This poem came from a simple thought: if you love someone, you have to love the person—not merely the role you want them to play.
A Person First pushes back against the idea that protection, tradition, or romance gives someone permission to control another person’s voice, choices, or identity. A partner is not an accessory to display or a puppet to move around. She is a person first—with her own voice, her own wings, and her own agency.
Love should make room for someone to sing.
— Rowan Evans
Love her as a person, not as a role you can control.
A Person First Poetry by Rowan Evans
I’ve been stuck on this thought,
it’s been on my mind a lot—
why when some guys say they love women,
does it feel like they really don’t love women?
It’s like they’ve got a songbird,
but they don’t want to hear her sing—
like they’ve got an angel,
but they want to clip her wings—
even in traditional gender roles,
you are not supposed to control—
protection doesn’t mean silence,
you’re supposed to be a team—
if you think otherwise,
you’re entirely misguided—
because she is a person first—
not an accessory,
and if that’s something
you can’t see—
then you don’t want a wife,
just a puppet on strings.
Journey into the Hexverse
[Half a Picture] What happens when someone falls in love with the person they discover through your poetry? Half a Picture explores the strange intimacy between writer and reader—and the distance between seeing someone’s mind through their words and truly knowing the whole person.
[Caged Birds Don’t Bow (Remix)] A defiant remix of Rowan Evans’ “Caged Birds Don’t Bow,” confronting control, possession, and insecurity through the imagery of a bird breaking free from its cage and reclaiming its wings.
“Caged Birds Don’t Bow” was originally written in December 2024. This remix, written in July 2026, returns to that same image of wings, chains, and a bird refusing to be owned—but with a different rhythm and a little more fire behind the words.
The cage may look familiar.
The voice inside it isn’t.
— Rowan Evans
The cage can break. The wings were never yours to own.
Caged Birds Don’t Bow (Remix) Poetry by Rowan Evans (written July 30th, 2026)
Man, listen up—
you insecure little prince,
crown crooked,
ego bloated,
ever since you figured control
is how you earn love—
but all you’re doing is clipping wings of a dove.
“You can’t wear that,”
says the self-proclaimed king—
but real royalty?
They let their queen’s voice sing.
Dictating her diet
like you’re running a show,
but her worth isn’t a number,
you shallow John Doe.
You’re the puppet master—
pulling her strings,
but your hands?
Dirty from the lies that you bring.
Gaslight ignited,
making her doubt her truth,
while you bask in the glow of your toxic roots.
“You’re mine,” you declare—
but you’re just a fraud,
trying to play God
with her life as your facade.
Your confidence is counterfeit,
stitched from fear,
you aren’t strong, bro,
you’re just loud and unclear.
She’s not your trophy,
not your possession,
not a canvas for your insecurities’ confession.
Her wardrobe’s not a leash,
her smile isn’t your prize,
and her spirit?
You’ll never own what’s divine.
So take your rules,
your claws, your chains,
and shove them back into your hollow brain.
Her love isn’t a cage,
it’s a free flight,
but you’d rather dim her
than let her light ignite.
She deserves better,
someone who sees.
Her value unmeasured,
like the oceans and seas.
But you?
You’re just a storm cloud trying to rain
on a rainbow she’s painted—
escaping your pain.
So step back, dude—
watch her rise,
You’ll never own the fire
burning in her eyes.
Your world crumbles,
her strength takes wing—
because caged birds don’t bow…
they sing.
Journey into the Hexverse
[Hell’s Protégé (Remix)] Rowan Evans revisits Hell’s Protégé, originally written in 2024, and reshapes the dark, infernal persona through a newer voice. The remix keeps the fire, darkness, and diabolic ambition of the original while allowing the poem to breathe differently.
[Hell’s Protégé & Caged Birds Don’t Bow] Dive into Rowan Evans’ twin poems, Hell’s Protégé and Caged Birds Don’t Bow, where fire meets freedom. Explore devotion, rebellion, and unapologetic truth through lyrical darkness and diss-track energy.
Her Story was born from frustration — not with women, but with the men who turn a woman’s past into a personal insult. This poem confronts the insecurity, entitlement, and emotional immaturity that drive so many men to treat a woman’s history like a threat instead of a testament to her strength.
This piece isn’t about blame; it’s about perspective. A woman’s story is not a competition, not a purity test, not a battlefield for fragile egos. It is something to honor — not to resent.
I wrote this to challenge that mindset, to hold a mirror to possessiveness disguised as devotion, and to remind anyone who needs to hear it that a woman owes no one an apology for having lived before you. She owes no one her silence. She owes no one her shame. She owes you nothing.
— Rowan Evans
A woman’s story is not a threat — it’s something to honor.
Her Story Poetry by Rowan Evans
Why do some guys
get so hung up on the past?
Why do you care so much,
what happened before you?
So what she’s lived a life before—
oh no, someone wanted to make her their wife before.
I’m so jealous, watch me act out, get hellish.
Nah, I’m just playin’, just joking around—
Because it’s not about the past for me,
getting that hung up on her before…
that’s blasphemy.
So if you can, answer me this…
why do so many guys get pissed?
Yeah, she has experiences—
that you can’t touch.
They happened before you,
why let them affect you so much?
Why does her story
feel like a threat
instead of a lesson
that she’s survived,
lived, loved, lost—
and still chose you
in this moment?
Why does her story
make you small,
when it should make you honored
to be part of the chapter
she won’t have to rewrite?
Why do you police her scars
as if she owes you
purity, silence,
a spotless record
to soothe your ego?
You want devotion
but shudder at evidence
that she lived
before your shadow
ever touched her skin.
But here’s the truth:
A woman with a past
isn’t a warning label—
she’s a masterpiece
restoring herself.
And if that scares you,
it’s not her history
you’re terrified of—
it’s your own reflection.
It’s because you don’t feel worth—
the attention, or affection.
You don’t feel like you
can handle her truth.
You can’t honor what she’s been through,
so it weighs on you, and it weighs heavy.
You do what you can to
try and prove
you’re ready.
But you’re not.
You’re just like every other guy,
sitting back, asking why?
Why not me?
I’ve been,
nice as can be.
Sounding like she owes you something,
but the truth is—
She owes you nothing.
Every rebellion begins as a prayer whispered into darkness.
Mary Cast a Little Hex is the solitary hymn — a woman standing before her altar of ruin, choosing power over apology. She is the patron saint of the unrepentant, the quiet spark that lights the rebellion.
Ring Around the Rose Bush is her echo, multiplied — the chorus of daughters who rose from her ashes, the feral bloom of a world reborn through wrath and grace. It is a hymn for every heretic heart that refuses to kneel.
Together, these poems are a Witch’s Gospel: a scripture of survival and sanctified rage.
To burn and still bloom — that is the miracle. To be called “too much” and still rise — that is the magic.
May every word be a spell, and every reader, a flame.
— Rowan Evans
From ashes bloom dark petals — the witch’s gospel in motion.
Mary Cast a Little Hex Poetry by Rowan Evans (Written June 28th, 2025)
Mary cast a little hex,
The altar cold as stone—
A whisper stitched from thorn and wax,
A prayer she made alone.
She didn’t weep. She didn’t kneel.
She bit the moon instead—
And carved her name in shadows deep,
Where angels fear to tread.
They called her “witch” with tongues of ash,
Their blessings laced with blame.
But Mary burned like prophecy—
Too holy for their shame.
Her heart was made of comet dust,
Her breath a velvet flame.
She kissed the wind and it obeyed,
Then vanished with no name.
And now the stars recall her sigh,
The dark hums with her spell.
Each midnight bloom, each broken clock
Still rings the chapel bell.
She walks in dreams of restless girls
Who ache, but do not bend—
Their lashes lit with embers red,
Their laughter sharp at end.
Now every hex, each whispered spell,
Still bears her rebel mark—
A kiss of ink, a flame of hope,
A torch lit in the dark.
Ring Around the Rose Bush Poetry by Rowan Evans (Written June 29th, 2025)
Ring around the rose bush, A pocket full of thorns— Ashes to ashes, Patriarchy drags us into scorn.
Whispers crawl beneath cracked lips, Where shadows breed and plots conspire, They wear their crowns of rotten bone, And feed us poison from the pyre.
We dance in ruins, blackened bells, Singing songs they tried to smother, Our bones break glass beneath their heels, Our fury is a mother.
Ring around the rose bush, We spin through smoke and flame— Ashes choke the blackening sky, But from these ashes, we carve our name.
They bury us beneath cold earth, Try to silence every scream, But roots of rage twist deep and dark, Bursting forth like a fevered dream.
We are the thorn inside the rose, The wound that will not heal, A reckoning dressed in midnight, The truth they cannot steal.
Ring around the rose bush, A pocket full of spite— Ashes to ashes, We rise again to fight.
So let the gardens rot and fall, Let the halls grow cold and bare, From the cracks, new roses bloom— Dark petals soaked in dare.
Step deeper into the shadows and discover the full breadth of my poetry in The Library of Ashes — an archive of ink-stained devotion, dark petals, and threshold poems that linger long after the last candle flickers.Visit The Library of Ashes →
I wrote this for her — the one whose name feels like both prayer and sin.
Not to mock heaven, but to remind it what love looks like when it’s lived in human skin.
Because sometimes, faith isn’t worship. It’s defiance in the name of tenderness.
“Love made them fearless enough to brawl with heaven — and tender enough to lay it back to rest.”
When I Fought God for Her Poetry by Rowan Evans
You said— you had a migraine again, so I told you, I’d say a little prayer. But if that didn’t work, I’d go up there and make God make it go away.
You laughed. But I meant it. I’d box deities to take your pain away. I’d throw hands with Gods and Goddesses.
I’d walk right up, like — “listen here, you divine little prick.” Catch him off guard: “You might be God, but you clearly got a little dick. The way you wield little-dick energy.”
Go ahead— smite me. (Coward.) Just know— you better be ready to fight me.
“I said heal her, not test her— you omnipotent coward. Give her rest, or I’ll rewrite your scripture myself.”
So I climb. Not on a ladder of prayer, but up a rope made of names I swear I’ll never say again— each knot a vow, each loop a promise. The sky cracks like an egg; thunder flinches. Clouds part to watch the mess I’m about to make.
First I find the doorman to the heavens— the one with a clipboard and a halo too small for his head. He checks my grief like it’s a permit; I hand him a bruise and a name. He frowns, flips a page, tries to veto me. I step in close and whisper: “You work customer service for eternity? Poor you.” Then my fist meets marble and the bell rings, and the Pearly Gates swing off their hinges.
Wings beat like shutters; angels tilt their heads like bored referees. I dodge the choir— their harmonies can be lethal—and I keep walking. A goddess in linen offers incense; I snatch the censer, skein it into a rope, and swing. Her perfume tastes like paperwork; I cough it up into the wind and keep going.
Hallways mapped by myth— Olympus, Valhalla, the mailroom of miracles— I stride them all barefoot, dragging a trail of small rebellions. I pass Zeus in a robe, bored with thunder. I clap once and steal his lightning. “Borrowed,” I tell him. He blinks. Lightning in my palm feels heavy with apology. I throw it like a rope—no, like an apology turned projectile— toward the place where pain hides.
Ministers of fate try to lecture me on consequence. I read their contracts aloud and rip the margins out like ticker tape. “Fine print,” I say. “Fine for you. Not tonight.” One deity mutters something about hubris; I hand them a mirror. They don’t like their reflection.
The gods swell; the heavens tense, like neighborhoods preparing for a parade that never comes. I trade left hooks for liturgy— each punch rearranges a verse, each uppercut edits a line. Commandments rattle. Mythic laws become limericks under my knuckles. I bleed ink and the stars drink it and become quieter.
They call reinforcements— avatars, avatars with perfect hair and terrible customer service. I meet each one the same: a joke, a jab, a promise. “Your omnipotence has been outsourced,” I tell them. A Valkyrie grins; I say, “Not tonight,” and she drops her spear like it’s tired of being serious.
At the gate where they schedule tests, I find the migraine: a small, grey child with the world’s noise in its fists. It sits on a throne of buzzing radios, feeds on fluorescent hum. I kneel. Not a prayer this time—a plan. I cup the child’s head like a secret, whisper apologies I don’t deserve to say aloud. Then I punch a hole in the noise. It’s less dramatic than you think— a clean, surgical silence that smells like relief.
The gods holler. “You cannot—” they begin. I finish for them: “Watch me.” I gather their stubbornness, twist it, braid it into lullaby. Rewrite scripture? I do—one line at a time. Where they wrote tests, I write rest. Where they insisted on trial, I ink in mercy. Where they wrote cosmic riddles, I carve simple sleep.
A thunder god tries diplomacy— offers a crown if I’ll walk back. I toss it into the void; it clatters into oblivion like a coin with no value. “You keep the crown,” I tell him. “I’ll keep the quiet.” He sulks and the weather lightens.
Blood and starlight, sweat and scripture: the bargain smells like incense and victory. I do not conquer with conquest’s cruelty; I conquer with the small, stubborn insistence of care. I return the migraine to its box— soft, bound with my exhale— and hand it back to the universe with a receipt: PAID IN FULL — one love, nonrefundable.
When I climb down, the sky blinks as if it had only been napping. You sit in your quiet room with a blanket and a mug, blinking like an animal reintroduced to light. You laugh at me later—a small, breathy thing— because you always laugh when I swear and fight. I kiss the place behind your ear like I’m sealing the universe back in its proper frame.
Gods grumble; some edit their resumes. Angels gossip like old women about the loud mortal who would not hush. I don’t care. I come down with sore knuckles and a new psalm in my back pocket. It reads: She shall sleep. He shall never tire of saving her. We will not test what we cannot bear.
And if any deity asks, I say the same thing I said when I walked up: “listen here, you divine little prick— you might be God, but you got little-dick energy. Fight me if you want. Fight us if you have to. But know this: I love her. I will make the cosmos learn how to be gentle.”
You close your eyes and breathe. The migraine loosens its grip like a tired animal. You murmur a name and sleep folds you into it like a clean sheet. I stay awake for a while, fingers laced with that holy, ridiculous, furious calm— the kind that only comes after you’ve brawled with the architecture of the world for someone you love.
If you are interested in checking out more of my poetry, you can find it here—[The Library of Ashes]
This one’s for the ones who think their ego gives them a crown. A little feminist sermon in C minor, sharp, funny, and unflinchingly honest. Consider it a poetic mic-drop for all the Fuckboys out there—because sometimes silence really is golden… especially when it’s his.
A visual representation of ‘Shuddup, Fuckboy’—a feminist mic-drop in poetry form.
Shuddup, Fuckboy (A Feminist Sermon in C Minor) Poetry by Rowan Evans
“Because silence is golden — especially when it’s his.”
Oh, you talked to a woman once and now you think you know it all? Shuddup, Fuckboy.
Every picture you send is a dick pic, because you’re a dick, bitch. Foreplay? You think that’s texting “u up?” at 2am like a horny raccoon in the DMs.
You quote Jordan Peterson, have a podcast no one listens to, and think “emotional labor” is a kink. It’s not. Grow up.
Shuddup, Fuckboy. You say you’re “sapiosexual” but can’t spell it. You call yourself a feminist just long enough to get her clothes off. Then it’s “Well, not all men…” Cue the sirens. We found the problem.
You’re the human version of an unsolicited voice memo— loud, unnecessary, and somehow still managing to mansplain her own trauma back to her.
You think “being nice” entitles you to a throne. But baby, you’re not a king— you’re a court jester in H&M joggers, still waiting on that SoundCloud career to take off.
Shuddup, Fuckboy. You call her crazy after gaslighting her for months, then cry when she leaves like you didn’t hand her the matches and beg her to dance while everything burned.
You ghost, then breadcrumb, then ghost again— a Scooby-Doo villain of romantic incompetence.
“Sorry, I’ve just been really busy.” Right. Busy re-downloading Tinder because one woman had standards.
Shuddup, Fuckboy. Even your mirror rolls its eyes. Even your shadow doesn’t follow you anymore.
And me? I don’t need revenge. I’ve got receipts, growth, and a front-row seat to your slow-motion emotional bankruptcy.
Enjoy your echo chamber of “not all men.” And those crusty gym selfies. You’re not misunderstood— you’re just mid.
Shuddup, Fuckboy. And maybe for once in your life— just listen.
Shh— Shuddup, Fuckboy.
If you liked this, you might like some of my other pieces. You can find the archives [here].
These two pieces, Hell’s Protégé and Caged Birds Don’t Bow, are written in the spirit of rebellion, devotion, and unapologetic truth. One explores the infernal thrill of claiming your power and identity in a world that misunderstands darkness; the other is a diss-track poem, a call-out to toxic control, and a celebration of freedom.
I write for those unafraid of shadows, for those who embrace the fire within, and for the ones who refuse to bow to cages—be they imposed by others or by fear itself. Here, you will find blades sharpened with wit, hearts that bleed for the ones they love, and voices that roar even when silenced.
These poems are a reflection of my own devotion, my own fire, and a reminder: I was born in the dark, I did not stumble into it—and neither should you.
— Rowan Evans
“Hell’s Protégé meets Caged Birds Don’t Bow — a twin exploration of power, rebellion, and the beauty of unapologetic truth.”
Hell’s Protégé (written December 6th, 2024) Poetry by Rowan Evans
They call me the evil one—horns on my dome, Devils on my shoulders, calling Hell my home. Chasing dreams he promised in infernal schemes, Under the Morningstar’s light, unraveling at the seams.
The noose hangs loose for her, Lucifer’s muse, Pen in my fist, spitting truth like molten fuse. Aspiring to be your poetic satanic leader, Words sharp as blades, cutting deeper and deeper.
Kool-Aid in red Solo cups, toasts raised to sin, Pages pinned to the corkboard—where do I begin? It’s a crime scene in rhyme scheme, a fevered conspiracy, Lines so wicked, even Hell envies me.
I’m Satan’s next of kin, heir to his throne, Sitting beside him, a kingdom of fire my own. Next in line, when his time is done, Hell’s mini-me, wielding the infernal tongue.
Feel the brimstone burn with every word I spit, A pyroclastic flow of raw, unholy grit. You smell the sulfur, you hear the chains rattle, Every verse a battlefield, every line a battle.
The taste of ashes lingers, bitter and raw, The ink on my skin reads “Hell’s Final Law.” The roar of the damned is my symphony of screams, I’m the nightmare invading your holy dreams.
But don’t confuse the darkness for lack of art, Every rhyme a blade, cutting straight to the heart. You feel the heat, see the flames dance and twirl, I’m not here to save, just to own this world.
So call me what you want—devil, poet, deceiver, But bow when you hear me, your cult leader. The crown is mine, infernal and divine, Hell’s next ruler, writing my diabolic design.
Caged Birds Don’t Bow (Written December 7th, 2024) Poetry by Rowan Evans
Man, listen up, you insecure little prince, Crown crooked, ego bloated, ever since You figured control is how you earn love, But all you’re doing is clipping wings of a dove.
“You can’t wear that,” says the self-proclaimed king, But real royalty? They let their queen’s voice sing. Dictating her diet like you’re running a show, But her worth ain’t a number, you shallow John Doe.
You’re the puppet master pulling her strings, But your hands? Dirty from the lies that you bring. Gaslight ignited, making her doubt her truth, While you bask in the glow of your toxic roots.
“You’re mine,” you declare, but you’re just a fraud, Trying to play God with her life as your facade. Your confidence is counterfeit, stitched from fear, You ain’t strong, bro, you’re just loud and unclear.
She’s not your trophy, not your possession, Not a canvas for your insecurities’ confession. Her wardrobe’s not a leash, her smile ain’t your prize, And her spirit? You’ll never own what’s divine.
So take your rules, your claws, your chains, And shove them back into your hollow brain. Her love ain’t a cage, it’s a free flight, But you’d rather dim her than let her light ignite.
She deserves better, someone who sees, Her value unmeasured, like the oceans and seas. But you? You’re just a storm cloud trying to rain, On a rainbow she’s painted, escaping your pain.
So step back, dude, watch her rise, You’ll never own the fire burning in her eyes. Your world crumbles as her strength takes wing, Because caged birds don’t bow—they sing.
If these pieces resonated with you and you’d like to explore more of my work, you can find it inThe Library of Ashes— thank you, salamat po.
I have lived my life with ghosts in the room. Some of them were mine. Some belonged to women who died before I was born. This poem is my conversation with Sylvia Plath—not as an idol, but as a mother of language, a keeper of the raw and the unbearable. She never wrote for me, and yet her words built a room I have lived in for decades. This is my answer back, from the daughter she never met.
A cathedral built from ash, a prayer written in ink.
Invocation
Sylvia, I call you forth not to mourn, but to witness— to stand beside me as I open the ribcage, spill the ink, and show the world what it means to write as if the page were the last breath left in your lungs.
The Daughter of Plath Poetry by Rowan Evans
I was born with a beehive in my chest, buzzing with grief I never earned— a secondhand sorrow, wrapped in red silk, left at the altar of my ribs.
Sylvia, you baptized me in bell jars, taught me how to scream without sound, how to find God in the burn of a typewriter ribbon.
Your ache became heirloom— stitched into the marrow of my metaphors, your ghost weeps beside me as I write, fingertips trailing flame across the spine of each stanza.
Where you were the furnace, I am the cathedral built from your ash— my altar bears the relics of your ruin: a curl of smoke, a sliver of moon-bitten mirror, a lullaby made of broken clocks.
I do not flinch from the blood on the page. I have inked it into scripture. This is how I pray— with a pen between my teeth and my pulse pressed against the confessional.
You gave me your hunger for beauty and your curse of seeing too much— the world peeled back to its nerve endings, the holiness inside horror.
I walk your tightrope— between divine tenderness and obliteration, a daughter of fire learning to breathe the blaze instead of be consumed.
I do not write to be saved. I write because you weren’t. Because I am.
And because the ache still speaks. And I, your heir in ink, refuse to silence it.
Benediction
May every woman who writes in the dark know that she is not alone.
May the ache be carried, not as a wound, but as a torch.
And may we—your daughters, your sisters, your shadows—
write not to be saved,
but because we are still here,
and the ink is still warm.
Read Next: A Journey Through Ink & Flame
If The Daughter of Plath stirred your soul, consider stepping softly into these sacred spaces:
Love Over Apathy— Fierce devotion born from the ashes of indifference.
Before I wrote “A-Woman,” I was wrapped in silence—the hush that says: don’t speak, don’t burden, don’t be too much.
I almost obeyed. Almost.
But instead, I chose to write toward something softer: a living Goddess who welcomes trembling devotion.
This piece is both confession and quiet rebellion— a vow that even in the ache, I will not fall silent.
— Rowan Evans 🕯️🌹
At the altar of Her: a devotion inked in marrow.
A-Woman (Confession at the Altar of Her) Poetry by Rowan Evans
I don’t know how to say this, You’re always on my mind—it’s kind of like I can’t shake this feeling, but I don’t want to shake this feeling. You’ve burrowed under the skin, so I hold you deep within— you live down in the marrow, so even if you disappear tomorrow, just know you’ve become part of the makeup.
You’ve got me on my knees,
Wait. Repeat.
You’ve got me on my knees— like I’m deep in prayer, but not to God (he’s not there), so I bow my head to the Goddess.
Dear Goddess, I come to you today to offer my life— you could take it away. Just say the word, I’ll give you everything on earth.
A-woman.
I say A-woman, because A-man is never enough.
So tell me what to sacrifice: my voice, my pride, my fear of wanting too much. Name the part of me I must break to be worthy of kneeling here. I have nothing holy to offer— only scars that still sting, and a heart that keeps writing Your name even when it shouldn’t.
Forgive the shaking hands, the unsteady faith, the nights I almost prayed to be emptied of You— but could never bear to. Because I don’t know how to let go. They say let go and let God— but I say hold on and let Goddess. I’d give Her everything.
Amen, A-woman— and let this trembling be enough.
We write even when the ache tells us to be silent. We confess, we kneel, we question—and still, we love. Thank you for reading A-Woman (Confession at the Altar of Her). If this piece spoke to something quiet inside you, feel free to share it, leave a comment, or explore more of my work in Neo-Gothic Confessional Romanticism. Your presence here matters more than you know. 🖤🕯️🌹
If my words speak to you, and you’d like to help keep this flame burning — or if you’d like a custom poem woven just for you (or someone dear) — you can do so here:
☽ Poetry by Rowan Evans ☾ Neo-Gothic Confessional Romanticism
I was born in the dark, forged jn the fire—You are not too much. You are the exact amount of holy this world was never ready for.
A Poem for All Women Who’ve Been Told They’re “Too Much”
This poem is for every woman—trans, cis, and beyond—who has ever been told she was too much. Too loud. Too soft. Too angry. Too gentle. Too queer. Too bold. Too broken. It’s a reclamation of sacred femininity across the binary and beyond it.
Born from shadows and fire, this piece is a poetic anthem of softness, rage, survival, and sovereignty. If you’ve ever bled and bloomed at the same time— This is for you.
❖ We Were the Fire Before the Flame A Poem for All Women Who’ve Been Told They’re “Too Much” ☽ Poetry by Rowan Evans ☾
We were born in the dark— not broken, but blooming, not soft, but sacred.
In the marrow of midnight, we carved altars out of silence and lit them with our names. We bled into the soil and it grew wildflowers with teeth.
They called us witch when we spoke with clarity, whore when we craved without shame, sirens when we sang the truth too loudly for their liking.
But we remember— how we burned, how we danced, how we stitched our souls from ribbons and ruin.
Every scar is a scripture. Every bruise is a baptism. Every ache is a cathedral that houses our fury, our softness, our will to rise again with the elegance of thunder.
We are not porcelain. We are obsidian: kissed by shadow, cut from starfall, eternal and unyielding.
Our femininity is not a cage, it’s a crown— woven from thorns, yes, but also from moonlight and myth.
To the daughters of storm and the sisters of silence— You are seen. You are sovereign. You are the poem, not the apology.
You are not too much. You are the exactamount of holy this world was never ready for.
If this poem resonated with you, share it with a sister, a daughter, a mother, a friend, a lover, or your younger self. Let her know: She issacred. She issovereign. She isnotalone.