Tag: poetic vignette

  • 🌙 Introduction:

    Some poems are not written for applause, but for absolution.
    This piece is a quiet communion between who I was and who I’ve become—a candlelit conversation beside the grave of a name I no longer wear.

    Epistle to the Name They Buried isn’t just mourning—it’s reverence, rebellion, and the strange tenderness of speaking to your own epitaph. It belongs to those of us who had to die in one skin to keep living in another.

    A confessional, gothic prayer carved in ink and bone.


    Misty graveyard at dawn eith an aged, moss-covered headstone, surrounded by fallen leaves and soft light—evoking themes of memory, mourning, and poetic reflection.
    A grave worn by time and moss, where memory lingers and silence speaks louder than stone – a companion to words etched in ink and loss.

    “Epistle to the Name They Buried” 
    Poetry by Rowan Evans  
     
    I come here sometimes, 
    to sit by your stone and speak 
    of what we’ve written— 
    how the ink clots differently now, 
    how our verses bleed slower, 
    but deeper. 
     
    The air tastes of iron and rain-rotted leaves, 
    sweetness gone septic by memory’s rust. 
    Moss clings to angel wings cracked by seasons, 
    and candle wax congeals like old scars 
    around the base of your headstone. 
     
    It feels strange to call it my journey— 
    I slip, name it ours, 
    because you were there in every stanza 
    before breath believed it meant living. 
    We kept each other alive, didn’t we? 
    Or at least, we tried. 
     
    The ravens have grown used to us; 
    they watch from leaning crosses, 
    black eyes reflecting a sky too tired to weep. 
    Marble chills my bones 
    even through the futile armor of my coat, 
    and somewhere between your silence 
    and my confession, 
    the wind drags secrets through the brittle grass. 
     
    I tell you of the poems that found breath, 
    the ones that died in drafts, 
    the nights the pen trembled 
    with something close to resurrection. 
    Of hands ink-stained and shaking, 
    whispering prayers to gods 
    I no longer believe in— 
    yet still feel breathing in the margins. 
     
    And at last, I look down: 
    see the name carved deep in stone, 
    letters heavy as bone dust, 
    foreign on my tongue now, 
    wrong in a way the earth itself seems to know. 
     
    It’s my grave I’ve been speaking to, 
    but not the me I chose— 
    a monument to the son they mourned, 
    while I, reborn in ink and ruin, 
    keep breathing just beyond the epitaph.


    🕯 Closing Reflection:

    We often imagine rebirth as triumphant, but sometimes it feels like sitting in the rain, whispering to a name that still echoes in family tombstones and dusty memories.
    And yet—even here, in the quiet decay—there’s a strange, stubborn grace: the knowledge that what was buried wasn’t the end, but the beginning of something truer.

    Thank you for bearing witness to this epistle.
    If it resonates—know that you, too, are allowed to speak back to the name they buried. And to keep breathing beyond your own epitaph.


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  • Nakauwi na ako.

    I was staying with the guy who offered me a place—a warm, open home in the Philippines. The morning was slow, soft. We just talked and laughed, getting to know each other better as the sun filtered through the window. I felt… weightless. For the first time in so long, my body didn’t ache. I didn’t need to hide inside my own skin.   
       
    Later that day, I met up with her at the mall. The woman that had inspired every single love poem I had written for the last year.   
       
    She was wearing a sundress, soft purple with white stripes. It matched her Nikes—white with hints of violet, like twilight folded into fabric. Her voice sounded like heaven, and her giggle—God, her giggle—made the whole world stop. The way she caught me looking at her, like she knew, and didn’t mind… like she liked it. The world faded every time she laughed. It was just us. No noise, no pain, no fear. Just us.   
       
    We wandered the shops. She lit up when we passed a shoe display. I noticed the way her eyes lingered, how her fingers brushed the pair she liked without touching the price tag. She didn’t need to ask. I bought them for her without hesitation. Not to impress her—but because I wanted to. Because she deserved to have things that made her smile like that.   
       
    Before the dream ended, I said something in Tagalog. I don’t remember the words, not fully. But I know what they meant:   
       
    “I’m home.”   
       
    And I was. For that brief, beautiful moment—I was whole. I wasn’t in pain. I wasn’t fighting my own thoughts. I wasn’t surviving. I was living.   
       
    I woke up with tears on my cheeks.   
       
    The sunlight in my real room was harsher—unfiltered, impatient. My knees screamed again. My back ached like it always does. The weight came rushing back, like gravity remembered me.   
       
    But even through the pain,   
    even through the disappointment of being pulled from that softness—   
    I smiled.   
       
    Because for a little while,   
    I knew what it was to live without hurting.   
    To breathe without breaking.   
    To love without fear.   
       
    And even if it was only a dream,   
    it’s mine now.   
    A secret I tuck into the folds of my ribs.   
    A memory from a place that maybe isn’t real,   
    but felt more real than anything else ever has.   
       
    And that… that’s enough to keep going.   
       
    At least for today.   
    At least for now.