Tag: Vulnerability

  • Author’s Note

    Some poems arrive because of a grand idea.

    Others arrive because a single sentence refuses to leave.

    This was one of those.

    The poem began when I remembered a conversation. A joke, really. Someone once described themselves as being “like a drug” and we laughed about it. At the time, it felt playful, exaggerated, harmless.

    But memory has a way of revisiting things from a different angle.

    When I thought about that conversation later, I realized what interested me wasn’t the comparison itself. It was the experience of slowly realizing that someone has become part of your everyday thoughts without you noticing exactly when it happened.

    One day they’re simply someone you know.

    Then they’re someone you think about.

    Then they’re someone who quietly occupies space in your mind when nothing else is demanding your attention.

    The drug metaphor gave me a doorway into the poem, but it isn’t really what the poem is about.

    It’s about affection.

    It’s about attachment.

    It’s about the strange vulnerability of admitting that someone matters.

    More than that, it’s about the difference between being needed and being wanted.

    Need can feel transactional.

    Want feels chosen.

    The final lines became the emotional center for me because they capture a hope I think many people carry but rarely say aloud:

    Not that someone has to stay.

    Not that someone owes us their attention.

    Just that maybe, if given the choice, they would choose us too.

    Like a lot of my recent work, humor and metaphor show up first. They’re familiar territory. They’re comfortable. They make difficult things easier to approach.

    But beneath the jokes, the poem is doing what many of my poems eventually do.

    It’s confessing.

    Rowan Evans


    A solitary figure standing beneath glowing city lights as colorful streams of light drift through the air, symbolizing affection, attachment, and lingering thoughts of someone special
    Sometimes affection arrives quietly—slipping into your thoughts until you realize someone has become part of your everyday world.

    Maybe You’ll Want Me Too
    Poetry by Rowan Evans

    I remember when you said—
    you are like a drug.

    It was all laughs
    about your exes being hooked,
    still shook by the thoughts of you.

    But I was getting second-hand
    contact highs—

    now I feel addicted too.

    It’s like you’re in my bloodstream.
    You’ve rewired my brain,
    rebalanced the chemical compounds—
    you’re in nearly every single thought now.

    I try to hide it behind metaphors
    and jokes—an attempt to mask
    the fragile hope—

    that you won’t need me,
    but maybe you’ll want me too.


    Journey into the Hexverse…

    [Recognizes Home]
    A free-verse poem exploring the difference between love as dependency and love as choice. It challenges the idea that love must be need-based, instead centering the quiet strength of choosing someone while still remaining whole on your own.

    [Not Rebuilding You]
    A poem about love as an act of presence rather than rescue. Through construction imagery, Not Rebuilding You explores trust, devotion, emotional safety, and the quiet work of building a foundation strong enough for healing to grow.

    [The Language Her Soul Speaks]
    What if love isn’t about being understood, but learning to understand someone else? “The Language Her Soul Speaks” is a free verse poem about intimacy, communication, curiosity, and the desire to know another person beyond the limits of language.

    [Ocean Waves (1, 4, 3)]
    A moonlit shoreline, a rowboat full of ducks, a piggybank with no cents, and a confession hidden in plain sight. Ocean Waves (1, 4, 3) explores how humor, wordplay, and absurdity can become a side door to vulnerability when the truth feels too difficult to say directly.

    [L Words & Heart]
    A moonlit shoreline, a rowboat full of ducks, a piggybank with no cents, and a confession hidden in plain sight. Ocean Waves (1, 4, 3) explores how humor, wordplay, and absurdity can become a side door to vulnerability when the truth feels too difficult to say directly.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some poems arrive all at once.

    This one arrived in pieces.

    The opening came first—a joke, a banana peel, a little bit of wordplay and self-awareness. The speaker trips over their own feelings and tries to laugh about it before anyone notices.

    That’s fairly normal for me.

    Humor has always been one of the ways I approach vulnerability. Not because the feelings aren’t real, but because sometimes honesty becomes easier to hold when it’s carrying a joke.

    But somewhere during the writing process, the poem shifted.

    The focus stopped being the speaker’s feelings and became the person receiving them.

    Because love, at least the kind I’m interested in writing about, isn’t ownership.

    It isn’t rescue.

    It isn’t fixing someone.

    It’s creating safety.

    The construction imagery in the second half comes from that idea. The speaker isn’t trying to rebuild another person or erase their past. They’re trying to create something steady. Something reliable. A place where another person can set down their fears for a while and rest.

    That distinction matters to me.

    Too many love stories focus on saving someone.

    I’m more interested in what happens when you simply show up, consistently, and help build conditions where healing becomes possible.

    Brick by brick.

    Choice by choice.

    Day by day.

    The final lines grew from a belief I’ve carried for a long time:

    Everyone deserves a future that feels safe to stand inside.

    Everyone deserves foundations that don’t shake beneath them.

    And sometimes the greatest gift we can offer another person isn’t a promise to save them.

    It’s a promise to help build something that lasts.

    Rowan Evans


    A new foundation being built beside old ruins at twilight, symbolizing healing, trust, and creating a safe future through love.
    Sometimes love isn’t about fixing what’s broken. Sometimes it’s about laying a foundation strong enough for someone to finally rest without fear of collapse. 🖤🧱✨

    Not Rebuilding You
    Poetry by Rowan Evans

    It happened quick.
    I slipped—
    banana peel.
    But you can trust me,
    I think I’ve proven that, (huh?)
    so you know
    you can trust
    what I feel is real.

    From the fear
    to devotion,
    loyalty in motion—
    I try to give you no reason
    to question.

    And you don’t need
    to return this.
    This isn’t a library,
    no overdue charge—
    just a gift straight from my heart,
    that I give with purpose.

    And if you’re wondering
    why I give like this…

    You’re worth it.

    I’d move earth,
    shift dirt—
    excavate
    to stop the hurt.
    Prepare the land
    for a new foundation.

    So let me lay brick after brick,
    patience in every layer,
    hope in every line.
    Not rebuilding you—
    just building a place
    where you can finally rest
    without fear of collapse.

    And if it takes time,
    I’m not afraid of slow miracles—

    because love like this
    isn’t renovation—
    it’s resurrection.

    A clearing of old ruins,
    a promise carved into the earth:
    you deserve a future
    that doesn’t hurt to stand on.


    Journey into the Hexverse…

    [The Language Her Soul Speaks]
    What if love isn’t about being understood, but learning to understand someone else? “The Language Her Soul Speaks” is a free verse poem about intimacy, communication, curiosity, and the desire to know another person beyond the limits of language.

    [Ocean Waves (1, 4, 3)]
    A moonlit shoreline, a rowboat full of ducks, a piggybank with no cents, and a confession hidden in plain sight. Ocean Waves (1, 4, 3) explores how humor, wordplay, and absurdity can become a side door to vulnerability when the truth feels too difficult to say directly.

    [L Words & Heart]
    A playful, self-aware poem about love, longing, loyalty, and the quiet ways another person can reshape our inner world. What begins as humor slowly reveals a heartfelt confession about affection, imagination, and the faces that linger in our dreams.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This is one of the shortest poems I’ve written in a while, but it carries an idea I’ve been circling for years.

    A lot of love poems focus on being understood.

    Wanting someone to see you. Wanting someone to know you. Wanting someone to understand the parts of yourself that feel difficult to explain.

    Those desires are real.

    But as I was writing this piece, I realized my attention was pointed in the opposite direction.

    I wasn’t thinking about being understood.

    I was thinking about understanding.

    About how every person carries an internal world that exists beyond simple translation. A private rhythm. A natural cadence. A way of thinking and feeling that doesn’t always survive the journey into spoken language.

    I think that’s part of why I write so often about language, communication, and connection.

    Not because I believe perfect understanding is possible.

    But because the attempt matters.

    Because choosing to learn someone—to listen carefully, to pay attention, to remain curious about who they are beneath the surface—is one of the most meaningful forms of affection I know.

    The title came first.

    “The Language Her Soul Speaks.”

    Not because I believe souls literally have languages, but because some people seem to move through the world with a rhythm that feels uniquely their own.

    This poem is about wanting to learn that rhythm.

    Not to change it.

    Not to possess it.

    Just to understand it a little better than I did yesterday.

    Rowan Evans


    Two figures stand beneath a moonlit sky as glowing strands of language and light flow between them, symbolizing understanding, communication, and emotional connection.
    “Not because I need to be understood, but because I want to understand.” — The Language Her Soul Speaks by Rowan Evans

    The Language Her Soul Speaks
    Poetry by Rowan Evans

    I want to whisper secrets
    in the language her soul speaks,
    touch the edges of her mind
    in the natural cadence
    in which she thinks—

    not translated,
    not borrowed,
    not filtered
    through the limits of my tongue.

    Not because I need
    to be understood,
    but because I want to understand.


    Journey into the Hexverse…

    [L Words & Heart]
    A playful, self-aware poem about love, longing, loyalty, and the quiet ways another person can reshape our inner world. What begins as humor slowly reveals a heartfelt confession about affection, imagination, and the faces that linger in our dreams.

    [Just Beyond Waking]
    A street that feels familiar. A life that hasn’t happened yet. Just Beyond Waking explores the fragile space between dreams, memory, longing, and the quiet feeling that some futures are already waiting for us.

    [I’ll Be There to See Your Sunrise]
    Love has never come easily to me. This poem explores the fear, vulnerability, and quiet courage required to stay emotionally present when connection begins to matter deeply. “I’ll Be There to See Your Sunrise” is about choosing love despite the risk of heartbreak—and promising to remain long enough to witness someone fully.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem began as a collection of bad jokes.

    Or at least that was the excuse.

    Sometimes I start writing with no destination in mind. A phrase appears. Then a pun. Then another. A moon becomes a metaphor. Ducks end up in a rowboat. A piggybank loses all its cents.

    And somewhere in the middle of all that nonsense, something honest sneaks in.

    I’ve noticed that humor often works like a side door.

    There are things I can say directly. There are things I can say through poetry. And then there are things that feel easier to approach sideways, hidden beneath wordplay, jokes, and absurd little detours.

    This piece lives in that space.

    The speaker keeps drifting away from the point, circling it rather than naming it. Every joke becomes a delay tactic. Every pun buys another moment before the truth has to be spoken aloud.

    Because sometimes vulnerability isn’t difficult because you don’t know what you feel.

    Sometimes it’s difficult because you know exactly what you feel.

    And saying it out loud makes it real.

    The title’s parenthetical reference, “1, 4, 3,” comes from an old numerical shorthand for a phrase many people know by heart. I liked the idea of building an entire poem around avoiding a confession, only to hide it in plain sight.

    In the end, the poem says exactly what it means.

    It just takes the scenic route to get there.

    Rowan Evans


    A solitary figure stands on a moonlit beach beside gentle ocean waves while silver moonlight reflects across the water beneath a glowing night sky.
    Sometimes the longest journey to the truth is the scenic route—through moonlight, wordplay, ocean waves, and all the jokes we tell before we finally say what we mean.

    Ocean Waves (1, 4, 3)
    Poetry by Rowan Evans

    I stand on the shore
    giving ocean waves—
    begging the tide
    to take me away.

    I trace the moon
    across the sky,
    I map it in rhyme.
    Line after—
    silver-lined metaphor.

    I got my ducks in a row
    boat—is that what the paddles for?
    I know the direction,
    what would I panic for?

    You might be confused—
    I know that made no sense,
    like an empty piggybank.
    No cents, thoughts scattered
    like loose change.

    I use jokes
    to mask the truth sometimes.

    It makes what I want to say,
    an easier pill to swallow—

    1 letter
    followed by 4
    then 3—

    Together, they mean
    you mean the most to me.
    By your side—

    is where I’m supposed to be.


    Journey into the Hexverse…

    [1-4-3]
    A poem about love that isn’t rooted in need, but in choice. About finding safety not as a cage, but as a place where fear finally stops running—and stays.

    [1-4-3 (Tongue Tied)]
    A vulnerable poem about holding back the words that matter most. 1-4-3 (Tongue Tied) explores fear, emotional suppression, and the quiet ache of wanting to say “I love you.”

    [What I Want to Say]
    Sometimes the hardest words to say are the simplest ones. What I Want to Say explores love, hesitation, and the fear of what might change if you finally speak.

    [No Parachute]
    A poetic reflection on falling in love without hesitation—raw, uncertain, and without a safety net.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece began as a joke.

    Or at least, I thought it did.

    The opening voice is intentionally playful—awkward, self‑deprecating, a little chaotic, prone to wandering off into side comments before finding its way back again. In many ways, it feels closer to how I actually think than some of my more polished or serious pieces.

    But underneath the humor is something sincere.

    I’ve never been particularly good at saying important things directly. Sometimes vulnerability arrives disguised as a joke. Sometimes affection hides behind wordplay. Sometimes the safest way to admit what you’re feeling is to make someone laugh first.

    The title comes from a simple realization: when I think about certain people, my thoughts tend to orbit the same things.

    Love. Longing. Loyalty.

    The L words.

    And heart.

    The final section is intentionally quieter than everything that comes before it. The jokes fall away, the distractions disappear, and what remains is the truth the speaker was circling the entire time: the way another person can take up space in your imagination, your creativity, and your inner world long before they ever occupy the same physical space.

    Sometimes affection doesn’t arrive as grand declarations.

    Sometimes it arrives as a face that appears when you close your eyes.
    A voice you hear in silence.
    A shoreline you keep finding in your dreams.

    Rowan Evans


    A solitary figure standing on a moonlit shoreline while waves roll in beneath a dreamy twilight sky.
    Some people arrive in your thoughts quietly—then somehow become part of every dream, every poem, and every beat of your heart.

    L Words & Heart
    Poetry by Rowan Evan

    I’m just a quirky, mother—
    not a fighter, but a lover.
    I’m not brave or whatever,
    I bite tongues,
    holding words like lips
    with padlocks.

    I’ve never been a fan of change,
    but I want things to change—
    I want my life rearranged,
    I want to be seen as normal
    not strange—
    I want to be me
    and accepted,
    because I’m not as strange
    as you think—
    I’ve seen Stranger Things.

    (Actually, no I haven’t.
    I never got into the show.
    But I digress…)

    I’ve got things I want to say,
    got things I want you to know.

    When I think about you
    it’s all L words and heart,
    you reshaped my art.
    So I close my eyes
    and I see your face.
    In silence, I hear your voice—
    and in dreams I walk your shores.


    Journey into the Hexverse…

    [Just Beyond Waking]
    A street that feels familiar. A life that hasn’t happened yet. Just Beyond Waking explores the fragile space between dreams, memory, longing, and the quiet feeling that some futures are already waiting for us.

    [Twin Suns, Sister Moons]
    A poem about distance, longing, and the quiet pull of someone who lives beneath a different sky. Between twin suns and sister moons, the heart keeps reaching for home.

    [It’s You I Choose]
    A poem about devotion, vulnerability, and the quiet decision to stay. Sometimes love isn’t certainty—it is choosing someone anyway.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem started with a voice.

    Not a theme. Not an image. Not a grand idea.

    Just a voice already halfway through a conversation.

    The kind of conversation where someone teases you, calls you crazy, and instead of defending yourself, you laugh because you’ve heard it before.

    A lot of my writing tends to be emotionally heavy, layered, symbolic, or wrapped in larger metaphors. This piece isn’t trying to do any of that.

    It’s intentionally conversational.

    A little sarcastic. A little self-aware. A little chaotic.

    Which, if I’m being honest, isn’t that far removed from how I actually talk.

    What interested me while writing it was the difference between being called strange and being comfortable enough with yourself to stop treating that as an insult.

    The speaker isn’t arguing for normalcy.

    They’re not saying, “No, I’m not weird.”

    They’re basically saying:

    “Yeah. Maybe I am. And?”

    That confidence becomes important because it creates space for the real confession waiting underneath the jokes.

    The poem begins as a defense of individuality, but it ends as a statement of devotion.

    Not because the speaker suddenly becomes serious, but because sincerity sneaks in when they’re not looking.

    And that’s probably my favorite kind of honesty.

    The kind that arrives accidentally.

    The kind that slips past the defenses.

    The kind that shows up disguised as a joke before quietly admitting:

    Of all the people in the world, you’re the one I’d choose.

    Rowan Evans


    Two people sharing a quiet late-night conversation while sunrise begins to glow through a nearby window.
    Sometimes love is not certainty. Sometimes it’s simply choosing someone, again and again.

    It’s You I Choose
    Poetry by Rowan Evans

    Here we sit, you and I
    deep in conversation—

    you say, “you’re insane,”
    I say “perfectly.”
    Got it tatted on my arm,
    as a reminder—

    I might struggle
    with my mental health,
    but I’m still perfectly myself.

    It’s a pillar
    of my personality.

    They say I’m strange,
    yeah, well I might be.
    That feels highly likely.

    Loyal to a fault—
    line snaps.
    But my devotion
    is unshakeable.

    What I’m trying to say is—

    maybe
    I am crazy,
    but baby—
    it’s you I choose,
    it’s you I couldn’t
    stand to lose.


    Journey into Hexverse…

    [I’ll Be There to See Your Sunrise]
    Love has never come easily to me. This poem explores the fear, vulnerability, and quiet courage required to stay emotionally present when connection begins to matter deeply. “I’ll Be There to See Your Sunrise” is about choosing love despite the risk of heartbreak—and promising to remain long enough to witness someone fully.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    There’s a specific kind of distance that’s hard to explain unless you’ve felt it.

    Not absence–
    but separation.

    Like you’re still here, still moving, still functioning…
    but you’re watching it happen from just behind your own eyes.

    This piece lives in that space.

    Between control and detachment. Between presence and drifting.

    For a long time, I thought connection was something that could fix that feeling–pull me fully back into myself.

    But that’s not really how it works.

    No one can do that for you.

    What they can do… is help anchor you.
    Give you something steady to hold onto while you find your way back.

    This piece isn’t about being saved.

    It’s about realizing that even in disconnection, even in that distance–
    there are still things that keep you here.

    And sometimes, that’s enough.

    Rowan Evans


    Blurred figure standing in a dim room with a double-exposure effect symbolizing dissociation and emotional distance.
    Even at a distance from yourself, something can still keep you here.

    Right Behind My Eyes
    Poetry by Rowan Evans

    I stand between—
    control and disassociation.
    It’s like I’m right behind
    my own eyes,
    watching my own life
    pass me by.

    My body moves,
    but my mind
    stays still.

    Just going
    through the motions.

    Thoughts run rampant—

    One step forward,
    two steps back.
    One more step
    for everything I lack.

    From inside my mind,
    I see myself retreat—
    wake, eat, sleep, repeat.

    But I long
    for connection.

    Outside,
    I’m alone.
    Inside,
    her voice echoes.

    It keeps me—
    from drifting further,
    from disappearing completely.

    And in this struggle,
    I learned one thing:

    I don’t love easy—
    but when I love,
    I love deeply.

    And this love
    is the one thing
    that keeps me—
    from going under,
    from letting
    the darkness win.

    Because she can’t fix me,
    just like I can’t fix her.

    We’re not broken—
    we’re bruised.

    And bruises heal.
    Not by rescue,
    not by repair,
    but by time
    and care.

    And somehow—
    she draws the light
    from within me.


    Journey into the Hexverse!

    [The Voice in the Haze]
    A wandering dream, a voice that feels like memory, and a moment where everything quiets just enough to be found.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece wasn’t planned.

    It came out in one sitting–somewhere between thought and feeling, where things don’t always organize themselves neatly. It’s messy in the way real reflection tends to be.

    There’s a version of me that still exists in that room. The one surrounded by noise, by doubt, by everything that hasn’t fully let go yet.

    And for a long time, I thought the goal was to get out of that room entirely.

    To silence it. To leave it behind.

    But that’s not what happened.

    Instead, I learned how to sit in it differently.

    To see the shadows for what they are–not threats, but remnants. Not something to fear, but something to understand.

    And somewhere along the way, I realized something else–

    that I wasn’t alone in that space anymore.

    This piece is about that shift.

    Not from the darkness to light…
    but from fear to awareness.

    Rowan Evans


    Person holding a glowing lantern in a dark empty room surrounded by shadowy figures, symbolizing inner demons and self-reflection.
    Even in the darkest rooms, a single light is enough to face what once felt impossible.

    Lantern in the Room
    Poetry by Rowan Evans

    I sit in an empty room—
    but I’m not alone here.

    It’s me, myself
    and the demons I hide.

    Remnants
    of a shattered mind,

    scattered across
    endless timelines.

    A life of possibility,
    held back by humility—
    and a lack of confidence.

    I don’t know
    how to take a compliment.

    What makes it worse is—
    I know my worth…
    but I question
    how anyone else could.

    I don’t let them
    get close enough to know.

    I get just close enough—
    close enough to know it’s real.

    Then I pull back—
    because I’m scared to feel.

    I’ve been hurt before.

    And that hurt—
    it festered,
    turned to rot.

    It spread
    inside my chest,
    until there was nothing left—

    just fear and doubt.

    In my head,
    they shout.

    I just wanted them out.

    And then—

    her.

    Her,
    with the voice
    that cuts through
    the fog.

    Her,
    with the eyes
    that light up the night—
    they brighten my life.

    Her…
    it’s always been her.

    Since the moment
    she appeared.
    It felt like—
    addiction.

    I couldn’t get enough.

    And I ask myself—
    is this love?

    I used to think
    I knew what that was.

    Now every thought
    revolves around her.

    Even when I drift,
    the thought of her
    brings me back to center.

    She’s the tether—
    a lighthouse
    in stormy weather.

    Just by existing,
    she makes me better.

    She didn’t save me.
    She didn’t fix me—

    she changed my perspective.

    That’s it.

    Now—
    I can’t picture
    what life was like before.

    It feels distant.

    Like a version of history
    that didn’t happen to me.

    But it did.

    That’s where my scars
    come from.

    It’s where the demons
    were born.

    The voices that whisper—
    the thoughts that scream—

    is this a nightmare
    or a dream?

    Because I’m still terrified.
    I’d be lying if I said otherwise.

    So I return to the room—
    lantern in hand.

    The shadows don’t scare me anymore.

    They’re just part
    of the narrative now.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Same Sky sits in the space between distance and closeness.

    It’s about the kind of connection that feels real, even when it isn’t physically present. The kind that inspires growth, while also bringing fear to the surface.

    There’s a vulnerability in wanting someone–not just near you, but in your world. In admitting that their presence matters, even without defining what that presence is.

    At its core, this piece isn’t about certainty.

    It’s about longing.

    The quiet, persistent kind–
    that simply wants someone here.

    Rowan Evans


    Two people far apart looking up at the same star-filled sky, symbolizing longing and connection
    Different places. Same sky.

    Same Sky
    Poetry by Rowan Evans

    Don’t take it personally,
    when I retreat—
    disappear inside of me.
    I’m reflecting—
    is this something
    I need protecting from?

    These feelings
    that I’m feeling,
    they scare me.

    It’s terrifying,
    sometimes—
    the way you
    make me feel.

    The way I want to change myself,
    not because you asked me to—
    because you inspire me,
    to be better than I was
    the day before.

    So I look to the heavens
    with feet planted,
    connected to the surface
    of the planet.
    Feet, the roots,
    grounding me.

    Even if I don’t feel
    rooted to the ground
    beneath.

    Eyes on the stars,
    mapping scars
    traced from afar.

    Ocean’s edge,
    is the reminder
    of the—

    Through the waves,
    I’d swim.

    I’d leave behind
    my life and everything
    I’ve ever known.

    It’s an internal insistence,
    to close the distance.
    A longing to stand under
    the same stars,
    in the same sky
    on the same night.

    To be able to look over,
    to know you’re near.
    Friend or more,
    I don’t care.

    I just…

    I want you there.


    Journey into the Hexverse

    [To Whom It May Concern…] (3/20)

    A raw exploration of vulnerability, fear, and self-sabotage—this poem captures the struggle between wanting to be seen and the instinct to hide.

    [Weathered] (3/21)

    A deeply introspective poem about confronting fear, breaking patterns, and choosing to stand in the storm instead of running from it.

    [Same Room (Emotionally)] (3/22)

    Can you miss someone you’ve never met? This poem explores emotional connection beyond physical distance and what it means to truly feel seen.

    [No Parachute] (3/23)

    A poetic reflection on falling in love without hesitation—raw, uncertain, and without a safety net.

    [When I Started to Fall for You] (3/24)

    A lyrical exploration of love’s intensity—how connection grows, transforms, and reshapes the way we experience the world.

    [Bad Habit] (3/25)

    A powerful reflection on repetitive thought patterns, emotional loops, and the moment of realizing you’re stuck inside your own mind.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    The mind has a way of repeating itself.

    Patterns, thoughts, loops–they can feel inescapable, like walking through the same place over and over again, no matter how far you think you’ve gone.

    Bad Habit is about recognizing those patterns in real time. Not after the fact, not with clarity or distance–but while you’re still standing inside them.

    It’s the moment of awareness.

    And the quiet decision to not disappear into it.

    Rowan Evans


    A person walking through a repeating or mirrored space, symbolizing mental loops and overthinking
    Some patterns don’t break—they repeat.

    Bad Habit
    Poetry by Rowan Evans

    I feel like I’m running in place,
    my feet move but I go nowhere.
    Terrain’s all the same,
    it never changes.

    All the trees
    in the same place.
    All the people
    with the same face.

    Dreams, perhaps—
    or maybe a nightmare?
    My mind,
    it doesn’t fight fair.

    So I’m stuck here.
    Wandering,
    lost in my mind—
    pondering,
    you know I have questions.

    I was just wondering—
    if I reached my hand out,
    would you grab it?
    Pull me back
    from this static?

    I know it’s not you
    that I’m talking to,
    but my brain
    paints you so vivid.
    So I let myself take time,
    I let myself live it.

    It’s all inside my mind,
    dreams, perhaps
    or maybe nightmare.

    Maybe it pulls me in,
    and wants to keep me there.
    Like a ghost of despair,
    trying to get me to—
    disappear.

    But I’m not going
    anywhere.
    Once I’ve climbed
    out of my mind,
    and back into the world.

    Back into myself,
    into clear mental health.
    No more fog,
    no more static.
    No more feeling
    like my life is tragic.

    Another bad habit.


    Journey into the Hexverse

    [To Whom It May Concern…] (3/20)

    A raw exploration of vulnerability, fear, and self-sabotage—this poem captures the struggle between wanting to be seen and the instinct to hide.

    [Weathered] (3/21)

    A deeply introspective poem about confronting fear, breaking patterns, and choosing to stand in the storm instead of running from it.

    [Same Room (Emotionally)] (3/22)

    Can you miss someone you’ve never met? This poem explores emotional connection beyond physical distance and what it means to truly feel seen.

    [No Parachute] (3/23)

    A poetic reflection on falling in love without hesitation—raw, uncertain, and without a safety net.

    [When I Started to Fall for You] (3/24)

    A lyrical exploration of love’s intensity—how connection grows, transforms, and reshapes the way we experience the world.

    [Same Sky] (3/26)

    A poetic meditation on longing, distance, and the quiet desire to share the same space—even when worlds apart.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]