Tag: Love Poem

  • Author’s Note

    This poem is a reflection on devotion, longing, and the quiet strength of love that stretches across distance. Using the imagery of a sunflower—rooted yet reaching, bending yet unbroken—I explore the way our hearts orient themselves toward those who bring light into our lives. It’s a meditation on hope, patience, and the silent pull of someone who becomes our constant, our compass, and our sunlight.


    Golden sunflower in a sunlit field, petals bending toward the sunlight at sunrise.
    Sunflower Eyes — rooted in hope, reaching for the light, a meditation on love and devotion.

    Sunflower Eyes
    Poetry by Rowan Evans

    Like a sunflower,
    always searching for golden rays.
    My eyes move, always,
    in search of your face.

    Even in the quiet moments,
    when petals fold in sleep,
    my gaze drifts across the distance,
    finding you in the small sparks
    that linger at the edges of the world.

    My roots sink deep,
    anchored in the soil of memory and hope,
    but my head, my heart,
    will always sway toward you,
    bending and bowing, yet never breaking.

    I yearn for the warmth
    that only your presence gives,
    each glance a sunbeam
    piercing through the shadowed field
    where I sometimes forget my own strength.

    Seasons shift and skies fade,
    but I follow the orbit of your light,
    spinning in silent devotion,
    even when the sun hides behind clouds.

    I bloom in the hope of your eyes,
    and in the quiet ache of waiting,
    I stretch ever upward,
    a golden blaze against the sky—
    your face, my sunlight,
    my constant, my compass,
    my forever.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Every Word I Mean is one of the most vulnerable things I’ve written in a while—not because it hides behind metaphor, but because it refuses to.
    I’m used to expressing the deepest truths in symbols, shadows, and lyrical disguises. But this time, I wanted to speak plainly. To show what it looks like when I mean something so much that I don’t need to dress it in poetry.

    Every line in this piece is something I’ve said in real life—honestly, openly, without hesitation. These aren’t metaphors or masks; they’re just my truth. And putting that truth into ink feels almost more intimate than any confession I’ve written before.

    This is me without armor.
    Just words I meant, and still mean.

    Rowan Evans


    A warm, softly lit page with handwritten lines and a fountain pen resting beside it, symbolizing intimate and honest writing.
    A quiet moment of truth poured into ink — every word written with intention.

    Every Word I Mean
    Poetry by Rowan Evans

    If I speak it,
    in words or ink,
    then know I mean it.

    Because I don’t say things
    just to say them—
    I only say them
    when I feel them.

    Like—
    I love
    your smile,
    your laugh,
    your nose.
    (It’s cute, really.)
    I think you’re beautiful,
    and I’m not going anywhere.
    I’m never going to leave.
    I want to build a real foundation.
    Show you the love and respect
    you deserve.

    With me,
    I always want you
    to feel safe and heard.

    These are all things I’ve said—
    not hidden in poems,
    not wrapped in metaphors.
    I said them plainly,
    straightforward,
    unshaken.

    And maybe that’s why
    I write it now—
    not to hide the truth,
    but to honor it.

    To show you that
    even my simplest words
    carry weight,
    carry intention,
    carry you.

    Because when I say anything—
    whether in ink
    or breath—
    it’s because I feel it:
    every syllable,
    every moment,
    every piece of you
    that I’ve come to love.


    Suggested Reads

    [Over and Over]
    A vulnerable, deeply honest poem about choosing someone again and again—despite distance, fear, and the chaos between two very different worlds. Over and Over captures that wild gravity between two people who weren’t meant to collide… yet somehow did.

    [The Power You Give Me]
    A poem about sacred intimacy, quiet devotion, and the kind of connection that feels like sorcery without spells. The Power You Give Me explores how trust, desire, and vulnerability turn touch into magic—and why real power is held by the person who lets you close.

    [Carved From Intention]
    A poem about the quiet, deliberate way I love—and the frustration of being misunderstood. Not all affection is loud or scattered; some of us give ourselves slowly, carefully, and only with intention.

    Looking for even more poetry?
    You can explore everything in The Library of Ashes.

  • Author’s Note

    This poem sits at the intersection of confession and cosmic metaphor—the place where most of my writing lives. Over and Over explores the terrifying, beautiful truth of wanting someone in a way that feels bigger than logic or circumstance. It blends the casual language of everyday life with the vastness of stars and gravity, because that’s how love feels to me: ordinary and impossible at the same time.

    This piece is part of my ongoing work in Neo-Gothic Confessional Romanticism, a genre rooted in emotional honesty, soft ruin, and the belief that choosing someone—even when it scares you—is a quiet act of rebellion.

    Rowan Evans


    Two glowing stars drifting toward each other in a dark cosmic sky, symbolizing two people drawn together despite distance and differences.
    Two stars in the same orbit — even when they were never meant to meet.

    Over and Over
    Poetry by Rowan Evans

    It’s wild to me,
    how I’ve fallen for you.
    ‘Cause you and I,
    we come from
    two different worlds,
    collide, once upon a time—
    enemies, opposite sides.

    Now I’m just tryin’,
    to get on the same team.
    I want to be your partner.
    Ride or die, I watch your back
    and you got mine.

    And it scares me,
    how much I want this.
    How much I want you—
    not the pretty and polished,
    but the vulnerable and true.
    Still it terrifies me,
    everything I’m willing to do,
    to give up, just to be close to you.
    Everything I know,
    I’d say, “adios”,
    “Sayanora”, I’m Danny Phantom,
    I’m going ghost.

    And maybe we weren’t built for this,
    but here we are—
    you and I,
    two distant stars.
    But somehow,
    we ended up
    in each other’s orbit.
    Two stars
    spiraling towards,
    mutual destruction.
    Or something.

    I don’t know,
    I’m not a scientist.
    I just know,
    that whatever this is,
    whatever we are…
    whether that is friends,
    or something more…
    I’d choose this,
    over and over,
    again and again.
    I would choose this—
    because having you in my life,
    is a million times better
    than not having you at all.


    Looking for more poetry? You can find it all in the Library of Ashes.

  • Author’s Note

    This piece is me speaking to the one I care for, and to anyone who has ever let themselves be seen fully by another. There’s no illusion here—no tricks, no smoke, no mirrors. The “magic” I write about is the kind that happens when trust meets attention, when care meets desire, when devotion meets surrender. It’s messy, it’s quiet, it’s real. I wrote this to honor that kind of connection—the one that burns steady, that makes even the smallest moments feel sacred, and that reminds me why we give ourselves to the people we love.


    Silhouetted lovers in candlelight with soft, magical light swirling between their hands, evoking intimacy and quiet devotion.
    Intimacy becomes its own kind of magic.

    The Power You Give Me
    Poetry by Rowan Evans

    I’m a magician, love—
    sleight of hand in every touch,
    danger in every whisper.
    Not the kind that pulls rabbits from hats,
    but the kind that pulls want
    from the deepest parts of you
    without even trying.

    I touch you once—
    and your breath forgets itself.
    Twice—
    and your pulse starts writing poetry
    against your skin.

    I speak a single word
    and your knees remember
    what surrender feels like.
    My tongue is a wand,
    a spellcaster,
    a maker of quiet ruins—
    and I use it
    only on the deserving.

    I can summon heat
    with the drag of a fingertip,
    pull desire from the air
    like it’s silk waiting to be woven.
    I draw circles on your skin
    and watch them ignite,
    slow, deliberate,
    like I planned the fire
    from the very beginning.

    And when I say your name—
    soft, low,
    with that tone that hits you
    right behind the ribs—
    you’ll swear I enchanted you.
    But it’s simpler than that.
    No potions, no charms, no lies.

    You react to me
    because your body knows mine
    before your mind catches up.
    Because my magic isn’t tricks—
    it’s instinct,
    connection,
    hunger braided with reverence.

    And darling—
    when I’m finished with you,
    when you’re breathless and undone,
    when the world goes quiet
    except for the echo of my touch—

    you’ll realize
    I never cast spells at all.
    I just showed you
    the power you give me
    when you let me close.

    Because loving you—
    that’s the real magic.
    The kind that doesn’t spark
    or shimmer,
    but settles low and warm
    right behind the heart,
    glowing steady
    like a lantern in a storm.

    You don’t see it,
    but every time you trust me,
    every time you soften,
    every time you let me
    see the part of you
    you hide from the world—
    I feel something inside me
    kneel.

    Not out of worship,
    but out of awe.
    Out of the quiet truth
    that your soul
    is the most beautiful thing
    I’ve ever been allowed to touch.

    And if my hands
    feel like sorcery,
    if my voice
    feels like a spell,
    it’s only because
    you turn even the smallest moment
    into something sacred
    just by being in it.

    So yes—
    I’ll whisper enchantments
    against your skin,
    trace constellations
    on your pulse points,
    pull storms and light and heat
    from the spaces between us—
    but that’s not power.

    That’s devotion.
    That’s choosing you
    with every breath.
    That’s giving you
    the softest parts of me
    and letting you hold them
    like something holy.

    And if that feels like magic—
    then maybe it is.
    But it’s yours.
    It always has been.


    Looking for more poetry? You can find it all in the Library of Ashes.

  • Author’s Note

    This Is Confession is one of those pieces that arrives when I’ve stopped trying to be poetic and instead let myself be honest. It’s less a poem and more a moment of emotional transparency—an admission pulled straight from the chest rather than crafted on the page.

    I have a habit of writing around the things I feel most deeply, hiding truth between metaphors or reshaping it into imagery so it feels safer. This time, I didn’t want safety. I wanted clarity. I wanted to name the weight and tenderness of caring for someone quietly, intensely, without performance or pretense.

    Sometimes the most frightening thing we can do is say something plainly.
    Sometimes the bravest thing is letting the truth stand without armor.

    This piece is that bravery for me.

    Rowan Evans


    A candlelit scene with an ink-covered page and spilled black ink, evoking a gothic, intimate confession.
    A moment of truth written in ink—where confession becomes poetry.

    This Is Confession
    Poetry by Rowan Evans

    I’ve done this once before,
    but this isn’t poetry…
    This—
    this is confession.

    This is me spilling my guts
    in ink-carved words.
    Even on the days we don’t talk,
    you’re still at the forefront of my thoughts.
    Your name lingers on the tip
    of my tongue.
    You’re my favorite topic—
    not to sound too obsessive.

    But even obsession feels too small a word
    for the way my thoughts orbit you.

    You’re the gravity I return to,
    even on the days I swear I’m drifting.
    Some names echo—
    yours resonates.

    I don’t know when it happened,
    but somewhere between your laughter
    and your pain,
    I started carrying pieces of you
    like they were my own.

    I kept it quiet.
    I didn’t say a thing.

    Not because I’m ashamed,
    but because admitting it feels like stepping
    into a room lit only by truth—
    and truth has never been gentle with me.

    It’s always been the same:
    people take what they want from me—
    then they leave.
    Or they leave the moment I open up,
    start to spill my guts, just a little—
    when I get a little too real,
    too much,
    too feel.

    Two truths and a lie…
    The truth is—
    I’ve always cared more than I should,
    and I’ve always been better at hurting myself
    than disappointing anyone else.

    The lie is pretending
    I don’t feel all of this
    every time you cross my mind.

    Because the truth is—
    you do.
    Every day.
    In ways I don’t admit out loud,
    in ways I fold quietly
    between the lines of every poem
    I swear isn’t about you.

    And maybe this is reckless,
    maybe this is too much—
    but confession was never meant
    to be safe.

    It was meant to be honest.
    And honestly?
    I’d spill every last secret I have
    if it meant you’d understand
    even a fraction
    of how deeply
    you live in me.


    Looking for more poetry? You can find it all in the Library of Ashes.

  • Author’s Note

    This poem is me claiming my lane—and hers. Some love isn’t gentle. Some love doesn’t whisper. Some love says fuck off to anyone who dares mess with the person you care about.

    It’s about seeing yourself, owning your power, and then using it to carve out a safe, unshakable space for someone else. It’s protective. It’s fierce. It’s loyal. And yes… it’s a little bit savage, because sometimes love has to be.

    Consider it a love letter, a shield, and a warning—all rolled into one.


    Warm firelight reflecting on an urban driveway at night, symbolizing protection and fierce devotion.
    Some love protects. Some love roars. Mahal Ko Ako – Rowan Evans.

    Mahal Ko Ako
    Poetry by Rowan Evans

    They think I don’t really like myself,
    because I sometimes say I hate myself—
    but really, I’m always feeling myself.

    So I’ll say it simply—mahal ko ako,
    I’m somebody nobody can fuck with.

    Trust me, I know—pangit ako,
    I didn’t just forget; I own a mirror.
    I know what I look like,
    but I know what I can give.

    So when you think something cruel,
    I’ll say it before you can.
    I’ll take that power away from you.
    A bully with no power—
    they’re just noise.

    Now—let’s switch focus.

    Yeah—
    I’m looking at you, asshole.
    You add stress on her.
    Unnecessary stress.

    Me?
    I ease the storm.
    Give her a safe place
    to rest.

    When her world caves in,
    who does she run to?

    Here’s a hint:
    it isn’t you.

    And just so we’re clear—
    when you fuck up, I hear about it.
    Like when you said…

    You liked her for her dominance?
    But her attitude is too much?
    That’s a skill issue.

    Are you a man or a boy?
    Sounds like…
    You’re a little bitch.

    Then, with such audacity,
    you said she was too pretty—
    that no white guy would like her
    because she’s “not exotic enough.”

    Hi—white guy here.
    And I’m white,
    as fresh snow.
    I like her just fine.
    Exactly as she is.

    One more thing—
    “Exotic”? Not for people, asshole.
    That’s for cars only.

    Fuck you.
    Have a nice day.


    For more of my poetry, you can find it here: The Library of Ashes

  • Author’s Note

    This poem is a meditation on love that demands patience, courage, and total presence. It is written for those whose hearts have been tested, broken, or misread—and for the people brave enough to stay, to witness, and to hold. It is about devotion, reverence, and the quiet power of being fully seen.


    Kintsugi-repaired heart glowing under moonlight with floating clock fragments and falling embers in a soft gothic atmosphere.
    Every fracture tells a story—and some loves are brave enough to rewrite the timeline.

    Timelines Worth Rewriting
    Poetry by Rowan Evans
    (Written April 21, 2025)

    Don’t fall in love with me
    unless you’re ready for time zones and tenderness,
    for clocks set to your breath
    even when you’re not speaking.
    Unless you know how to read
    the unsent messages
    I whisper into the quiet of 3 a.m.,
    when my world is still sleeping
    and I am drowning
    in the silence between our heartbeats.

    I didn’t mean for this to happen.
    You were someone else’s—
    a name I only knew
    through the tremble in your voice,
    a shadow of a boy
    who left bruises where joy should’ve bloomed.
    You were a poem already breaking,
    and I…
    I just wanted to be a page
    that didn’t hurt to land on.

    I wasn’t chasing fire.
    I was tending embers.
    The way I always do—
    with a soul stitched together by
    the broken glass of old timelines,
    where love meant losing myself
    in someone else’s storm.
    But you were different.
    You asked nothing—
    and gave everything in glances
    you didn’t know were sacred.

    I told myself the clock widget
    was just a kindness.
    A way to say
    good morning, warrior,
    good morning, beautiful,
    good morning, still-here.
    But the truth?
    It became my North Star.
    A constant.
    A compass pointing always to you.

    I fell in love the way
    only a person who’s clawed their way through shadow can—
    with reverence.
    With awe.
    With hands that tremble
    but still reach.

    I saw your pain
    like an open door
    to a familiar room—
    and I walked in,
    not to fix you,
    but to sit beside you
    in the ruins.
    Because I’ve been there.
    Because I carry my own ghosts,
    and I name them in poems
    so they don’t haunt me in sleep.

    They say I should’ve stayed away.
    That I’m playing with fire.
    But fire never scared me—
    I was forged in it.
    Born of battle cries
    and whispered truths
    and a girlhood denied.
    I don’t wear guilt for things I didn’t break.

    And I didn’t break you.

    He did.

    He, who saw your softness as weakness.
    He, who mistook your loyalty
    for something owed.

    But me?
    I saw the Queen beneath the scars.
    I saw the way you held yourself together
    with gold-threaded hope,
    kintsugi soul—
    every crack shining brighter
    because you never stopped choosing to try.

    Don’t fall in love with me
    if you’re afraid of complicated truths.
    Because I will love you
    with the same hands
    that once wrote suicide notes
    and now write survival stories.
    Because I will see your shadows
    and still call you light.

    Don’t fall in love with me
    if you’re not ready to be seen completely—
    every bruise, every brilliance,
    every whisper you’ve never spoken aloud.
    I do not love in fractions.
    I do not flinch from the messy,
    the haunted, the hungry parts of you
    You think no one could ever stay for.
    I will.
    But only if you’re ready.
    Only if your heart can bear being held
    without armor.

    I didn’t plan to fall.
    But you spoke in moonlight,
    and I’ve always been lunar-bound.
    Tied to tides.
    Pulled by gravity
    in the shape of your laugh.

    And even if you never say my name
    the way I hope,
    even if I am just a season
    you remember when it rains—
    know that I loved you
    without agenda,
    without shame,
    without asking for anything
    but to witness your rise.

    Don’t fall in love with me
    unless you’re ready
    to be the reason I believe
    there are timelines worth rewriting.


    More of my poetry can be found here: The Library of Ashes

  • Author’s Note

    Under My Skin is a celebration of the magnetic, uncontainable energy that captivates and lingers. It’s about someone who burrows into your bones, ignites your imagination, and refuses to be tamed—someone whose presence is both a spell and a fire. This poem honors that intoxicating pull, the way desire can intertwine with admiration, and the beauty of surrendering to a force that refuses to be ignored.


    Portrait of a mysterious woman with witchy, gothic energy surrounded by smoke and candlelit shadows.
    A witchy, neo-gothic muse — the energy that slips under the skin and refuses to let go.

    Under My Skin
    Poetry by Rowan Evans

    She’s got that,
    witchy ‘n’ bitchy energy—
    I love that.

    She hexes me
    when she texts me—
    in the best way.

    She is—
    under my skin,
    in my lungs,
    deep within the marrow,
    burrowed in my brain.

    My heart? (Thump-thump)
    It beats for her.
    My mind?
    It dreams of her
    the moment my eyes close.

    She lingers—
    a spell I never want broken,
    a fire I never want tamed.


    If you want to see the full range of what I write, and discover the full breadth of my poetry in The Library of Ashes—an archive of ink-stained devotion, dark petals, and threshold poems that linger long after the last candle flickers. Visit The Library of Ashes →

  • Author’s Note

    Some moments are so intense, so ridiculously consuming, that your body forgets how to function, your words trip over themselves, and your thoughts scatter. Rewired (Flustered & Yours) comes from one of those moments—a truth too big for neat packaging, too raw for polish.

    This poem is about what it feels like when a single person rewires your entire system. When one word, one message, one call can leave your chest racing, your lungs screaming, and your mind spinning. It’s messy. It’s unhinged. It’s completely, unapologetically honest.

    Not every confession arrives clean. Not every feeling lands gracefully. Some of them stumble, fumble, and fall—just like the words in this poem. And yet, that’s the point. This is the closest I’ve come to capturing what it feels like to be utterly, irreversibly flustered by someone who matters more than anything.


    Illustration of a person surrounded by glowing abstract lines around their chest and throat, symbolizing emotional rewiring and breathless desire.
    Breathless, rewired, and undone.

    Rewired (Flustered & Yours)
    Poetry by Rowan Evans

    One word—I’m shook. 
    Shaken to the core. 
    Bend me, break me, 
    you’ll have me— 
    begging for more. 
     
    My tongue tied, 
    knots that try and stop 
    the words. 
    They slip, tumble, 
    fumble from my lips. 
    Tripping over themselves, 
    but I wouldn’t want to be— 
    anywhere else. 
     
    And it hurts a little, 
    but I kind of like it though. 
    I’m so— 
    masochistic. 
    In love with you, 
    so sadistic. 
     
    It’s like a— 
    slow burn on my skin, 
    it’s become my favorite sin. 
    So when you look at me, 
    my brain forgets how to breathe, 
    automatically. 
    I’ve got to think about it, 
    I have to do it 
    manually. 
     
    Inhale, my lungs yell, 
    as I become light-headed. 
    Struggling to keep 
    my thoughts straight. 
    As my brain races, 
    but not in the way 
    I’m used to. 
    You are the cause, 
    this is what you do. 
     
    Exhale— 
    feel the air 
    stick in my lungs. 
    Like my body is in 
    full protest. 
    Not against you, 
    but against 
    what it’s supposed to do. 
    It’s like I’ve forgotten 
    how to survive. 
     
    Like knowing you, 
    has rewired 
    every part of me.
    This is what it looks like—
    how you fluster me.
    How you’re everything
    I crave.
    The way one word,
    can make me cave.

    The rhythm in my chest?
    It beats for you.
    These lungs,
    they breathe for you.
    It’s like you’ve claimed me,
    without staking a claim—
    I’m just sayin’,
    I’m yours.


    Curious for more? Step into The Library of Ashes, where every poem has a story to tell.

  • Author’s Note

    I wrote this for her — the one whose name feels like both prayer and sin.
    Not to mock heaven, but to remind it what love looks like when it’s lived in human skin.

    Because sometimes, faith isn’t worship. It’s defiance in the name of tenderness.


    A celestial battlefield where a poet stands victorious in the name of love, light falling gently on the one she fought for.
    “Love made them fearless enough to brawl with heaven — and tender enough to lay it back to rest.”

    When I Fought God for Her
    Poetry by Rowan Evans

    You said—
    you had a migraine again,
    so I told you, I’d say a little prayer.
    But if that didn’t work,
    I’d go up there and make God
    make it go away.

    You laughed.
    But I meant it.
    I’d box deities
    to take your pain away.
    I’d throw hands with Gods
    and Goddesses.

    I’d walk right up,
    like — “listen here,
    you divine little prick.”
    Catch him off guard:
    “You might be God,
    but you clearly got a little dick.
    The way you wield little-dick energy.”

    Go ahead—
    smite me. (Coward.)
    Just know—
    you better be ready
    to fight me.

    “I said heal her, not test her—
    you omnipotent coward.
    Give her rest,
    or I’ll rewrite your scripture myself.”

    So I climb.
    Not on a ladder of prayer,
    but up a rope made of names I swear I’ll never say again—
    each knot a vow, each loop a promise.
    The sky cracks like an egg; thunder flinches.
    Clouds part to watch the mess I’m about to make.

    First I find the doorman to the heavens—
    the one with a clipboard and a halo too small for his head.
    He checks my grief like it’s a permit;
    I hand him a bruise and a name.
    He frowns, flips a page, tries to veto me.
    I step in close and whisper:
    “You work customer service for eternity? Poor you.”
    Then my fist meets marble and the bell rings,
    and the Pearly Gates swing off their hinges.

    Wings beat like shutters;
    angels tilt their heads like bored referees.
    I dodge the choir—
    their harmonies can be lethal—and I keep walking.
    A goddess in linen offers incense;
    I snatch the censer, skein it into a rope, and swing.
    Her perfume tastes like paperwork;
    I cough it up into the wind and keep going.

    Hallways mapped by myth—
    Olympus, Valhalla, the mailroom of miracles—
    I stride them all barefoot, dragging a trail of small rebellions.
    I pass Zeus in a robe, bored with thunder.
    I clap once and steal his lightning.
    “Borrowed,” I tell him. He blinks.
    Lightning in my palm feels heavy with apology.
    I throw it like a rope—no, like an apology turned projectile—
    toward the place where pain hides.

    Ministers of fate try to lecture me on consequence.
    I read their contracts aloud
    and rip the margins out like ticker tape.
    “Fine print,” I say.
    “Fine for you. Not tonight.”
    One deity mutters something about hubris;
    I hand them a mirror. They don’t like their reflection.

    The gods swell; the heavens tense,
    like neighborhoods preparing for a parade that never comes.
    I trade left hooks for liturgy—
    each punch rearranges a verse,
    each uppercut edits a line.
    Commandments rattle.
    Mythic laws become limericks under my knuckles.
    I bleed ink and the stars drink it and become quieter.

    They call reinforcements—
    avatars, avatars with perfect hair and terrible customer service.
    I meet each one the same: a joke, a jab, a promise.
    “Your omnipotence has been outsourced,” I tell them.
    A Valkyrie grins; I say, “Not tonight,”
    and she drops her spear like it’s tired of being serious.

    At the gate where they schedule tests,
    I find the migraine: a small, grey child with the world’s noise in its fists.
    It sits on a throne of buzzing radios,
    feeds on fluorescent hum.
    I kneel.
    Not a prayer this time—a plan.
    I cup the child’s head like a secret,
    whisper apologies I don’t deserve to say aloud.
    Then I punch a hole in the noise.
    It’s less dramatic than you think—
    a clean, surgical silence that smells like relief.

    The gods holler. “You cannot—” they begin.
    I finish for them: “Watch me.”
    I gather their stubbornness,
    twist it, braid it into lullaby.
    Rewrite scripture? I do—one line at a time.
    Where they wrote tests, I write rest.
    Where they insisted on trial, I ink in mercy.
    Where they wrote cosmic riddles, I carve simple sleep.

    A thunder god tries diplomacy—
    offers a crown if I’ll walk back.
    I toss it into the void;
    it clatters into oblivion like a coin with no value.
    “You keep the crown,” I tell him. “I’ll keep the quiet.”
    He sulks and the weather lightens.

    Blood and starlight, sweat and scripture:
    the bargain smells like incense and victory.
    I do not conquer with conquest’s cruelty;
    I conquer with the small, stubborn insistence of care.
    I return the migraine to its box—
    soft, bound with my exhale—
    and hand it back to the universe with a receipt:
    PAID IN FULL — one love, nonrefundable.

    When I climb down,
    the sky blinks as if it had only been napping.
    You sit in your quiet room with a blanket and a mug,
    blinking like an animal reintroduced to light.
    You laugh at me later—a small, breathy thing—
    because you always laugh when I swear and fight.
    I kiss the place behind your ear
    like I’m sealing the universe back in its proper frame.

    Gods grumble;
    some edit their resumes.
    Angels gossip like old women
    about the loud mortal who would not hush.
    I don’t care.
    I come down with sore knuckles
    and a new psalm in my back pocket.
    It reads: She shall sleep.
    He shall never tire of saving her.
    We will not test what we cannot bear.

    And if any deity asks,
    I say the same thing I said when I walked up:
    “listen here, you divine little prick—
    you might be God,
    but you got little-dick energy.
    Fight me if you want.
    Fight us if you have to.
    But know this: I love her.
    I will make the cosmos learn how to be gentle.”

    You close your eyes and breathe.
    The migraine loosens its grip like a tired animal.
    You murmur a name
    and sleep folds you into it like a clean sheet.
    I stay awake for a while,
    fingers laced with that holy,
    ridiculous, furious calm—
    the kind that only comes
    after you’ve brawled
    with the architecture of the world
    for someone you love.


    If you are interested in checking out more of my poetry, you can find it here[The Library of Ashes]