Tag: free verse poem

  • Author’s Note

    This piece started with a playlist.

    Or rather, it started with me noticing a pattern.

    Song after song seemed to describe love as dependency. The lyrics were filled with desperation, pleading, promises of collapse, and declarations that life would somehow become impossible if the other person left.

    And I realized I’ve never experienced love that way.

    For a long time, I wondered if that meant something was wrong with me.

    Because so many stories teach us that love is need. That devotion is measured by how completely another person becomes necessary to your survival. That the strongest relationships are the ones where people can’t function without each other.

    But that has never been what I wanted.

    I’ve never wanted to be someone’s oxygen.

    I’ve never wanted to be the reason someone can stand upright, nor have I wanted another person to become the only thing keeping me standing.

    What I’ve always been drawn to is something quieter and, in some ways, more difficult:

    Choice.

    The conscious decision to remain.

    The decision to care.

    The decision to keep showing up.

    Not because you have to.

    Because you want to.

    To me, there is something profoundly beautiful about a person who can survive without you and still chooses you anyway.

    Not out of fear.

    Not out of dependence.

    Not out of obligation.

    But out of affection, admiration, trust, and love.

    The title comes from the final image in the poem.

    Home, for me, has never been a place. It has always been a feeling.

    A sense of recognition.

    A sense of peace.

    A sense of arriving somewhere your heart already understands.

    And perhaps that’s the difference this poem is trying to articulate:

    I don’t want a love built on need.

    I want a love that recognizes home when it sees it.

    Rowan Evans


    A lone figure standing peacefully at the edge of a shoreline at dusk, with soft glowing skies and faint symbolic shapes suggesting emotional connection and independence.
    Some loves are not survival—but recognition. A quiet choice made again and again.

    Recognizes Home
    Poetry by Rowan Evans

    I listen to all these songs
    about love and stuff—
    they all talk about need,
    quiet pleas, begging please,
    I’ll be broken if you leave.

    Used to think
    something was wrong with me—
    because it was never need.
    Subtext: I don’t need you,
    and that can hit hard.

    People hear “I don’t need you”
    and translate it as
    “I don’t care,”
    as if love only counts
    when it’s a lifeline—

    as if affection only matters
    when it’s oxygen.

    But I’ve never wanted
    to be someone’s air supply.

    I’ve never wanted
    to collapse without a body beside me.
    I’ve never wanted
    a love that breaks
    when the door closes
    or the distance grows.

    I don’t need you.
    But I choose you.
    And somehow
    that feels louder.

    So don’t mistake my steadiness
    for distance.
    Don’t mistake my independence
    for apathy.

    I don’t need you—
    but I want you
    with both feet planted,
    with eyes open,
    with a heart that stays—

    because it recognizes home
    when it sees it.


    Journey into the Hexverse…

    [Not Rebuilding You]
    A poem about love as an act of presence rather than rescue. Through construction imagery, Not Rebuilding You explores trust, devotion, emotional safety, and the quiet work of building a foundation strong enough for healing to grow.

    [The Language Her Soul Speaks]
    What if love isn’t about being understood, but learning to understand someone else? “The Language Her Soul Speaks” is a free verse poem about intimacy, communication, curiosity, and the desire to know another person beyond the limits of language.

    [Ocean Waves (1, 4, 3)]
    A moonlit shoreline, a rowboat full of ducks, a piggybank with no cents, and a confession hidden in plain sight. Ocean Waves (1, 4, 3) explores how humor, wordplay, and absurdity can become a side door to vulnerability when the truth feels too difficult to say directly.

    [L Words & Heart]
    A playful, self-aware poem about love, longing, loyalty, and the quiet ways another person can reshape our inner world. What begins as humor slowly reveals a heartfelt confession about affection, imagination, and the faces that linger in our dreams.

    [It’s You I Choose]
    A poem about devotion, vulnerability, and the quiet decision to stay. Sometimes love isn’t certainty—it is choosing someone anyway.

    [I’ll Be There to See Your Sunrise]
    Love has never come easily to me. This poem explores the fear, vulnerability, and quiet courage required to stay emotionally present when connection begins to matter deeply. “I’ll Be There to See Your Sunrise” is about choosing love despite the risk of heartbreak—and promising to remain long enough to witness someone fully.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    There’s a strange kind of exhaustion that comes from feeling emotionally out of sync with your surroundings.

    Not just tired physically— but displaced internally.

    Like your body exists in one place, while some deeper part of you keeps reaching toward another.
    This piece came from that feeling.

    From late nights, shifting sleep schedules, wandering thoughts, and the growing realization that sometimes longing isn’t just emotional—
    sometimes it becomes geographic.

    The Tagalog woven through this poem wasn’t added for aesthetic reasons. It felt necessary.

    Because some emotions arrive more honestly in the languages tied to the places, people, and futures living inside your mind.

    And maybe that’s what this piece really is:

    a confession from someone physically rooted in one side of the world, while their heart keeps leaning toward another.

    Rowan Evans


    Person awake at night imagining distant city streets while feeling emotionally displaced
    Body in the west. Heart in the east.

    Out of Sync
    Poetry by Rowan Evans

    Eyes open—
    when they should be shut.

    You’re awake
    when you don’t want
    to be up.

    It’s hard to exist
    when your day shifts.

    Spirits fall
    when nothing’s wrong
    at all.

    You’re just
    out of sync…

    Four in the evening
    is near eight A.M.

    Time is the distance
    between my feet
    and the streets
    I want to walk.

    Seryoso ako—

    I want to go.
    I want to leave
    these streets behind.

    They were never mine.

    An American zombie,
    sleepwalking
    through life.

    Because the only time
    I feel alive—

    ay kapag ako’y
    nananaginip.

    When I sleep,
    I can walk
    different streets—

    body in the west,
    puso sa silangan.


    Journey into the Hexverse!

    [They Trip on Meaning]
    A free verse poem about miscommunication, emotional exhaustion, and the burden of constantly translating yourself for others.

    [Global Takeover]
    What if home isn’t a place—but something you build from the music you love? Global Takeover blends sound, culture, and identity into one borderless space.

    [Two Americans]
    What does it mean to share a country, a language, and still feel completely different? Two Americans explores identity, culture, and the quiet disconnect between people who should feel the same—but don’t.

    [I Don’t Mean Life]
    “I don’t want to be here” doesn’t always mean what people think. This poem explores identity, misunderstanding, and the weight of not feeling at home in your own environment.

    [121° East]
    A single line of longitude becomes something more—a reflection of distance, identity, and the quiet decision to become who you were always meant to be.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]