Tag: twenty-three years of poetry

  • Author’s Note

    Poetry has never been a place I go to behave.

    For me, language is something to climb through, rearrange, break apart, rebuild, and occasionally weaponize for the sake of a really bad joke. Mythology and symbolism are still part of that world, but they aren’t walls I hide behind anymore—they’re architecture. They give the imagination somewhere to live while the poet underneath it keeps revealing himself, piece by piece.

    The Playground (Language, Metaphors and More) is an invitation into that space.

    It is part creative philosophy, part victory lap, part conversation with the page—and, naturally, part terrible knock-knock joke. Because if I’ve spent twenty-three years turning language into a playground, I’m going to play.

    — Rowan Evans


    A poet walks through a surreal playground built from an open notebook, surrounded by ravens, moonlight, roses, mythology, and flowing ink.
    The page isn’t a cage. It’s a playground—and I’ve brought my own rules.

    The Playground (Language, Metaphors and More)
    Poetry by Rowan Evans

    I sat down—
    with the intent to write,
    had a lot of ideas
    on my mind tonight—
    like what if the moon
    was a witness?

    And the tide a guide through
    the emotional current
    in the room—
    but that’s just if I
    went the route
    of mythology,
    symbolism—
    and everything
    I used to hide behind.

    That’s not how I use it now—

    it’s still my mythology,
    symbolic architecture—

    giving my words texture—

    but I don’t
    hide behind it—
    I use it now,
    to show the art of me,
    getting to the deeper
    heart of me—
    not the whole picture,
    just a small part of me.

    I’ve been doing this
    for twenty-three
    years and counting—
    and I’m definitely
    not on my way out now—
    I’ll hit my second, third,
    fourth and fifth wind,
    any day now—
    I’ve turned language
    into my fucking playground—
    everything is a game now.
    Just conversating
    with the page now—
    I’m done pretending,
    like I don’t write flames now—
    poetry’s royalty,
    I’m taking my crown now—
    and I think it’s time you all
    bow down—
    look I’m going to make a joke,
    turn into a clown now.

    Why don’t we slow down?
    I’ll tell you that joke now—

    Knock, Knock—

    who’s there?

    Disa—

    Disa-who?

    Disa-me? I disa-you—

    with a line so mean
    you’ll want to disappear,
    wish you were never here—

    here’s a warning, dear:

    If you see my ravens,
    perched upon your lawn—

    it’s an omen—

    you are already gone.


    Journey into the Hexverse

    [The Metaphor Machine]
    A poem that takes apart its own machinery as it runs—breaking lines, breaking thoughts, and following metaphors from moonlight to tides, oceans, shorelines, and city streets.

    [Confession or Cap?]
    A sharp and playful look at the line between confession and exaggeration, where a nice poet admits that their pen sometimes talks a little too much shit—and occasionally sets the page on fire.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    There are poems where I sit down with a very serious idea and carefully shape every word.

    This isn’t one of those poems.

    Draggin’ (Ignis) is me letting the pen run loose, throwing references at the page, flexing a little, and then immediately making fun of myself for doing it. It’s playful bravado with a gothic streak, a little battle-rap energy, and absolutely no intention of pretending I’m cooler than I am.

    Twenty-three years of writing will do strange things to a poet.

    Apparently, it makes them compare themselves to dragons, superheroes, and Pokémon-level fire hazards.

    Enjoy the chaos.

    — Rowan Evans


    A playful poet stands with a fountain pen as black ink transforms into a mischievous dragon surrounded by flames, ice, and motion.
    Twenty-three years of writing and this is what the pen decided to do with all that experience.

    Draggin’ (Ignis)
    Poetry by Rowan Evans

    Twenty-three years, I’ve been doing this
    with craft in my veins and trauma in my brain—
    I’ve really been through some shit.
    Maybe that’s why I write so ruthless—
    if I spit a diss, it’d be ignis—I’d be draggin’ you,
    but I’m nice, so I’m a dragon like Toothless.
    This is stupid, silly, dumb—
    I can’t take me serious, and this is how come.

    Yeah, these might be jokes—
    but I’m cold, Bobby Drake,
    so shut your mouth
    before I turn your girl into a—

    Dragon Rider…

    That kind of killed the rhyme,
    that’s fine—

    here’s a few more lines…

    I’m too quick-witted—

    pen faster than Flash,
    I’m too quick wit’ it
    when I write lines
    to silence critics.

    I’ve been writing for years,
    double digits—
    two followed by the number
    that comes next—
    I’m not even trying to flex,
    this is just me writing facts.


    Journey into the Hexverse

    [Behind These Bars (Idol Chatter)]
    A playful battle-poetry piece where confidence, wordplay, pop-culture references, and a sharp pen collide. Behind These Bars (Idol Chatter) turns verbal sparring into a ridiculous little poetry showdown.

    [Kaio-ken/Zenkai]
    Two Dragon Ball-inspired battle poems about creative power, survival, and coming back stronger. Kaio-ken with a Pen brings the attack, while Zenkai (Stronger Now) delivers the aftermath: push me to the edge, and I’ll return stronger than before.

    [Don’t Push Me]
    A playful battle-poetry piece about turning insults into punchlines, standing your ground, and refusing to be intimidated. Don’t Push Me mixes swagger, humor, rhyme, and Rowan Evans’ signature self-aware interruptions.

    [B.S.T.F.U.]
    A playful battle-poetry exercise packed with insults, internal rhymes, punchlines, wordplay, and literary swagger. B.S.T.F.U. is Rowan Evans flexing the verbal muscles—not calling out anyone in particular.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]