Tag: The Flash

  • Author’s Note

    I’ve always found it interesting who we relate to in fiction—and apparently, my answer is the villains.

    Not necessarily because I agree with everything they do, but because I recognize pieces of myself in their intensity, their flaws, their ambition, their pettiness, and sometimes even the way they try to make sense of the world.

    So this is me admitting that my fictional character roster might raise a few questions.

    Vader. Maul. Thawne. Light.

    Yeah.

    I know.

    — Rowan Evans


    A dark fictional-villain-inspired scene surrounding a solitary poet holding a glowing pen.
    Maybe the villains aren’t relatable because they’re right—maybe they’re relatable because they’re human.

    Who Do I Relate To in Fiction?
    Poetry by Rowan Evans

    I relate to the villains—
    Like Vader, who loved so hard
    he became a monster—
    sure he killed Padmé,
    but was that really
    little Ani’s fault?
    Because I blame Obi-Wan—
    you see, if Kenobi
    had not of gone—
    if he hadn’t have been
    on Mustafar,
    Padmé would still be here.

    And I relate with Maul,
    because he had it all—
    the flips, the tricks,
    the sweet lightsaber
    with twice the blade—
    but his overconfidence
    was his downfall.
    That’s why I keep mine in check,
    I’m not ready to split yet.

    I relate to Eobard Thawne.
    That’s the level of petty
    that I aspire to,
    because if I don’t like you—
    and I mean, really don’t like you,
    I make it my job
    to keep you feeling off.
    It’s nothing big,
    just little and inconvenient—
    until it’s not.
    (Sorry, Mrs. Allen.)

    I also relate to Light Yagami—
    because he likes to write,
    and I like to write too.
    We both write names in notebooks,
    try to shape fate with words—
    the difference is, where my ink
    sometimes heals—
    his only hurts.


    Journey into the Hexverse

    [It Could Have Been…]
    A playful little love poem about strawberries, roses, and the wonderfully ridiculous ways romance can show up when you know someone doesn’t like the traditional version.

    [Exhibit A]
    A quick-witted, unapologetically playful poem about writing fast, crossing lines, roasting the competition, and letting rhythm do the talking.

    [Why So Serious?]
    A playful, chaotic poem packed with pop-culture references, superhero imagery, Disney characters, wordplay, and the kind of ridiculous puns that make the poet wonder why they were ever given a pen.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    There are poems where I sit down with a very serious idea and carefully shape every word.

    This isn’t one of those poems.

    Draggin’ (Ignis) is me letting the pen run loose, throwing references at the page, flexing a little, and then immediately making fun of myself for doing it. It’s playful bravado with a gothic streak, a little battle-rap energy, and absolutely no intention of pretending I’m cooler than I am.

    Twenty-three years of writing will do strange things to a poet.

    Apparently, it makes them compare themselves to dragons, superheroes, and Pokémon-level fire hazards.

    Enjoy the chaos.

    — Rowan Evans


    A playful poet stands with a fountain pen as black ink transforms into a mischievous dragon surrounded by flames, ice, and motion.
    Twenty-three years of writing and this is what the pen decided to do with all that experience.

    Draggin’ (Ignis)
    Poetry by Rowan Evans

    Twenty-three years, I’ve been doing this
    with craft in my veins and trauma in my brain—
    I’ve really been through some shit.
    Maybe that’s why I write so ruthless—
    if I spit a diss, it’d be ignis—I’d be draggin’ you,
    but I’m nice, so I’m a dragon like Toothless.
    This is stupid, silly, dumb—
    I can’t take me serious, and this is how come.

    Yeah, these might be jokes—
    but I’m cold, Bobby Drake,
    so shut your mouth
    before I turn your girl into a—

    Dragon Rider…

    That kind of killed the rhyme,
    that’s fine—

    here’s a few more lines…

    I’m too quick-witted—

    pen faster than Flash,
    I’m too quick wit’ it
    when I write lines
    to silence critics.

    I’ve been writing for years,
    double digits—
    two followed by the number
    that comes next—
    I’m not even trying to flex,
    this is just me writing facts.


    Journey into the Hexverse

    [Behind These Bars (Idol Chatter)]
    A playful battle-poetry piece where confidence, wordplay, pop-culture references, and a sharp pen collide. Behind These Bars (Idol Chatter) turns verbal sparring into a ridiculous little poetry showdown.

    [Kaio-ken/Zenkai]
    Two Dragon Ball-inspired battle poems about creative power, survival, and coming back stronger. Kaio-ken with a Pen brings the attack, while Zenkai (Stronger Now) delivers the aftermath: push me to the edge, and I’ll return stronger than before.

    [Don’t Push Me]
    A playful battle-poetry piece about turning insults into punchlines, standing your ground, and refusing to be intimidated. Don’t Push Me mixes swagger, humor, rhyme, and Rowan Evans’ signature self-aware interruptions.

    [B.S.T.F.U.]
    A playful battle-poetry exercise packed with insults, internal rhymes, punchlines, wordplay, and literary swagger. B.S.T.F.U. is Rowan Evans flexing the verbal muscles—not calling out anyone in particular.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Comic Book Confidence is me asking a very important question:

    What if I had superhero confidence without actually having superhero powers?

    The answer, apparently, is several increasingly terrible decisions.

    I wanted to play with the mythology of comic-book heroes—the wall-crawling, flying, super-speed, impossible confidence—and translate that into a deliberately ridiculous poetic narrative. Every time the speaker decides they must have discovered a new power, reality immediately provides a correction.

    That’s what makes the piece fun for me. It’s not really about superheroes; it’s about confidence outrunning competence.

    And maybe that’s something worth laughing at in ourselves sometimes. We imagine ourselves as Spider-Man, Superman, The Flash, Batman—and then gravity reminds us that we’re still just people.

    So this is Battle Rowan in a different form:

    No superpowers.
    No safety net.
    Just confidence, bad decisions, and a pen.

    — Rowan Evans


    A confident poet poses like a superhero while comic-inspired energy, flying pages, and signs of failed superhero attempts surround them.
    Turns out confidence is a superpower. Unfortunately, gravity isn’t impressed.

    Comic Book Confidence
    Poetry by Rowan Evans

    Put glue on my hands,
    and try to climb the walls—
    yeah, tried to Spider-Man it.
    Fell, got hurt, it was a curse—
    goddamnit!

    Okay, so that’s not the power I got
    and honestly, I’m shocked—
    Maybe I can fly? Maybe I’ll try,
    sheet tied and I climbed, high—
    from this vantage point I could see,
    everyone looking like ants to me.

    Took one step then up, up and away.
    I jumped toward the summit—I Superman’d it.
    For a second, thought I made it—
    but really, I just—plummet.
    Yes, there I was hurtling—
    quick as shit toward the Earth,
    oh man, this is gonna hurt,
    just as soon as I hit the dirt.

    Oof, cough, wheeze—
    that was me trying to breathe.
    I had hit chest first,
    knocked the air out of me—
    I struggled to my feet,
    stumbling into a jog—
    like I had somewhere to be,
    and someone to meet—

    but I just had to run it off,
    Barry Allen, vibrating through a wall—
    or nah—
    smashed my head, I’m wobblin’—
    vision blurred, words slurred,
    delusion settin’ in—now I think I’m Batman
    and I’m Robin.


    Journey into the Hexverse…

    [Kaio-ken with a Pen/Zenkai]
    Two Dragon Ball-inspired battle poems about creative power, survival, and coming back stronger. Kaio-ken with a Pen brings the attack, while Zenkai (Stronger Now) delivers the aftermath: push me to the edge, and I’ll return stronger than before.

    [The Inkbender]
    What if poetry was another form of bending? The Inkbender transforms the philosophies of Avatar: The Last Airbender into a celebration of language, creativity, rage, healing, and the power of the written word.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]