behind.

    [Translating What I Feel]
    A poem about the invisible process of turning emotion into imagery, imagery into language, and language into poetry. An intimate reflection on creativity, loneliness, and twenty-three years of learning to translate what the heart feels.

    [Maybe You’ll Want Me Too]
    A poem about the subtle shift from knowing someone to constantly thinking about them. Through humor, metaphor, and confession, Maybe You’ll Want Me Too explores affection, attachment, and the fragile hope that being wanted might matter more than being needed.

    [Recognizes Home]
    A free-verse poem exploring the difference between love as dependency and love as choice. It challenges the idea that love must be need-based, instead centering the quiet strength of choosing someone while still remaining whole on your own.

    [Not Rebuilding You]
    A poem about love as an act of presence rather than rescue. Through construction imagery, Not Rebuilding You explores trust, devotion, emotional safety, and the quiet work of building a foundation strong enough for healing to grow.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some people can walk into a room and never notice the atmosphere change.

    I’ve never been one of them.

    I notice tone shifts, silence, tension, body language, eye contact, emotional static—sometimes before a word is even spoken. Rooms have always felt alive to me in that way, almost like weather systems with their own pressure and temperature.

    For a long time, I thought that sensitivity meant something was wrong with me.

    But over time, I realized I wasn’t imagining things. I was just noticing things other people either missed or ignored.

    This piece came from that feeling: walking into spaces and immediately sensing the emotional climate shift around you.

    Not because you’re dangerous. Not because you want attention.

    But because some people carry storms quietly, and other people instinctively react to the pressure.

    The important part is this:

    Not every storm is destructive.

    Sometimes thunder is just thunder. Sometimes lightning never comes.

    Rowan Evans


    A solitary figure stands quietly in a crowded room as storm clouds and atmospheric tension subtly gather around them.
    Some people don’t bring storms into rooms—they just notice the pressure before everyone else does.

    Weather in My Chest
    Poetry by Rowan Evans

    I enter rooms and I can feel
    the weather shift,
    the emotion gets thick
    like humidity—
    and the temperature
    begins to rise.

    And eyes
    move like clouds
    across the sky
    as they follow me.

    Drifting toward
    the horizon line,
    at the edge of the room.

    I can hear the whispers
    rumble like thunder,
    as the questions
    begin to spin.

    “What are they doing here?”
    “Who invited them?”

    I’ve learned
    to stand still
    in the middle of it,
    let the noise
    break around me
    like rain on concrete.

    “Why are they so quiet?”
    “Are they judging us?”

    They don’t know
    I’m not here
    to bring the storm—

    I just carry weather
    in my chest,
    and rooms react
    how they react.

    I’m not the danger
    they whisper about—

    I’m just the one
    who notices
    the temperature
    before anyone else does.

    They don’t realize
    I’ve felt this
    my whole life—
    rooms shifting,
    eyes gathering,
    like weather
    drawn to heat.

    I feel the pressure
    drop behind me,
    the way people tense
    like they’re waiting—

    for lightning
    that never comes.


    Journey into the Hexverse…

    [Sound as a Vessel]
    “Sound as a Vessel” is a free verse poem about music as emotional architecture, exploring how international artists and soundscapes shaped identity, creativity, memory, and poetic voice.

    [Just Knowing You Has Been Enough]
    “Just Knowing You Has Been Enough” is a deeply vulnerable free verse poem about unspoken love, emotional fear, coded confessions, and the quiet truth of caring for someone without needing perfection in return.

    [The Streets I Walk When I Sleep]
    “The Streets I Walk When I Sleep” is a deeply intimate free verse poem about recurring dreams, emotional connection, longing across distance, and the strange feeling of remembering places and moments that have never happened in waking life.

    [Memories From a Life Yet to Come]
    Some dreams feel less like fantasy and more like memory. “Memories From a Life Yet to Come” is a reflective free verse poem about longing, displacement, emotional alignment, and the strange comfort of recognizing yourself more clearly in dreams than in waking life

    [Separate Timelines]
    “Separate Timelines” is a surreal and deeply introspective free verse poem about emotional distance, time zones, vulnerability, and the fear of losing a connection that already feels meaningful before the words are ever spoken aloud.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some dreams feel less like fantasy and more like memory.

    Not literal memory—something stranger than that.

    A feeling. A pull. A version of yourself that already exists somewhere ahead of you, waiting to be caught up to.

    I’ve written a lot about displacement, longing, and feeling emotionally out of sync with the place I was born into. But this piece isn’t rooted in resentment. It’s quieter than that.

    This poem came from the feeling of seeing glimpses of alignment before you’ve fully arrived there yet.

    The strange comfort of closing your eyes and feeling more connected to yourself in dreams than you do while awake.

    Not because sleep is escape— but because sometimes dreams reveal the shape of what your heart has been reaching toward all along.

    Rowan Evans


    A solitary figure stands at the edge of the ocean at twilight, looking toward distant city lights across the water as waves roll onto the shore.
    Some places feel familiar long before we ever arrive there.

    Memories From a Life Yet to Come
    Poetry by Rowan Evans

    I close my eyes—
    hear the crashing waves,
    taste the salt on my lips,
    feel the wind in my hair.

    I feel like I’m floating—
    even lying in bed.

    When I close my eyes—
    I travel in my head.

    It’s like I remember things
    I haven’t lived yet.
    Memories from a life
    yet to come.

    I see the life
    I want to lead,
    while I live the life
    I want to leave.

    Not because I hate it.

    I’m just misaligned.
    A little off-center,
    a little out of sync.

    It’s like I follow the waves,
    because I was never meant
    for this shore.

    Awake is the nightmare,
    asleep is when I open my eyes,
    and I can see the streets—

    where my life
    will finally align.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece wasn’t planned.

    It started as a stream of thought—just letting whatever was there come out without trying to shape it into something clean or intentional.

    Somewhere in that flow, a pattern surfaced.

    The realization that you can share a label with someone—same country, same language—and still feel like you’re speaking from completely different worlds.

    This isn’t about rejecting where I’m from.

    It’s about acknowledging that belonging isn’t always defined by it.

    Rowan Evans


    Two people standing apart representing cultural and emotional disconnect despite shared identity.
    Same label. Same place. Different worlds.

    Two Americans
    Poetry by Rowan Evans

    Time flies
    when you’re lost inside
    a wandering mind
    as days turn to nights.

    It’s a cycle—
    thoughts repeat,
    recycled.

    Up before the sun,
    still up
    when the day is done.

    I smile
    when the moon
    greets me.

    Waves crash down
    as thoughts echo out—
    it’s the tide
    that leads me.

    Drifting at sea,
    looking for a place
    that’ll hold me.

    It’s not here.

    I’m not a
    star-spangled,
    salute-the-flag
    patriot.

    I don’t understand
    nationalistic
    points of view.

    That’s why I drift a lot—
    lost in thought
    like I forgot
    how to talk.

    “You’re an American?”
    “Me too.”

    “You speak English?”
    “Me too.”

    Then why
    does it feel like
    two different languages
    when I speak
    with you?

    Two Americans.

    Two different
    cultural views.

    Same place—
    but never
    felt the same.


    Journey into the Hexverse!

    [None of It Means a Thing]
    Success, fame, and money don’t mean much without someone to share them with. None of It Means a Thing explores love, purpose, and what truly makes life feel complete.

    [Of No Single Nation]
    What if belonging isn’t tied to where you’re from? Of No Single Nation explores identity beyond borders, reframing home as something found in connection rather than geography.

    [Coordinates of Escape]
    A deeply introspective poem about overthinking, emotional loops, and the desire to start over. Coordinates of Escape traces the journey from internal chaos to a deliberate destination—both physical and personal.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    There’s a kind of disconnection that goes beyond mood or circumstance.

    It’s not just about having a bad day, or feeling out of place for a moment. It’s deeper than that—like something fundamental doesn’t line up. Like the life you’re living doesn’t match the shape of who you are.

    For a long time, I tried to understand that feeling as something internal. Something to fix, adjust, or push through.

    But this piece comes from questioning that.

    From considering that maybe the discomfort isn’t a flaw—
    maybe it’s misalignment.

    Maybe it’s the result of existing in a space that doesn’t reflect you, doesn’t hear you, doesn’t hold the parts of you that matter.

    And maybe the answer isn’t to force yourself to fit—
    but to find where you already do.

    Rowan Evans


    Person sitting alone at the edge of a bed at dawn symbolizing feeling out of place and disconnected.
    Sometimes it’s not that you’re lost—it’s that you woke up in a life that was never meant for you.

    The Wrong Side of the Globe
    Poetry by Rowan Evans

    I wake up—
    not just on
    the wrong side
    of the bed.

    I wake up
    on the wrong
    side of the globe—

    in a life
    that doesn’t fit
    the shape of me

    I wake up
    in a timezone
    my body refuses,
    in a climate
    my skin protests,
    in a country
    my soul didn’t choose.

    I wake up
    as the wrong version
    of myself,
    a silhouette
    in someone else’s dawn,
    a life misaligned
    with its own pulse—

    speaking a language
    this place won’t hear,
    carrying histories
    this soil won’t hold,
    belonging to a map
    not on the wall.

    I wake up…

    in a morning
    meant for someone else.

    In a season
    I wasn’t built for.

    In a story
    I don’t remember choosing.

    I wake up
    already tired
    from carrying a life
    that was never mine…

    I wake up
    wanting a world
    that fits my outline—

    a morning
    that knows my name.

    So I drift off—
    falling into sleep,
    praying that I…

    wake up
    to a place
    that feels like mine,

    a life
    that finally fits—

    the shape of me.


    Journey into the Hexverse!

    [Where the Tide Calls Me]
    What if feeling stuck isn’t about being lost—but about resisting where you’re meant to go? Where the Tide Calls Me explores belonging, movement, and the courage to follow an unseen pull.

    [I Was Already On My Way]
    What if the places that call to you aren’t random? I Was Already On My Way explores identity, travel, and the realization that some paths have been forming long before we recognize them.

    [Of No Single Nation]
    What if belonging isn’t tied to where you’re from? Of No Single Nation explores identity beyond borders, reframing home as something found in connection rather than geography.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I’ve had variations of this dream more times than I can count.

    Different streets. Different cities. But the feeling is always the same—familiar, grounded… like I’m not discovering something new, but returning to something I somehow already know.

    It’s a strange kind of recognition.

    Not tied to memory in any clear way, but still deeply felt. Like something in me understands the place, even if I don’t.

    This piece came from sitting with that feeling.

    Trying to understand whether it’s about location… or connection.

    Whether it’s about where I am—or who I haven’t found yet.

    Rowan Evans


    Dreamlike empty city street at dusk with a lone figure walking through a familiar yet unfamiliar place.
    Some places feel like home—even when you’ve never been there.

    Dreaming of Other Streets
    Poetry by Rowan Evans

    I often dream
    of walking streets
    not my own.

    And they feel
    more like home
    than the only one
    I’ve ever known.

    As if my feet remember
    a life my body
    hasn’t lived—

    a map etched
    into bone
    long before
    I learned to read it.

    Like echoes
    of a life misplaced,
    a memory
    with no origin—
    a familiarity
    I can’t explain,
    but never question.

    Maybe it isn’t the streets
    I’m dreaming of.

    But the people
    who would walk them
    beside me—

    the ones who felt
    like home
    long before I knew
    what home meant.

    Maybe I wander
    because nowhere
    has ever held me
    long enough
    to claim me.

    So I keep searching
    for a place
    that feels like mine.

    In dreams,
    I walk with certainty—
    no hesitation,
    no fear,
    as if the ground itself
    knows my name.

    But waking,
    I am foreign
    even to myself.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece isn’t about hatred for where I’m from.
    It’s about honesty.

    For as long as I can remember, I’ve felt the pull of something beyond the shoreline I was born on. Not rebellion. Not fantasy. Just a quiet, persistent tide.

    “Drawn to Sea” is both wordplay and truth – a recognition that sometimes the call we feel isn’t about escape, but alignment. I don’t believe other people are wrong for loving where they are rooted. I simply know that my roots may be meant for different soil.

    Some of us don’t reject the shore.

    We just hear another one calling.

    Rowan Evans


    A person standing alone at the edge of the ocean at sunset, looking toward the horizon in contemplation.
    Some shores are inherited.
    Others call you by name.

    Call of the Tide (Drawn to SEA)
    Poetry by Rowan Evans

    You can call me Moana
    the way I’m drawn to SEA,
    but there is no demi-god
    helping me.

    I must face the waves alone.

    The waves of hate
    from people in the place
    they say,
    I’m supposed to call home.

    But I’m American
    in label only.
    My mind frame
    does not align
    with the anthem
    in their sentiments.

    I’m not saying
    they’re wrong.
    I’m just saying
    I don’t belong.

    This place is not home.
    This shore was never my own.
    I’ve felt the pull of tides
    since my earliest days.
    So I stand at the edge—
    watching the horizon,
    waiting for the water
    to call my name.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]