Tag: rebellion

  • Author’s Note

    Every rebellion begins as a prayer whispered into darkness.

    Mary Cast a Little Hex is the solitary hymn — a woman standing before her altar of ruin, choosing power over apology. She is the patron saint of the unrepentant, the quiet spark that lights the rebellion.

    Ring Around the Rose Bush is her echo, multiplied — the chorus of daughters who rose from her ashes, the feral bloom of a world reborn through wrath and grace. It is a hymn for every heretic heart that refuses to kneel.

    Together, these poems are a Witch’s Gospel: a scripture of survival and sanctified rage.

    To burn and still bloom — that is the miracle.
    To be called “too much” and still rise — that is the magic.

    May every word be a spell,
    and every reader, a flame.

    Rowan Evans


    A gothic garden at midnight with black roses and candles, a lone female figure standing near a stone altar, mist and embers swirling around.
    From ashes bloom dark petals — the witch’s gospel in motion.

    Mary Cast a Little Hex
    Poetry by Rowan Evans
    (Written June 28th, 2025)

    Mary cast a little hex,
    The altar cold as stone—
    A whisper stitched from thorn and wax,
    A prayer she made alone.

    She didn’t weep. She didn’t kneel.
    She bit the moon instead—
    And carved her name in shadows deep,
    Where angels fear to tread.

    They called her “witch” with tongues of ash,
    Their blessings laced with blame.
    But Mary burned like prophecy—
    Too holy for their shame.

    Her heart was made of comet dust,
    Her breath a velvet flame.
    She kissed the wind and it obeyed,
    Then vanished with no name.

    And now the stars recall her sigh,
    The dark hums with her spell.
    Each midnight bloom, each broken clock
    Still rings the chapel bell.

    She walks in dreams of restless girls
    Who ache, but do not bend—
    Their lashes lit with embers red,
    Their laughter sharp at end.

    Now every hex, each whispered spell,
    Still bears her rebel mark—
    A kiss of ink, a flame of hope,
    A torch lit in the dark.


    Ring Around the Rose Bush
    Poetry by Rowan Evans
    (Written June 29th, 2025)

    Ring around the rose bush,
    A pocket full of thorns—
    Ashes to ashes,
    Patriarchy drags us into scorn.

    Whispers crawl beneath cracked lips,
    Where shadows breed and plots conspire,
    They wear their crowns of rotten bone,
    And feed us poison from the pyre.

    We dance in ruins, blackened bells,
    Singing songs they tried to smother,
    Our bones break glass beneath their heels,
    Our fury is a mother.

    Ring around the rose bush,
    We spin through smoke and flame—
    Ashes choke the blackening sky,
    But from these ashes, we carve our name.

    They bury us beneath cold earth,
    Try to silence every scream,
    But roots of rage twist deep and dark,
    Bursting forth like a fevered dream.

    We are the thorn inside the rose,
    The wound that will not heal,
    A reckoning dressed in midnight,
    The truth they cannot steal.

    Ring around the rose bush,
    A pocket full of spite—
    Ashes to ashes,
    We rise again to fight.

    So let the gardens rot and fall,
    Let the halls grow cold and bare,
    From the cracks, new roses bloom—
    Dark petals soaked in dare.


    Step deeper into the shadows and discover the full breadth of my poetry in The Library of Ashes — an archive of ink-stained devotion, dark petals, and threshold poems that linger long after the last candle flickers. Visit The Library of Ashes →

  • Author’s Note

    I wrote this for her — the one whose name feels like both prayer and sin.
    Not to mock heaven, but to remind it what love looks like when it’s lived in human skin.

    Because sometimes, faith isn’t worship. It’s defiance in the name of tenderness.


    A celestial battlefield where a poet stands victorious in the name of love, light falling gently on the one she fought for.
    “Love made them fearless enough to brawl with heaven — and tender enough to lay it back to rest.”

    When I Fought God for Her
    Poetry by Rowan Evans

    You said—
    you had a migraine again,
    so I told you, I’d say a little prayer.
    But if that didn’t work,
    I’d go up there and make God
    make it go away.

    You laughed.
    But I meant it.
    I’d box deities
    to take your pain away.
    I’d throw hands with Gods
    and Goddesses.

    I’d walk right up,
    like — “listen here,
    you divine little prick.”
    Catch him off guard:
    “You might be God,
    but you clearly got a little dick.
    The way you wield little-dick energy.”

    Go ahead—
    smite me. (Coward.)
    Just know—
    you better be ready
    to fight me.

    “I said heal her, not test her—
    you omnipotent coward.
    Give her rest,
    or I’ll rewrite your scripture myself.”

    So I climb.
    Not on a ladder of prayer,
    but up a rope made of names I swear I’ll never say again—
    each knot a vow, each loop a promise.
    The sky cracks like an egg; thunder flinches.
    Clouds part to watch the mess I’m about to make.

    First I find the doorman to the heavens—
    the one with a clipboard and a halo too small for his head.
    He checks my grief like it’s a permit;
    I hand him a bruise and a name.
    He frowns, flips a page, tries to veto me.
    I step in close and whisper:
    “You work customer service for eternity? Poor you.”
    Then my fist meets marble and the bell rings,
    and the Pearly Gates swing off their hinges.

    Wings beat like shutters;
    angels tilt their heads like bored referees.
    I dodge the choir—
    their harmonies can be lethal—and I keep walking.
    A goddess in linen offers incense;
    I snatch the censer, skein it into a rope, and swing.
    Her perfume tastes like paperwork;
    I cough it up into the wind and keep going.

    Hallways mapped by myth—
    Olympus, Valhalla, the mailroom of miracles—
    I stride them all barefoot, dragging a trail of small rebellions.
    I pass Zeus in a robe, bored with thunder.
    I clap once and steal his lightning.
    “Borrowed,” I tell him. He blinks.
    Lightning in my palm feels heavy with apology.
    I throw it like a rope—no, like an apology turned projectile—
    toward the place where pain hides.

    Ministers of fate try to lecture me on consequence.
    I read their contracts aloud
    and rip the margins out like ticker tape.
    “Fine print,” I say.
    “Fine for you. Not tonight.”
    One deity mutters something about hubris;
    I hand them a mirror. They don’t like their reflection.

    The gods swell; the heavens tense,
    like neighborhoods preparing for a parade that never comes.
    I trade left hooks for liturgy—
    each punch rearranges a verse,
    each uppercut edits a line.
    Commandments rattle.
    Mythic laws become limericks under my knuckles.
    I bleed ink and the stars drink it and become quieter.

    They call reinforcements—
    avatars, avatars with perfect hair and terrible customer service.
    I meet each one the same: a joke, a jab, a promise.
    “Your omnipotence has been outsourced,” I tell them.
    A Valkyrie grins; I say, “Not tonight,”
    and she drops her spear like it’s tired of being serious.

    At the gate where they schedule tests,
    I find the migraine: a small, grey child with the world’s noise in its fists.
    It sits on a throne of buzzing radios,
    feeds on fluorescent hum.
    I kneel.
    Not a prayer this time—a plan.
    I cup the child’s head like a secret,
    whisper apologies I don’t deserve to say aloud.
    Then I punch a hole in the noise.
    It’s less dramatic than you think—
    a clean, surgical silence that smells like relief.

    The gods holler. “You cannot—” they begin.
    I finish for them: “Watch me.”
    I gather their stubbornness,
    twist it, braid it into lullaby.
    Rewrite scripture? I do—one line at a time.
    Where they wrote tests, I write rest.
    Where they insisted on trial, I ink in mercy.
    Where they wrote cosmic riddles, I carve simple sleep.

    A thunder god tries diplomacy—
    offers a crown if I’ll walk back.
    I toss it into the void;
    it clatters into oblivion like a coin with no value.
    “You keep the crown,” I tell him. “I’ll keep the quiet.”
    He sulks and the weather lightens.

    Blood and starlight, sweat and scripture:
    the bargain smells like incense and victory.
    I do not conquer with conquest’s cruelty;
    I conquer with the small, stubborn insistence of care.
    I return the migraine to its box—
    soft, bound with my exhale—
    and hand it back to the universe with a receipt:
    PAID IN FULL — one love, nonrefundable.

    When I climb down,
    the sky blinks as if it had only been napping.
    You sit in your quiet room with a blanket and a mug,
    blinking like an animal reintroduced to light.
    You laugh at me later—a small, breathy thing—
    because you always laugh when I swear and fight.
    I kiss the place behind your ear
    like I’m sealing the universe back in its proper frame.

    Gods grumble;
    some edit their resumes.
    Angels gossip like old women
    about the loud mortal who would not hush.
    I don’t care.
    I come down with sore knuckles
    and a new psalm in my back pocket.
    It reads: She shall sleep.
    He shall never tire of saving her.
    We will not test what we cannot bear.

    And if any deity asks,
    I say the same thing I said when I walked up:
    “listen here, you divine little prick—
    you might be God,
    but you got little-dick energy.
    Fight me if you want.
    Fight us if you have to.
    But know this: I love her.
    I will make the cosmos learn how to be gentle.”

    You close your eyes and breathe.
    The migraine loosens its grip like a tired animal.
    You murmur a name
    and sleep folds you into it like a clean sheet.
    I stay awake for a while,
    fingers laced with that holy,
    ridiculous, furious calm—
    the kind that only comes
    after you’ve brawled
    with the architecture of the world
    for someone you love.


    If you are interested in checking out more of my poetry, you can find it here[The Library of Ashes]

  • Author’s Note

    These two pieces, Hell’s Protégé and Caged Birds Don’t Bow, are written in the spirit of rebellion, devotion, and unapologetic truth. One explores the infernal thrill of claiming your power and identity in a world that misunderstands darkness; the other is a diss-track poem, a call-out to toxic control, and a celebration of freedom.

    I write for those unafraid of shadows, for those who embrace the fire within, and for the ones who refuse to bow to cages—be they imposed by others or by fear itself. Here, you will find blades sharpened with wit, hearts that bleed for the ones they love, and voices that roar even when silenced.

    These poems are a reflection of my own devotion, my own fire, and a reminder: I was born in the dark, I did not stumble into it—and neither should you.

    — Rowan Evans


    “Dark gothic figure with horns on a throne, surrounded by flames and a rising flock of black birds, representing power, rebellion, and freedom.”
    “Hell’s Protégé meets Caged Birds Don’t Bow — a twin exploration of power, rebellion, and the beauty of unapologetic truth.”

    Hell’s Protégé
    (written December 6th, 2024)
    Poetry by Rowan Evans

    They call me the evil one—horns on my dome,
    Devils on my shoulders, calling Hell my home.
    Chasing dreams he promised in infernal schemes,
    Under the Morningstar’s light, unraveling at the seams.

    The noose hangs loose for her, Lucifer’s muse,
    Pen in my fist, spitting truth like molten fuse.
    Aspiring to be your poetic satanic leader,
    Words sharp as blades, cutting deeper and deeper.

    Kool-Aid in red Solo cups, toasts raised to sin,
    Pages pinned to the corkboard—where do I begin?
    It’s a crime scene in rhyme scheme, a fevered conspiracy,
    Lines so wicked, even Hell envies me.

    I’m Satan’s next of kin, heir to his throne,
    Sitting beside him, a kingdom of fire my own.
    Next in line, when his time is done,
    Hell’s mini-me, wielding the infernal tongue.

    Feel the brimstone burn with every word I spit,
    A pyroclastic flow of raw, unholy grit.
    You smell the sulfur, you hear the chains rattle,
    Every verse a battlefield, every line a battle.

    The taste of ashes lingers, bitter and raw,
    The ink on my skin reads “Hell’s Final Law.”
    The roar of the damned is my symphony of screams,
    I’m the nightmare invading your holy dreams.

    But don’t confuse the darkness for lack of art,
    Every rhyme a blade, cutting straight to the heart.
    You feel the heat, see the flames dance and twirl,
    I’m not here to save, just to own this world.

    So call me what you want—devil, poet, deceiver,
    But bow when you hear me, your cult leader.
    The crown is mine, infernal and divine,
    Hell’s next ruler, writing my diabolic design.


    Caged Birds Don’t Bow
    (Written December 7th, 2024)
    Poetry by Rowan Evans

    Man, listen up, you insecure little prince,
    Crown crooked, ego bloated, ever since
    You figured control is how you earn love,
    But all you’re doing is clipping wings of a dove.

    “You can’t wear that,” says the self-proclaimed king,
    But real royalty? They let their queen’s voice sing.
    Dictating her diet like you’re running a show,
    But her worth ain’t a number, you shallow John Doe.

    You’re the puppet master pulling her strings,
    But your hands? Dirty from the lies that you bring.
    Gaslight ignited, making her doubt her truth,
    While you bask in the glow of your toxic roots.

    “You’re mine,” you declare, but you’re just a fraud,
    Trying to play God with her life as your facade.
    Your confidence is counterfeit, stitched from fear,
    You ain’t strong, bro, you’re just loud and unclear.

    She’s not your trophy, not your possession,
    Not a canvas for your insecurities’ confession.
    Her wardrobe’s not a leash, her smile ain’t your prize,
    And her spirit? You’ll never own what’s divine.

    So take your rules, your claws, your chains,
    And shove them back into your hollow brain.
    Her love ain’t a cage, it’s a free flight,
    But you’d rather dim her than let her light ignite.

    She deserves better, someone who sees,
    Her value unmeasured, like the oceans and seas.
    But you? You’re just a storm cloud trying to rain,
    On a rainbow she’s painted, escaping your pain.

    So step back, dude, watch her rise,
    You’ll never own the fire burning in her eyes.
    Your world crumbles as her strength takes wing,
    Because caged birds don’t bow—they sing.


    If these pieces resonated with you and you’d like to explore more of my work, you can find it in The Library of Ashes — thank you, salamat po.

  • Author’s Note

    I am non-binary, trans-femme—a spectrum of fire and shadow, neither confined to the boxes of man nor woman. For ease, I often tell people I am a transgender woman, because too often the world cannot understand someone who exists outside binaries. Too many are trapped in the idea that femininity means woman, masculinity means man.

    This poem is not about labels; it is about being a soul inhabiting a shell, learning to navigate life on my own terms. It is about contradictions, defiance, and the courage to embrace every shade of who I am. I am chaos. I am cosmos. I am me.


    Non-binary trans-femme figure surrounded by cosmic fire and shadow, radiating defiance and self-expression.
    I Am: Embracing contradictions, defying binaries, and shining unapologetically in fire and shadow.

    I Am
    Poetry by Rowan Evans

    I wore the masc like a mask, hid in the dark,
    Flash femme, stitch fire, lightning in my heart.
    Binary cracked me, rewired my cage,
    Storm unleashed, spectrum steps on stage.

    Dresses, beards, contradictions collide,
    Ride every edge, galaxy inside.
    Not man, not woman, not in-between,
    Every damn shade you ain’t ever seen.

    Clothes are fabric, bodies are art,
    I throw chaos raw, straight from the heart.
    Love men, love women, souls in the mist,
    Unbound, reckless, impossible to resist.

    Chains trap weak, fear feeds the meek,
    I spit crystal truth, sharp, unique.
    Fire and shadow, silk and stone,
    Galaxy unclaimed, throne my own.

    Shred rules, laugh loud, burn every mask,
    Erase disguise, tear the world a new path.
    Not a girl, not a guy, not a whisper in-between,
    I’m the scream in the void, the spark unseen.

    Clothes are fabric, bodies are art,
    Rebellion stitched deep in my heart.
    Fuck binaries, fuck the norms,
    I live chaos, survive all storms.

    I am every shade, every scream, every spark,
    Shadow at noon, light in the dark.
    Question, answer, flame untamed,
    Chaos, cosmos—I claim my name.


    If you have made it this far and would like to check out more of my poetry, you can find the full archive here: The Library of Ashes.

  • Behind the Veil
    What Inspired The Gospel According to the Girl in the Graveyard Dress

    Every poet has that one wild idea—a collision of worlds, styles, and moods that refuses to stay on the page quietly. For me, this poem sprang from a playful yet dark impulse: What if Dr. Seuss, with all his whimsical rhyme and rhythm, wandered into the shadowy realms of Edgar Allan Poe and Tim Burton?

    The Gospel According to the Girl in the Graveyard Dress is my answer—a gothic lullaby stitched from whimsy and wound with the raw edges of grief, rebellion, and strange beauty. It’s where childhood’s curiosity meets the sharp bite of darkness, wrapped in rhyme that skips and creeps all at once.

    This poem isn’t just an homage; it’s a declaration. That darkness doesn’t erase magic. That grief can dance in moonlight. That even in decay, there’s fierce, unapologetic life.

    Welcome to the chapel I built from clay and ink. Step inside.


    A gothic girl in a graveyard dress holding a burning match, cracked halo above her head, surrounded by headstones at twilight.
    She built her own chapel from shadows — a gospel stitched in flame and confession.

    The Gospel According to the Girl in the Graveyard Dress
    Poetry by Rowan Evans

    I’m wading through the dark,
    With rockets in my pockets—
    And a wock-it in my locket.
    Noose tied, tears dried
    on ink-stained pages;
    Confessions and rage—
    It’s outrageous,
    like sermons screamed from basement stages.

    I stitched my grief to my Sunday dress,
    Tucked matches in the hems—God bless.
    The priest said “pray” but I whispered “run,”
    Then kissed the moon and stole the sun.

    I’m not alright, but I rhyme so well,
    Nobody hears the tolling bell.
    My lullabies are laced with lead,
    And sung by ghosts beneath my bed.

    I carve my hope in bathroom stalls,
    Paint miracles in bloody scrawls.
    They say I’m lost—I say I’m rare:
    A storm that braided its own hair.

    Heaven’s out, and hell’s cliché,
    So I built a chapel out of clay.
    The saints are stitched from shadow thread,
    And every hymn is what I bled.

    I dance in pews with poison grace,
    Rosary beads strung on a shoelace.
    They preach of light—I hum decay,
    A gospel soaked in cabernet.

    I kissed a curse and called it mine,
    Drank moonlight steeped in turpentine.
    You want my truth? It doesn’t bend—
    It breaks. It bleeds. It burns. It mends.

    I sip my tea with cyanide,
    Wear ribcage corsets laced with pride.
    My shadow dances on the wall—
    She’s got no face. No name at all.

    I tiptoe through the graveyard gates,
    Trade sugar pills for twist-of-fates.
    The children giggle when I pass—
    Their dolls have knives and broken glass.

    I built a throne from all my sins,
    Each step a scar, each smile a win.
    The halo cracked? I wore it still—
    A crown for queens who love the kill.

    My cradle rocked on rusted chains,
    I cut my teeth on lovers’ veins.
    The bedtime stories that I write
    Are lullabies for crypts at night.

    I stitched a map to Neverland
    Inside my chest with blistered hands.
    It leads through joy, then dips to dread—
    A spiral carved in gingerbread.

    I torched the end, rewrote the tale,
    Smeared lipstick on the coffin nail.
    This isn’t death—it’s my debut.
    The dark didn’t win. I wanted it to.


    Benediction of the Broken Halo

    We do not write to be saved — we write to be seen.
    In the flicker of a match, the crack of a halo, the bruised breath of a stanza,
    we stitch our own gospel from grief and grace alike.
    This poem is my sermon, my confession, my coronation —
    And if the dark calls your name too,
    know you are welcome here, crowned in your scars,
    beloved in your ruin.

    Because a cracked halo still casts a shadow.
    And that shadow?
    Is mine. And maybe, just maybe — it’s yours too.

    In the chapel of ink and ash, we do not repent for the darkness we carry.
    We name it sacred. We name it ours.
    Welcome to the gospel, loves — the sermon is never over.

    With Ink & Flame,
    Rowan Evans


    Read Next (Suggestions)

    [The Hopeless Romantic Wears Armor]
    [Cry to the Quiet: Sacred Desperation]
    [Luminescence & Shadow: A Forbidden Litany]
    [Liturgies of Ruin & Flight]
    [Hex & Flame: Mirror of Shadows]

    Or explore the full archive in [The Library of Ashes]—and if your own confession aches to be written, [commission a custom poem here].

    NGCR25 at checkout to get 25% off your ‘request’…

  • ☽ Introduction ☾

    In every myth, there is a shadow cast by a cathedral’s ghost;
    in every son who claims that shadow, a prayer whispered in defiance.
    This is the confessional of a child born of ruin and rebellion—
    sworn not to brokenness, but to the fierce holiness of becoming.
    This is…


    Nighttime illustration of a masked vigilante standing on a cathedral roof, overlooking a cracked yet living city under moonlight; symbolizing hope within ruin.
    A sentinel between shadow and dawn — the First Son’s vigil burns quietly, but it burns still.

    The Vigil of the First Son
    Prose by Rowan Evans


    I was not born from cathedral shadows—
    I fell from another height, beneath painted canvas and sawdust air,
    where faith meant catching and being caught.

    But the fall came anyway.
    And in the ruin, he found me—
    the Broken Saint, robed in mourning.
    He offered me a name forged from grief,
    and I took it, though my palms still smelled of flight and chalk.

    They call me heir, as if shadow is all I have inherited.
    But gods know, I am more:

    I have bled in these alleys, yes—
    but I have danced on rooftops, too,
    laughter spilling into the bruised dawn,
    a reminder that even vigil can be alive.

    He is the shadow.
    I am the light who learned to love the dark
    without letting it devour me.

    Sometimes guilt creeps in—
    that I can still love where he has walled himself off,
    that I can still smile where he only mourns.

    But hope is rebellion, too—
    a heresy against a city built on scars.

    Tonight, the moon crowns my brow in borrowed silver,
    and Blüdhaven breathes below—cracked, imperfect, alive.

    I watch from these heights:
    a sentinel, a son, still learning.

    I am not him.
    And gods, that is my salvation.


    ☽ Benediction ☾

    May the shadow teach you mercy.
    May your scars be the map to your salvation.
    And though the night will call,
    may your first vigil blaze bright enough to be seen from every dawn.


    🔗 You might also like…

    Every vigil casts its own shadow.
    If The Vigil of the First Son has found a quiet corner in your marrow, you may also wander these chapels of ruin and devotion:

    The Vigil of the Broken Saint — a confession of Gotham’s haunted martyr.
    The Vigil of the Clown Prince — a testament of madness, ruin, and marrow-deep defiance.
    The Vigil of the Twisted Harlequin — scars reborn as rebellion, laughter reclaimed.

    Each is a prayer, a confession, a testament carved in bruise, bone, and breath.
    May you find something of yourself between the shadows and the candlelight.

    If my words speak to you, and you’d like to help keep this flame burning — or if you’d like a custom poem woven just for you (or someone dear) — you can do so here:

    Ko-fi — Poetry by Rowan Evans