Tag: emotional distance

  • Author’s Note

    Some distances aren’t measured in miles.

    They’re measured in conversations you haven’t had yet.

    In words that stayed behind your teeth.

    In the quiet space between two people who are looking toward one another but still can’t quite bridge the water between them.

    I’ve always been drawn to oceans because they represent contradiction. Water connects continents, yet it also separates them. It carries messages, memories, ships, storms—and still leaves shorelines untouched by one another.

    That became the emotional center of this poem.

    The “opposite coasts” aren’t necessarily literal places. They’re two inner worlds existing at the same time, close enough to imagine, far enough that neither person can simply step across.

    The moon became the only thing capable of visiting both shores.

    It witnesses both sides equally.

    It touches both tides.

    Yet even it cannot erase the distance.

    This poem isn’t about giving up.

    It’s about acknowledging that some silences become landscapes of their own—and learning to live honestly inside them until, perhaps, one day, the tide changes.

    Rowan Evans


    Two figures stand on opposite moonlit shores separated by a wide ocean as the full moon reflects across the water between them.
    Some distances aren’t measured in miles—they’re measured in everything left unsaid.

    Opposite Coasts of the Same Silence
    Poetry by Rowan Evans

    I sit—moon kissed,
    watching the tide
    inside my mind—
    as dreams move in,
    and thoughts roll out.

    It’s an ocean wide,
    this divide between us.
    I can see your shore in my mind,
    but I can’t seem to reach it—
    we stand on opposite coasts
    of the same silence.

    It’s a silence
    full of things I never said.
    A silence
    shaped like your name.

    The moon hangs between us
    like a quiet messenger—
    I whisper secrets for her to carry
    from my shore to yours.
    It pulls at your tide and mine,
    but never enough to close the distance.

    Sometimes I swear
    I hear your voice in the undertow.
    The distance hums
    with everything unfinished.

    Every wave reaches
    for something it can’t hold.
    The water keeps returning,
    but you don’t.
    There are whole storms between us
    I never learned to name.
    Currents I can feel but not follow.


    Journey into the Hexverse…

    [Where Intamacy Begins]
    For some, attraction begins with appearance. For others, it begins with conversation. Where Intimacy Begins explores the beauty of curiosity, deep listening, and the quiet connection that forms when two minds truly meet.

    [I’d Rather Try]
    Anyone can promise they’d die for someone. But love isn’t built on one dramatic moment—it’s built on showing up, trying again tomorrow, and proving your words through consistent action.

    [Pointing Me Home]
    The final poem in the No Metaphor Left Behind trilogy explores dreams, hope, and belonging. Through moonlight, ocean tides, and quiet conversation, Pointing Me Home reflects on carrying hope long before reaching the place you call home.

    [Ocean Waves (1, 4, 3)]
    A moonlit shoreline, a rowboat full of ducks, a piggybank with no cents, and a confession hidden in plain sight. Ocean Waves (1, 4, 3) explores how humor, wordplay, and absurdity can become a side door to vulnerability when the truth feels too difficult to say directly.

    [I’ll Be There to See Your Sunrise]
    Love has never come easily to me. This poem explores the fear, vulnerability, and quiet courage required to stay emotionally present when connection begins to matter deeply. “I’ll Be There to See Your Sunrise” is about choosing love despite the risk of heartbreak—and promising to remain long enough to witness someone fully.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I’ve always been fascinated by the strange emotional weight of time zones.

    How someone can become such a consistent part of your thoughts that you start measuring your own day against theirs.

    Checking the clock. Wondering if they’re asleep. Wondering what their sky looks like while you’re staring at yours.

    At some point, distance stops feeling geographical and starts feeling temporal.

    That feeling became the foundation for this piece.

    The airport in the dream felt symbolic almost immediately while writing it—a place built entirely around arrivals, departures, waiting, and crossing paths for brief moments before separating again.

    And in the middle of that emptiness, there’s this presence that feels familiar before it’s visible.

    I think that’s what emotional connection can feel like sometimes.

    Not certainty. Not possession. Not even clarity.

    Just recognition.

    This poem also came from the tension between wanting to speak honestly and being afraid of what honesty might change.

    Because vulnerability always carries risk.

    Sometimes the fear isn’t rejection itself— it’s the possibility of losing a connection that already means something to you.

    So the poem lives in that suspended space: between dream and waking, between silence and confession, between leaving and returning.

    Rowan Evans


    A solitary person sits alone inside an empty airport terminal at night while distant runway lights glow outside.
    Some connections feel close even across separate timelines.

    Separate Timelines
    Poetry by Rowan Evans

    I had a dream last night—
    I sat alone in an empty airport.
    Not a soul. Not a sound.
    I was the only one around.

    It was just me
    as far as the eye could see.

    Yet, I heard the hum
    of jet engines still—

    Then there was
    the sound of movement,
    footsteps echoing in the distance.

    Eyes scanning—
    trying to locate the source.

    Slowly—

    I rise.

    Getting to my feet,
    I stumble
    trying to get myself steady.

    The footsteps grow clearer—

    slow, deliberate,
    like someone who already knew
    I’d be here.

    And in the stillness
    of this moment—

    silence folds in on itself,
    waiting for me
    to decide
    whether to run
    or stay.

    The footsteps stop.

    My breath catches,
    not from fear,
    but from the strange familiarity
    of a presence I can’t yet see.

    And my legs feel heavy—

    like they remember something
    my mind doesn’t.

    I can’t see you—
    but I feel your presence.

    It’s like you and I
    live on separate timelines,
    simultaneous
    but different—

    like we can only exist like this.

    Because—
    my day
    is your night,

    and your day
    is mine
    just the same.

    It might seem simple to some,
    might even sound a little dumb—

    to get caught up
    on things like that—

    but I’ve been stuck
    on her time
    since I put widget
    on my phone.

    Listen to me…

    there I go again,
    loose lips
    let truths slip—

    even when they’re
    better left unsaid.

    Not because I didn’t want to say it.

    I did.

    But I don’t know
    if the timing’s right,
    or how you feel—

    but I do know
    you’re worth the risk
    of my heart shattering,
    I just don’t know
    if I’m strong enough
    to handle a connection
    breaking.

    So I keep quiet—

    not because
    I don’t want to speak,
    but because
    I’m scared to.

    So I sink
    back into my seat—
    and I feel your presence fade.

    I don’t know if you left
    or if I’m awake—

    but I promise…

    I promise,
    I’ll be back.


    Journey into the Hexverse…

    [Memories From a Life Yet to Come]
    Some dreams feel less like fantasy and more like memory. “Memories From a Life Yet to Come” is a reflective free verse poem about longing, displacement, emotional alignment, and the strange comfort of recognizing yourself more clearly in dreams than in waking life.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    A moment of hesitation at the edge of connection—where silence lasts longer than words, and the question matters more than the answer.


    A solitary figure standing in shallow ocean water at low tide under moonlight, surrounded by mist and gentle waves.
    Low tide reveals what’s been waiting beneath the surface.

    Low Tide
    Poetry by Rowan Evans

    I see you
    standing amongst
    the waves.

    I watch
    as you step
    and sway.

    Slowly,
    I approach.

    My mouth moves.
    No words come—
    until I’m within
    arms reach.

    That’s when
    my mind allowed
    me to speak.

    “What are you wading for?”


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]