Tag: poetic symbolism

  • Author’s Note

    Poetry has never been a place I go to behave.

    For me, language is something to climb through, rearrange, break apart, rebuild, and occasionally weaponize for the sake of a really bad joke. Mythology and symbolism are still part of that world, but they aren’t walls I hide behind anymore—they’re architecture. They give the imagination somewhere to live while the poet underneath it keeps revealing himself, piece by piece.

    The Playground (Language, Metaphors and More) is an invitation into that space.

    It is part creative philosophy, part victory lap, part conversation with the page—and, naturally, part terrible knock-knock joke. Because if I’ve spent twenty-three years turning language into a playground, I’m going to play.

    — Rowan Evans


    A poet walks through a surreal playground built from an open notebook, surrounded by ravens, moonlight, roses, mythology, and flowing ink.
    The page isn’t a cage. It’s a playground—and I’ve brought my own rules.

    The Playground (Language, Metaphors and More)
    Poetry by Rowan Evans

    I sat down—
    with the intent to write,
    had a lot of ideas
    on my mind tonight—
    like what if the moon
    was a witness?

    And the tide a guide through
    the emotional current
    in the room—
    but that’s just if I
    went the route
    of mythology,
    symbolism—
    and everything
    I used to hide behind.

    That’s not how I use it now—

    it’s still my mythology,
    symbolic architecture—

    giving my words texture—

    but I don’t
    hide behind it—
    I use it now,
    to show the art of me,
    getting to the deeper
    heart of me—
    not the whole picture,
    just a small part of me.

    I’ve been doing this
    for twenty-three
    years and counting—
    and I’m definitely
    not on my way out now—
    I’ll hit my second, third,
    fourth and fifth wind,
    any day now—
    I’ve turned language
    into my fucking playground—
    everything is a game now.
    Just conversating
    with the page now—
    I’m done pretending,
    like I don’t write flames now—
    poetry’s royalty,
    I’m taking my crown now—
    and I think it’s time you all
    bow down—
    look I’m going to make a joke,
    turn into a clown now.

    Why don’t we slow down?
    I’ll tell you that joke now—

    Knock, Knock—

    who’s there?

    Disa—

    Disa-who?

    Disa-me? I disa-you—

    with a line so mean
    you’ll want to disappear,
    wish you were never here—

    here’s a warning, dear:

    If you see my ravens,
    perched upon your lawn—

    it’s an omen—

    you are already gone.


    Journey into the Hexverse

    [The Metaphor Machine]
    A poem that takes apart its own machinery as it runs—breaking lines, breaking thoughts, and following metaphors from moonlight to tides, oceans, shorelines, and city streets.

    [Confession or Cap?]
    A sharp and playful look at the line between confession and exaggeration, where a nice poet admits that their pen sometimes talks a little too much shit—and occasionally sets the page on fire.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some dreams begin in darkness, but not all darkness is empty. Sometimes, the things we recognize by instinct—ravens calling, roses blooming, the pull of the tide, the quiet presence of the moon—become the only landmarks we need.

    This poem wanders through an abyss where absence becomes invitation, where questions lead deeper than answers, and where the familiar waits beyond the silence. It is a journey through the spaces between fear and comfort, memory and discovery, nothingness and belonging.

    And perhaps the moon was never truly missing. Perhaps some forms of light simply require us to keep walking until we’re ready to see them.

    — Rowan Evans


    A poet kneels beside moonlit crimson roses in a dark abyss as ravens circle beneath a returning moon and distant ocean waves.
    Even in the deepest abyss, some light knows how to find you.

    When the Moon Answered the Ravens
    Poetry by Rowan Evans

    I had a dream last night—

    a line I’ve written too many times,
    but this one was different—

    there was no moon, no tide—
    no shoreline—it was pitch black,
    an abyss—just me and nothingness.

    Then I heard the raven’s calls—
    and it didn’t feel bizarre at all.

    It felt oddly—

    calming—

    I stumbled further into the dark,
    listening to raven after raven call—
    it was weird, this unkindness
    didn’t feel very unkind at all—
    I tripped on something,
    which was odd—
    because there was nothing
    to trip on.

    I fell—

    hit the ground—

    the ravens didn’t make a sound.

    Slowly, I rose to my feet—
    surprised to see, a rose at my feet.
    Illuminated by a single sliver
    of silver light—
    it caught my eye,
    so I knelt down—

    as my eyes scanned
    the surrounding abyss—

    I saw them.

    Roses,
    a dozen of them—
    each lit by its own sliver
    of dedicated lunar light—
    which told me,
    it was night—

    but something didn’t feel right—
    where was the moon at?

    What was the source of this light?

    The questions didn’t stop me—
    I kept walking—moving further,
    deeper into the abyss—
    when suddenly the taste of salt
    hit my lips—
    and the ground begin to shift,
    it moved like waves—

    now I couldn’t stop,
    something was pulling me—
    something I couldn’t see,
    but could feel it—
    a thread tied to my heart,
    pulling me along.

    It was guiding me—
    but at the same time,
    there was something
    pushing me—
    and I dropped a hint
    five lines back—

    what could that be?

    And as I let the thread
    pull me along—
    I began to notice
    the light—

    an image trembling—

    it was shimmering,
    across the top of the abyss—
    eyes lifted, I saw it,
    the thing I missed—
    hanging high above,
    it was my favorite witness—
    the one I could always sit with.

    Finally—

    after what felt like
    an eternity of silence—
    the ravens started
    to speak again—

    and the moon
    answered them—

    that’s when the world came alive.
    I could hear the ocean waves,
    feel the mist on my face—
    taste the salt on my lips,
    ocean kissed—

    the smell of roses
    perfumed the air—
    it’s like the world
    suddenly became aware
    that I was even there—

    I was on my knees,
    watching the waves—

    smile on my face—

    because in the back of my mind,
    I knew…

    the moon would never abandon—
    the tide would never
    refuse to guide—
    the ravens
    would never leave my side,
    while everything I feel—

    an ocean deep, an ocean wide—

    the roses grow in a garden shaped by
    all the beauty and pain in my life.


    Journey into the Hexverse

    [You Still Pop Into My Brain]
    Sometimes, someone from your past still wanders into your thoughts—not because you want them back, but because they once held a place in your everyday life. A reflective poem about disappointment, growth, and the strange persistence of memory after moving on.

    [Louder Than the Rain]
    A short confessional poem about the overwhelming noise of anxious thoughts, the strange silence of feeling alone in a crowded room, and finding a way to translate pain into words.

    [Let Me Be Pacific]
    A lyrical poem about sitting beside the Pacific Ocean and discovering that an enormous body of water can become a bridge between distant hearts. Through ocean imagery, wordplay, and reflections on California and the Philippines, Let Me Be Pacific explores how love and poetry can cross even the greatest distances.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some versions of yourself do not disappear quietly.

    Even after you’ve changed, even after you’ve tried to move forward, there are still old names, old mistakes, old selves that follow behind you like shadows.

    This piece came from thinking about transformation—not as a clean rebirth, but as something heavier.

    Something witnessed.

    The ravens in this poem aren’t meant to be enemies. They’re observers. Keepers of memory. Symbols of the parts of ourselves we can’t fully erase, no matter how badly we want to leave them behind.

    And the fire isn’t destruction alone.

    It’s momentum.

    Because sometimes growth doesn’t happen when you escape the past.

    Sometimes it happens when you finally walk through it.

    — Rowan Evans


    Figure walking through burning temple ruins beneath watching ravens
    The only way out is through.

    Finish What You Started
    Poetry by Rowan Evans

    Strike the match
    and light the flame—

    watch the past
    decay and end.

    I walk through temples
    while the ravens watch me.

    I feel their eyes upon me,
    following—

    every movement
    traced.

    They tally every sin I’ve carried,
    every name I’ve buried,
    every version of myself
    I tried to outgrow.

    They know the weight
    I drag behind me,
    the shadows I pretend
    I’ve already outrun.

    The flame behind me grows,
    licking at the stone,
    urging me forward—

    a reminder
    that the only way out
    is through.

    The ravens
    do not warn me back.

    They only tilt their heads,
    as if to say—

    go on…

    finish
    what you started.


    Journey into the Hexverse…

    Previous:
    [The Shadow and the Spark]
    A psychologically charged free verse poem using Mortal Kombat imagery to explore anxiety, depression, identity, and the realization that survival matters more than victory.

    [East Knows My Name]
    A deeply introspective poem about emotional displacement, cultural disconnect, and feeling spiritually drawn toward a place far from where you were born.

    [Out of Sync]
    A reflective free verse poem about emotional displacement, shifting sleep cycles, and feeling spiritually drawn toward another side of the world.

    Upcoming:
    [Altars and Roses]
    A gothic free verse poem about poetic identity, recurring symbolism, devotion, and the quiet humanity beneath dramatic imagery.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    “Some people flinch when they see fangs. I lean in.”

    This poem is for those who defend themselves fiercely —
    and for the ones who find beauty in that strength.


    Illustration of a cobra rising from black roses, symbolizing beauty, danger, and defiance.
    “Some people flinch when they see fangs. I lean in.” — Rowan Evans

    Beautiful Little Cobra
    Poetry by Rowan Evans

    You started spitting venom again,
    and I leaned in—
    and you said
    it was the same as before,
    so I confessed,
    it made me want you more.
    And you teased,
    my preferences are weird.
    But I know,
    baby, I know…
    I can’t help it,
    when it comes to matters of the heart.

    Yeah, you started spitting venom,
    and I knew it wasn’t directed at me,
    so I leaned in again.
    I tried to feel it,
    let the venom kiss my skin.
    It felt like a little win,
    or maybe I just love the way you sin.
    It was the way you said you hate him,
    and the death you wished upon—
    Like a beautiful little cobra.

    It makes me want you more
    the way your fury glows.
    So I moved closer,
    just to feel the heat…
    your flames.
    You said it like a warning—
    but it doesn’t scare me—
    the way it keeps me warm.

    I love the way you
    refuse to shrink—
    when you stand a little taller.
    Tell me, where’d you get it from—
    this fire?
    I’ll be honest though,
    it doesn’t really matter to me.
    I’ve always been attracted to danger.

    ☣️🔥🐍🔥☣️

    I just love how you spit that venom.
    You beautiful little cobra.
    The way you’re so willing,
    always willing to defend yourself.
    Too smart to fall for the bullshit,
    and I love that about you.
    It tells me, you’ll put me in my place,
    if it were needed.

    But I promise, with me—
    it’ll never be needed.
    Because I love you, truly—
    like a beautiful little cobra.


    Unsent Letters to My Muse

    Where the Ocean Dreams & Where the Dream Took Us
    “Two dreams, two nights, one heart. Where the Ocean Dreams explores tender longing and emotional trust, while Where the Dream Took Us dives into desire, intimacy, and devotion. A double-feature of dream-inspired poetry by Rowan Evans.”

    Perfectly Imperfect: A Poem About Loving Someone as They Are
    Perfection isn’t the absence of flaws — it’s recognizing the beauty that thrives alongside them. This poem celebrates those who have been told they’re ‘too much’ or ‘not enough,’ reminding them they are loved exactly as they are.

    The Prayer of Two Tongues | Bilingual Love Poem in English & Tagalog
    A bilingual love poem written in both English and Tagalog, “The Prayer of Two Tongues” explores intimacy, distance, and devotion across language and longing. Inspired by my muse, this piece weaves prayer and poetry into a bridge between hearts.