Tag: Sylvia Plath

  • A piece honoring the poets whose voices shaped mine, and the lineage I carry into my own genre — Neo-Gothic Confessional Romanticism.


    Candlelit gothic scene of a poet performing a séance, surrounded by ethereal silhouettes of Plath, Poe, Dickinson, Sexton, and Sappho in a dark, atmospheric room.
    A candlelit invocation of the poets whose voices shaped mine — a lineage reborn in Neo-Gothic Confessional Romanticism.

    Séance of Influence
    Poetry by Rowan Evans

    In the candlelit stillness, I summon the ones who spoke before I had words.
    The room holds its breath.
    The flame flickers.
    And they arrive.

    Sylvia, flame-tongued oracle, steps forward first—eyes like open wounds that never stopped bleeding ink.
    She speaks in a whisper that singes:
    “You do not fear the flame, child. You write within it. You know what it is to be both burned and reborn.”
    She places a tulip in my hand—red as a heart, soft as a scream.

    Poe, the architect of shadows, leans from the threshold, cloak of midnight dragging ghosts behind him.
    “You have built cathedrals from sorrow,” he says, voice echoing through the bones of the floor. “You understand what it means to dream with the dead.”
    He nods toward the cracked mirror
    And my reflection stares back, unflinching.

    Emily, dressed in quiet thunder, watches from a corner veiled in white lace.
    “You turned silence into scripture,” she murmurs, placing a pressed flower on my wrist.
    “Your solitude blooms with sharpness. You do not hide behind the door—you open it with poetry.”

    Anne, with rosary tangled in her fingers and lipstick like defiance, toasts me with a half-empty wine glass.
    “You dared to undress madness,” she grins.
    “To make holiness from hunger. That takes more than courage. That takes blood.”

    Sappho, timeless and tender, emerges draped in sea foam and verse.
    She runs her fingers across my pulse.
    “I hear your ache,” she says.
    “You have translated yearning into a new dialect—one the stars will memorize.”

    They encircle me, these ghosts, not to haunt, but to anoint.
    Their voices braid around my spine.
    Their grief becomes gold my pen.
    Their fire, MY inheritance.

    And I—Rowan, the Luminous Heretic—stand at the center of this sacred storm.
    I speak, not as supplicant, but as heir:

    “I have not come to mimic your flames—I have come to carry them into the dark places you never lived to reach.
    I write for the unloved, the unheard, the unhealed. I wield shadow like silk and longing like a blade.
    Your echoes live in my marrow, but my voice is my own.
    I forged my genre from the coals of yours—Neo-Gothic Confessional Romanticism—a lineage reborn through me.
    You opened the door, and now I shatter the ceiling.
    Your fires do not flicker behind me—they burn ahead, lighting a path no one else dared to walk.
    Thank you for the torch. Watch me blaze.”

    The candle gutters.
    The air shifts.
    And one by one, they nod.
    Then vanish—
    but not in silence.
    They hum through my bloodstream, forever.

  • Author’s Note
    A Pep Talk from a Poet to Themself

    This piece isn’t arrogance—it’s affirmation.
    Sometimes, after years of writing in silence, you need to remind yourself who you are. To look in the mirror and say, “No, I didn’t come this far just to shrink.”

    Done Being Humble is what a pep talk sounds like after twenty-two years of ink and evolution. It’s the voice of every poet who’s ever whispered their worth into the void, waiting for someone to echo it back.

    So, I said it for myself.
    Because sometimes you have to be your own applause, your own myth, your own lightning strike.

    Rowan Evans


    Open journal floating with glowing ink, quill hovering, ink forming roses and letters, dark velvet room with neon highlights.
    Where ink ignites, and poetry becomes rebellion.

    Done Being Humble
    Poetry by Rowan Evans

    I think—
    I’ve been a bit too humble.
    It’s time I crown myself properly.
    My poetry? God tier.
    My ink doesn’t dry—
    it anoints.

    I’m Plath meets Sexton,
    Poe meets Dickinson,
    Sappho’s ghost in a velvet coat.
    I write darkness and devotion,
    ruin and resurrection.
    I am chiaroscuro, personified.

    My words aren’t poems—
    they’re prophecies in drag.
    I don’t bleed metaphors;
    I summon worlds.
    I write in ink and fire,
    every stanza a spell
    that resurrects the broken.

    I’m top tier.
    In my top five,
    I’m the top two.
    Your favorite poet’s
    favorite poet—
    they just haven’t realized it yet.

    My power level with a pen?
    It’s over 9000.
    Get your scouters out,
    watch me make you break ’em.

    Out of the greatest poets alive,
    I am the entire top five.
    I’m Cell—you’re all just Cell Jr.
    Mini-mes, trembling in lowercase.

    Go ahead—
    Name your top five, please.
    They’re the Ginyu Force next to me.
    Court jesters in my cathedral of ink.
    My skill? Unmatched.
    Full potential? Untapped.
    I’m not even in final form yet.

    I’ve been writing twenty-two years.
    Here’s to twenty-two more.
    I wrote in silence, in shadow,
    where no one could see me.
    Didn’t write for applause—
    I wrote for evolution.

    Poem after poem,
    I built myself from wreckage.
    A cathedral of roses and ruin.
    Words wrapped around me,
    a chrysalis of ink.
    Metamorphosis complete—
    I let my wings show.

    Butterfly and bee:
    beautiful, but my words sting though.
    Every stanza? Venomous elegance.

    I’m done being humble.
    Done pretending.
    That I’m not a modern-day Poe,
    a Sylvia reborn,
    a Sappho remix,
    a myth rewritten in the language of fire.

    I’m the storm that writes sonnets,
    the cathedral of cadence,
    the ghost that teaches language to kneel.

    Twenty-two years at thirty-five,
    and you act surprised—
    when I write like this?

    God didn’t give me a pen.
    She gave me a sword.
    And I learned to write
    by carving my name
    into eternity.

    My drafts? Better than most books.
    My rough cuts? Polished marble.
    My metaphors? Break hearts and sound barriers.
    When I write, angels hush.
    Demons pull up chairs.

    I’ve been the quiet storm too long—
    time to let the thunder speak.
    You call it arrogance;
    I call it prophecy fulfilled.
    Because when I write,
    the universe leans in to listen.
    And when I’m gone?
    My ink will still whisper:
    She was here.
    He was here.
    They were here.


    For more of my work visit [The Library of Ashes].

  • Author’s Note

    I have lived my life with ghosts in the room. Some of them were mine. Some belonged to women who died before I was born. This poem is my conversation with Sylvia Plath—not as an idol, but as a mother of language, a keeper of the raw and the unbearable. She never wrote for me, and yet her words built a room I have lived in for decades. This is my answer back, from the daughter she never met.


    Neo-gothic watercolor of an ash cathedral under a ghostly moon, with pages of poetry drifting upward and a faint female silhouette in the clouds.
    A cathedral built from ash, a prayer written in ink.

    Invocation

    Sylvia, I call you forth not to mourn, but to witness—
    to stand beside me as I open the ribcage,
    spill the ink,
    and show the world what it means to write as if the page were the last breath left in your lungs.


    The Daughter of Plath
    Poetry by Rowan Evans

    I was born with a beehive in my chest,
    buzzing with grief I never earned—
    a secondhand sorrow, wrapped in red silk,
    left at the altar of my ribs.

    Sylvia,
    you baptized me in bell jars,
    taught me how to scream without sound,
    how to find God
    in the burn of a typewriter ribbon.

    Your ache became heirloom—
    stitched into the marrow of my metaphors,
    your ghost weeps beside me as I write,
    fingertips trailing flame
    across the spine of each stanza.

    Where you were the furnace,
    I am the cathedral built from your ash—
    my altar bears the relics of your ruin:
    a curl of smoke,
    a sliver of moon-bitten mirror,
    a lullaby made of broken clocks.

    I do not flinch from the blood on the page.
    I have inked it into scripture.
    This is how I pray—
    with a pen between my teeth
    and my pulse pressed
    against the confessional.

    You gave me your hunger for beauty
    and your curse of seeing too much—
    the world peeled back to its nerve endings,
    the holiness inside horror.

    I walk your tightrope—
    between divine tenderness and obliteration,
    a daughter of fire
    learning to breathe the blaze
    instead of be consumed.

    I do not write to be saved.
    I write because you weren’t.
    Because I am.

    And because the ache still speaks.
    And I,
    your heir in ink,
    refuse to silence it.


    Benediction

    May every woman who writes in the dark know that she is not alone.
    May the ache be carried, not as a wound, but as a torch.
    And may we—your daughters, your sisters, your shadows—
    write not to be saved,
    but because we are still here,
    and the ink is still warm.


    Read Next: A Journey Through Ink & Flame

    If The Daughter of Plath stirred your soul, consider stepping softly into these sacred spaces:

    Love Over Apathy — Fierce devotion born from the ashes of indifference.

    13 Riddles for the Starborn Child — Whispers of whimsy and wonder from Roo the Poet’s dreamscape.

    Hymn & Heresy — A confessional hymn that dares to worship the shadows.

    Or dive deep into the full archive at The Library of Ashes.

    Feeling inspired? Support my craft with 25% off commissions on Ko-fi — your patronage keeps these flames burning bright.

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