Tag: Iceman

  • Author’s Note

    Sometimes a metaphor refuses to behave.

    This piece started with ice, took a few unexpected detours through pop-culture references, and eventually decided that being “cold” was nowhere near the right description anyway.

    So I stopped fighting the metaphor and let the fire take over.

    Because sometimes the pen doesn’t freeze.

    It smolders.

    — Rowan Evans


    A poet writing with a smoking pen as melting ice gives way to flames and glowing embers.
    The metaphor started cold. The pen decided it had something hotter to say.

    Fine, Fire It Is
    Poetry by Rowan Evans

    I’ll drop a Frozen bar because I’m cold—
    Emma Frost—hold on—that reference doesn’t land,
    it’s not ice, her skin turns to diamonds, man.

    It wasn’t in reference to her skin—

    well, what was it then?

    Her cold ass personality, duh, that’s the reality—
    she’s not nice, she’s mean—a real Ice Queen.

    Could have gotten there faster
    with Iceman, Bobby Drake—

    Or better yet, I could have said—
    I’ll drop a Frozen bar, because I’m cold—
    like Frozone, where’s my super suit?

    Fine.
    We’ll skip ice.

    That’d be nice,
    right?

    Cool—
    no, wait—
    not cool.
    We said we’re done with that.

    Fine then,
    fire it is—

    I pen flames,
    draggin’ ink across the page
    like a dragon’s rage—
    scorchin’ margins,
    burnin’ through the lines
    like I’m tryin’ to cremate the rhyme.

    See?
    This is why I shouldn’t switch metaphors—
    I get carried away,
    turn a spark into a wildfire,
    turn a wildfire into a prophecy,
    turn a prophecy into a punchline.

    But whatever—
    heat fits better anyway.
    I’m not cold,
    I’m molten—
    I don’t freeze,
    I smolder.

    And if ice didn’t land,
    fire always will—
    because even when I’m calm,
    my pen still smokes
    from the last thing I wrote.


    Journey into the Hexverse

    [Exhibit A]
    A quick-witted, unapologetically playful poem about writing fast, crossing lines, roasting the competition, and letting rhythm do the talking.

    [Why So Serious?]
    A playful, chaotic poem packed with pop-culture references, superhero imagery, Disney characters, wordplay, and the kind of ridiculous puns that make the poet wonder why they were ever given a pen.

    [Welcome to the Hexverse]
    Step into the Hexverse—a poetic world where mythmaking, humor, rage, creativity, and confession collide, and darkness becomes something that can be reshaped into art.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    There are poems where I sit down with a very serious idea and carefully shape every word.

    This isn’t one of those poems.

    Draggin’ (Ignis) is me letting the pen run loose, throwing references at the page, flexing a little, and then immediately making fun of myself for doing it. It’s playful bravado with a gothic streak, a little battle-rap energy, and absolutely no intention of pretending I’m cooler than I am.

    Twenty-three years of writing will do strange things to a poet.

    Apparently, it makes them compare themselves to dragons, superheroes, and Pokémon-level fire hazards.

    Enjoy the chaos.

    — Rowan Evans


    A playful poet stands with a fountain pen as black ink transforms into a mischievous dragon surrounded by flames, ice, and motion.
    Twenty-three years of writing and this is what the pen decided to do with all that experience.

    Draggin’ (Ignis)
    Poetry by Rowan Evans

    Twenty-three years, I’ve been doing this
    with craft in my veins and trauma in my brain—
    I’ve really been through some shit.
    Maybe that’s why I write so ruthless—
    if I spit a diss, it’d be ignis—I’d be draggin’ you,
    but I’m nice, so I’m a dragon like Toothless.
    This is stupid, silly, dumb—
    I can’t take me serious, and this is how come.

    Yeah, these might be jokes—
    but I’m cold, Bobby Drake,
    so shut your mouth
    before I turn your girl into a—

    Dragon Rider…

    That kind of killed the rhyme,
    that’s fine—

    here’s a few more lines…

    I’m too quick-witted—

    pen faster than Flash,
    I’m too quick wit’ it
    when I write lines
    to silence critics.

    I’ve been writing for years,
    double digits—
    two followed by the number
    that comes next—
    I’m not even trying to flex,
    this is just me writing facts.


    Journey into the Hexverse

    [Behind These Bars (Idol Chatter)]
    A playful battle-poetry piece where confidence, wordplay, pop-culture references, and a sharp pen collide. Behind These Bars (Idol Chatter) turns verbal sparring into a ridiculous little poetry showdown.

    [Kaio-ken/Zenkai]
    Two Dragon Ball-inspired battle poems about creative power, survival, and coming back stronger. Kaio-ken with a Pen brings the attack, while Zenkai (Stronger Now) delivers the aftermath: push me to the edge, and I’ll return stronger than before.

    [Don’t Push Me]
    A playful battle-poetry piece about turning insults into punchlines, standing your ground, and refusing to be intimidated. Don’t Push Me mixes swagger, humor, rhyme, and Rowan Evans’ signature self-aware interruptions.

    [B.S.T.F.U.]
    A playful battle-poetry exercise packed with insults, internal rhymes, punchlines, wordplay, and literary swagger. B.S.T.F.U. is Rowan Evans flexing the verbal muscles—not calling out anyone in particular.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]