Tag: modern gothic poetry

  • Author’s Note

    I wrote this for her — the one whose name feels like both prayer and sin.
    Not to mock heaven, but to remind it what love looks like when it’s lived in human skin.

    Because sometimes, faith isn’t worship. It’s defiance in the name of tenderness.


    A celestial battlefield where a poet stands victorious in the name of love, light falling gently on the one she fought for.
    “Love made them fearless enough to brawl with heaven — and tender enough to lay it back to rest.”

    When I Fought God for Her
    Poetry by Rowan Evans

    You said—
    you had a migraine again,
    so I told you, I’d say a little prayer.
    But if that didn’t work,
    I’d go up there and make God
    make it go away.

    You laughed.
    But I meant it.
    I’d box deities
    to take your pain away.
    I’d throw hands with Gods
    and Goddesses.

    I’d walk right up,
    like — “listen here,
    you divine little prick.”
    Catch him off guard:
    “You might be God,
    but you clearly got a little dick.
    The way you wield little-dick energy.”

    Go ahead—
    smite me. (Coward.)
    Just know—
    you better be ready
    to fight me.

    “I said heal her, not test her—
    you omnipotent coward.
    Give her rest,
    or I’ll rewrite your scripture myself.”

    So I climb.
    Not on a ladder of prayer,
    but up a rope made of names I swear I’ll never say again—
    each knot a vow, each loop a promise.
    The sky cracks like an egg; thunder flinches.
    Clouds part to watch the mess I’m about to make.

    First I find the doorman to the heavens—
    the one with a clipboard and a halo too small for his head.
    He checks my grief like it’s a permit;
    I hand him a bruise and a name.
    He frowns, flips a page, tries to veto me.
    I step in close and whisper:
    “You work customer service for eternity? Poor you.”
    Then my fist meets marble and the bell rings,
    and the Pearly Gates swing off their hinges.

    Wings beat like shutters;
    angels tilt their heads like bored referees.
    I dodge the choir—
    their harmonies can be lethal—and I keep walking.
    A goddess in linen offers incense;
    I snatch the censer, skein it into a rope, and swing.
    Her perfume tastes like paperwork;
    I cough it up into the wind and keep going.

    Hallways mapped by myth—
    Olympus, Valhalla, the mailroom of miracles—
    I stride them all barefoot, dragging a trail of small rebellions.
    I pass Zeus in a robe, bored with thunder.
    I clap once and steal his lightning.
    “Borrowed,” I tell him. He blinks.
    Lightning in my palm feels heavy with apology.
    I throw it like a rope—no, like an apology turned projectile—
    toward the place where pain hides.

    Ministers of fate try to lecture me on consequence.
    I read their contracts aloud
    and rip the margins out like ticker tape.
    “Fine print,” I say.
    “Fine for you. Not tonight.”
    One deity mutters something about hubris;
    I hand them a mirror. They don’t like their reflection.

    The gods swell; the heavens tense,
    like neighborhoods preparing for a parade that never comes.
    I trade left hooks for liturgy—
    each punch rearranges a verse,
    each uppercut edits a line.
    Commandments rattle.
    Mythic laws become limericks under my knuckles.
    I bleed ink and the stars drink it and become quieter.

    They call reinforcements—
    avatars, avatars with perfect hair and terrible customer service.
    I meet each one the same: a joke, a jab, a promise.
    “Your omnipotence has been outsourced,” I tell them.
    A Valkyrie grins; I say, “Not tonight,”
    and she drops her spear like it’s tired of being serious.

    At the gate where they schedule tests,
    I find the migraine: a small, grey child with the world’s noise in its fists.
    It sits on a throne of buzzing radios,
    feeds on fluorescent hum.
    I kneel.
    Not a prayer this time—a plan.
    I cup the child’s head like a secret,
    whisper apologies I don’t deserve to say aloud.
    Then I punch a hole in the noise.
    It’s less dramatic than you think—
    a clean, surgical silence that smells like relief.

    The gods holler. “You cannot—” they begin.
    I finish for them: “Watch me.”
    I gather their stubbornness,
    twist it, braid it into lullaby.
    Rewrite scripture? I do—one line at a time.
    Where they wrote tests, I write rest.
    Where they insisted on trial, I ink in mercy.
    Where they wrote cosmic riddles, I carve simple sleep.

    A thunder god tries diplomacy—
    offers a crown if I’ll walk back.
    I toss it into the void;
    it clatters into oblivion like a coin with no value.
    “You keep the crown,” I tell him. “I’ll keep the quiet.”
    He sulks and the weather lightens.

    Blood and starlight, sweat and scripture:
    the bargain smells like incense and victory.
    I do not conquer with conquest’s cruelty;
    I conquer with the small, stubborn insistence of care.
    I return the migraine to its box—
    soft, bound with my exhale—
    and hand it back to the universe with a receipt:
    PAID IN FULL — one love, nonrefundable.

    When I climb down,
    the sky blinks as if it had only been napping.
    You sit in your quiet room with a blanket and a mug,
    blinking like an animal reintroduced to light.
    You laugh at me later—a small, breathy thing—
    because you always laugh when I swear and fight.
    I kiss the place behind your ear
    like I’m sealing the universe back in its proper frame.

    Gods grumble;
    some edit their resumes.
    Angels gossip like old women
    about the loud mortal who would not hush.
    I don’t care.
    I come down with sore knuckles
    and a new psalm in my back pocket.
    It reads: She shall sleep.
    He shall never tire of saving her.
    We will not test what we cannot bear.

    And if any deity asks,
    I say the same thing I said when I walked up:
    “listen here, you divine little prick—
    you might be God,
    but you got little-dick energy.
    Fight me if you want.
    Fight us if you have to.
    But know this: I love her.
    I will make the cosmos learn how to be gentle.”

    You close your eyes and breathe.
    The migraine loosens its grip like a tired animal.
    You murmur a name
    and sleep folds you into it like a clean sheet.
    I stay awake for a while,
    fingers laced with that holy,
    ridiculous, furious calm—
    the kind that only comes
    after you’ve brawled
    with the architecture of the world
    for someone you love.


    If you are interested in checking out more of my poetry, you can find it here[The Library of Ashes]

  • Thoughts.
    Rapid-fire fragments.
    Electric. Static.
    Nothing whole.
    Pieces. Flipping channels.
    Incoherent.

    Yet—moments slow.
    Threads of you slip through.
     Then they bounce again.

    Twisting.
     Turning.

    Nothing ever sticks.
     Channel flips.  Sparks fly.

    Vision blurs.
     Vision fades.
    Not asleep.  Not awake.

    Caught in this liminal space.
    Threads linger.
      Faint.
       Flicker.

    A signal in the static.
    Am I calm, or about to panic?

    I reach. I grasp.

    Trying to catch thoughts.

    Elusive.
     Butterfly.
      Moth.
       Flame.

    In-between.
     Sane.
      Insane.

  • Before I wrote “A-Woman,”
    I was wrapped in silence—the hush that says:
    don’t speak, don’t burden, don’t be too much.

    I almost obeyed.
    Almost.

    But instead, I chose to write toward something softer:
    a living Goddess who welcomes trembling devotion.

    This piece is both confession and quiet rebellion—
    a vow that even in the ache,
    I will not fall silent.

    Rowan Evans 🕯️🌹


    Person kneeling at a gothic altar before a marble slab with the goddess' silhouette, surrounded by candlelight and roses.
    At the altar of Her: a devotion inked in marrow.

    A-Woman
    (Confession at the Altar of Her)
    Poetry by Rowan Evans


    I don’t know how to say this,
    You’re always on my mind—it’s
    kind of like I can’t shake this feeling,
    but I don’t want to shake this feeling.
    You’ve burrowed under the skin,
    so I hold you deep within—
    you live down in the marrow,
    so even if you disappear tomorrow,
    just know you’ve become
    part of the makeup.

    You’ve got me on my knees,

    Wait.
    Repeat.

    You’ve got me on my knees—
    like I’m deep in prayer,
    but not to God (he’s not there),
    so I bow my head to the Goddess.

    Dear Goddess,
    I come to you today
    to offer my life—
    you could take it away.
    Just say the word,
    I’ll give you
    everything
    on earth.

    A-woman.

    I say A-woman,
    because A-man
    is never enough.

    So tell me what to sacrifice:
    my voice, my pride, my fear of wanting too much.
    Name the part of me I must break
    to be worthy of kneeling here.
    I have nothing holy to offer—
    only scars that still sting,
    and a heart that keeps writing Your name
    even when it shouldn’t.

    Forgive the shaking hands,
    the unsteady faith,
    the nights I almost prayed to be emptied of You—
    but could never bear to.
    Because I don’t know how to let go.
    They say let go and let God
    but I say hold on and let Goddess.
    I’d give Her everything.

    Amen, A-woman—
    and let this trembling
    be enough.


    We write even when the ache tells us to be silent.
    We confess, we kneel, we question—and still, we love.
    Thank you for reading A-Woman (Confession at the Altar of Her).
    If this piece spoke to something quiet inside you, feel free to share it, leave a comment, or explore more of my work in Neo-Gothic Confessional Romanticism.
    Your presence here matters more than you know. 🖤🕯️🌹

    🔗 You may also like…

    Hex & Flame: A Mirror of Shadows
    Even Still, You Are (My Muse)
    A Letter I’ll Never Send (Prayer of the Heartbroken Heretic)
    Litany & Tongue: A Devotional Duet
    Even If the Sky Falls Black
    Don’t Need to Be First, I Just Want to Be The Last

    Or visit [About NGCR] to learn more about this movement—and if you feel called, [submit your own writing] to be featured.

    If my words speak to you, and you’d like to help keep this flame burning — or if you’d like a custom poem woven just for you (or someone dear) — you can do so here:

    Ko-fi — Poetry by Rowan Evans

  • Two confessions in ink by Rowan Evans

    “There are moments the abyss feels like home.
    So we return to the edge—not to wish for flight,
    but to see how far we fall.”
    — Rowan Evans

    These two poems were written in different hours of darkness, but they share the same marrow:
    A gospel whispered from the edge of belief.
    A confession to the sky and to the abyss alike.
    One is a prayer wrapped in doubt.
    The other, a quiet litany of almost-leaping.

    They are my sacred offerings to anyone who has ever felt broken but still breathing; to the soft-hearted heretics, the quiet survivors, the ones who keep rising even when they don’t know why.


    A solitary figure in dark clothes stands on the edge of a twilight cliff, with candlelight and distant cathedral ruins, evoking gothic melancholy and reflection.
    Liturgies whispered at the edge: devotion, decay, and the quiet rebellion of staying alive.

    The Gospel of My Decay
    (Liturgia Ruinae)

    Poetry by Rowan Evans

    “Bless me, Father, for I have bled.”
    — Rowan Evans


    I. Invocation

    It takes everything in me
    just to get out of bed lately.
    I hate this—this pain in my lungs,
    this ache in my chest.
    I sit in the dark,
    talking to God, asking why?

    Why me?
    Why do I have to bleed?
    Why do I have to bend,
    why do I have to break?

    Why is this a feeling I can’t shake?
    Don’t I deserve to be okay?
    Don’t I deserve to put a smile on my face?


    II. Confession

    Why
    the
    fuck

    did you make me this way—
    broken, alive but slowly decaying?

    And they question—
    Why don’t you believe?
    So I ask back—
    Why would I believe?

    You say God
    would never leave.
    Is that supposed to be enough?
    Is that what you call divine love?
    ’Cause it feels more like apathy to me,
    and if I could help myself, I would—happily.

    But I
    don’t see
    that happening.


    III. Benediction

    Forgive me, Father,
    for the questions I ask.
    For the softness that splinters,
    for faith that fractures.

    Still, I rise—
    not because I believe,
    but because the dawn drags me forward.

    Amen,
    even when I mean:
    I don’t know if I can.


    And yet, the night had more to confess…


    On the Edge Again
    Poetry by Rowan Evans


    I’m on the edge again,
    Standing on the ledge again—
    Overlooking the cliff, like
    I might just try and fly tonight.
    One step forward before I leap,
    Wings outstretched—
    but I don’t have them.
    So I plummet toward the earth below,
    And as I pray for peace—

    Time
    seems
    to slow.

    I watch closely—
    ground quickly approaching.
    One deep inhale,
    Eyes shut tight—
    Open them up:
    I’m in hell.

    And time,
    it moves
    so slow,
    even as I
    quickly
    approach.

    Eyes open,
    gasp for breath.
    There I am,
    still standing
    on the ledge.

    Fall to knees,
    struggling to breathe.
    Tears spill
    from my eyes
    like ink.
    So I—
    pause, rethink
    how it could have
    all ended in a blink.

    And I’m—
    on the edge again,
    standing on the ledge again.


    If these pieces spoke to your shadows, you might also find resonance in:

    13 Psalms of Falling — another prayer for the broken and the breaking.

    Litany & Tongue — where confession meets devotion.

    Vigil of the Broken Saint — standing holy and fractured at the edge.

    Or visit [About NGCR] to learn more about this movement—and if you feel called, [submit your own confessions] to be featured.

    If my words speak to you, and you’d like to help keep this flame burning — or if you’d like a custom poem woven just for you (or someone dear) — you can do so here:

    Ko-fi — Poetry by Rowan Evans

  • A figure stands with candles in hand, covered in ink and gold. Title card for The Gospel of Softness II by trans poet Rowan Evans.
    The Gospel of Softness II

    Modern Gothic Poetry for Those Told to Harden


    This is the second entry in the “Gospel of Softness” poetic series, written as a benediction for the tender-hearted, the wounded, the wild, and the soft ones who survived the fire without letting it steal their empathy.

    “I was told to man up.
    But I was never a man.
    And even if I had been—
    the fire did not forge me into steel.
    It melted me into gold,
    soft and sacred,
    ready to carry the ache of others.”
    — R.E.


    Prologue

    Prologue: The Lie of Hardness

    I was raised on sermons of rigidity.
    Taught that survival meant silence, that kindness was weakness, that softness would be my undoing.
    “Man up,” they said.
    But I wasn’t a man.
    I was a poem wrapped in wrong pronouns. A girl who bled empathy instead of bravado.

    The world said pain should make me harder. But it didn’t.
    The fire softened me. And in that softening—I became something holy.


    Part I

    Part I: What They Called Weakness

    They mistook my softness for fragility.
    But softness is not the opposite of strength. It’s the witness of it.
    I’ve held the broken pieces of friends, lovers, strangers—
    I’ve held myself in the midnight hush, trembling but still breathing.

    They called me too sensitive. But sensitivity is how I see souls.

    They said, “Don’t cry so much.” But tears are just prayers spoken in liquid.

    They wanted me to be a wall. I chose to be a cathedral.


    Part II

    Part II: Vessel of Fire & Flesh

    Pain made me pliable. Not weak—mystic.
    I bend because I feel.
    I hold others’ sorrow like it’s scripture.
    My softness is carved from suffering, but polished in purpose.

    The world teaches us to survive by becoming sharp.
    But I survived by becoming open. By bleeding in ink instead of rage.

    I write poems instead of manifestos,
    But let no one doubt:
    This pen is a sword.
    My softness is a spell.


    Part III

    Part III: The New Doctrine

    Let this be the doctrine of those made to feel monstrous for being tender:
    We are the new saints.
    Not of purity, but of presence.
    Not of silence, but of sacred screams.

    We are made of candle wax and flame.
    We are roses with teeth.
    We are softness that bites back.

    I do not need to be hard to be holy.
    I do not need to man up to matter.
    I only need to remain soft enough
    to feel the world,
    and fierce enough
    to survive it.


    Benediction

    Benediction

    So here it is: The Gospel of Softness.
    Part II.
    The unwritten verse of every girl who cried too much, felt too deeply, and still dares to open her chest like a temple.

    Let softness be your heresy.
    Let kindness be your rebellion.
    Let poetry be your revenge.

    And if anyone ever tells you to harden—

    Tell them:
    “I was born of fire.
    But I am a vessel.
    Not a weapon.”


    The Gospel of Softness I – Modern Gothic Poetry for Women of All Kinds
    The Gospel of Softness III – Thirteen Psalms for the Tender-Hearted

  • ☽ Poetry by Rowan Evans ☾
    Neo-Gothic Confessional Romanticism


    A woman, a witch, a siren. The Luminous Heretic with the moon shining behind her, candles, flames. Myth, moonlight and stardust. "Creed of the Luminous Heretic" by trans poet Rowan Evans overlayed.
    I was born in the dark, forged jn the fire—

    You are not too much.
    You are the exact amount of holy
    this world was never ready for.

    A Poem for All Women Who’ve Been Told They’re “Too Much”


    This poem is for every woman—trans, cis, and beyond—who has ever been told she was too much. Too loud. Too soft. Too angry. Too gentle. Too queer. Too bold. Too broken. It’s a reclamation of sacred femininity across the binary and beyond it.

    Born from shadows and fire, this piece is a poetic anthem of softness, rage, survival, and sovereignty.
    If you’ve ever bled and bloomed at the same time—
    This is for you.


    ❖ We Were the Fire Before the Flame
    A Poem for All Women Who’ve Been Told They’re “Too Much”
    ☽ Poetry by Rowan Evans ☾

    We were born in the dark—
    not broken, but blooming,
    not soft, but sacred.

    In the marrow of midnight,
    we carved altars out of silence
    and lit them with our names.
    We bled into the soil
    and it grew wildflowers with teeth.

    They called us witch
    when we spoke with clarity,
    whore when we craved without shame,
    sirens when we sang the truth
    too loudly for their liking.

    But we remember—
    how we burned,
    how we danced,
    how we stitched our souls
    from ribbons and ruin.

    Every scar is a scripture.
    Every bruise is a baptism.
    Every ache is a cathedral
    that houses our fury,
    our softness,
    our will to rise again
    with the elegance of thunder.

    We are not porcelain.
    We are obsidian:
    kissed by shadow,
    cut from starfall,
    eternal and unyielding.

    Our femininity is not a cage,
    it’s a crown
    woven from thorns, yes,
    but also from moonlight and myth.

    To the daughters of storm
    and the sisters of silence
    You are seen.
    You are sovereign.
    You are the poem,
    not the apology.

    You are not too much.
    You are the exact amount of holy
    this world was never ready for.


    If this poem resonated with you, share it with a sister, a daughter, a mother, a friend, a lover, or your younger self. Let her know:
    She is sacred. She is sovereign. She is not alone.


    The Gospel of Softness II – The Fire That Softened Me
    The Gospel of Softness III – Thirteen Psalms for the Tender-Hearted