Tag: introspective poetry

  • Author’s Note

    These paired pieces come from a place of reflection, reckoning, and resilience. Ten Beers is written from the perspective of a younger self, caught in the cycle of self-medication, chaos, and denial. Its repetition mirrors the rituals we create to escape, the desperate attempts to quiet the storm in our own minds.

    Through Clear Eyes is the response, the voice of survival and understanding. It looks back with compassion, honesty, and accountability, confronting past pain while acknowledging growth. Together, they explore addiction, self-destruction, and ultimately, forgiveness—both of oneself and of the ways we survive.

    I offer these poems as a testament to the storms we endure, the patterns we outgrow, and the quiet victories of seeing clearly, even after years of being lost in the haze.

    Rowan Evans


    “Person overwhelmed by thoughts, surrounded by empty beer cans and abstract swirls of color.”
    Chasing the blackout, quieting the storm within.

    Ten Beers
    Poetry by Rowan Evans

    I drank ten beers,
    then I drank ten more—
    just trying to escape my mind.
    To numb the pain,
    to quiet the storm inside.
    I drank ten beers,
    then I drank ten more.

    It wasn’t a problem in my eyes,
    I had it all under control.
    I could stop when I wanted—
    I just didn’t want to.
    So I drank and drank,
    then I drank some more.
    I drank ten beers,
    then I drank ten more.

    I chased the blackout,
    just wanted to turn the lights out.
    Quiet the storm raging unseen.
    It’s all in your head. Just don’t be sad.
    If only it were that easy.
    I was drunk every weekend—
    the only way I could be.
    I couldn’t see…
    there were people who needed me.

    I remember waking up,
    cans lined up—
    eighteen, twenty deep.
    I’d stumble to my feet,
    this was weekly, rinse and repeat.
    I drank ten beers,
    then I drank ten more—
    just trying to quiet the storm.

    I poured liquor into whatever cup,
    goal was to get fucked up.
    Chasing the blackout, turning the lights out.
    Cut power. Fade out.
    I thought I was fine,
    thought I was in control—
    but the alcohol had a hold of me.
    I was borderline,
    still telling myself “I’m fine.”
    But I wasn’t.
    I was numbing the pain,
    avoiding everything.
    So I—
    drank ten beers,
    then I drank ten more.

    It was a problem.
    Felt like I was the problem.
    But I was just trying to quiet the storm—
    raging in my head,
    while I whispered,
    “I’m young, just having fun.”


    “Person sitting at a sunlit window, reflecting with clarity and peace.”
    Through introspection, clarity emerges.

    Through Clear Eyes
    Poetry by Rowan Evans

    You weren’t having fun,
    you were hurting—
    you just refused to see.
    You numbed yourself too much,
    blurred your own vision,
    slurred your words.

    You were hurting,
    and thought you could fix it
    by getting fucked up.
    I forgive you, but—
    look what we did to us.
    You drank to numb the pain,
    to quiet the storm inside our brain.

    Then I had to fight like hell
    just to feel normal again.
    It was toxic, the way we coped.
    We lashed out, bitter all the time,
    still swearing we were fine.

    Had to make phone calls
    to find missing clothes—
    and you still couldn’t see.
    The problem was me.


    Closing Note

    These pieces reflect a time when alcohol was a way to quiet the storm in my head, a form of self-medication I thought I could control. Through introspection, reflection, and deliberate inner work, my relationship with alcohol has changed. Today, I can drink without chasing blackouts, without using it to numb myself. I write these poems not to glorify past behavior, but to bear witness to it, to understand it, and to acknowledge how far I’ve come.

    Rowan Evans


    You can find all of my work in my archive [The Library of Ashes].

  • Author’s Note

    Mabuti ako ng hindi ako mabuti was born from that familiar ache of being awake while the world sleeps—the quiet, heavy solitude of overthinking and feeling too much. It’s about seeing the beauty in others while struggling to recognize it in yourself, about cracks, missing pieces, and the weight of empathy in a world that can feel cold.

    The poem weaves together languages, not by accident but by instinct: the Tagalog line as both title and closing heartbeat, grounding the piece in a personal, intimate voice; and my youthful “Nani the fuck?”—a playful, yet sharp, reflection of confusion and disbelief, a nod to my early fascination with Japanese and the way language can capture emotion in a single exclamation.

    This is a poem about exhaustion, insomnia, and the unrelenting pressure of a sensitive heart. It’s also about holding space for yourself the way you hold space for others—learning to see your own gold, even when the lanterns have burned out and the path is dark.


    Solitary figure sitting on bed in dimly lit room, hands covering face, shadows cast across cracked walls with scattered glowing Kintsugi fragments on the floor, evoking introspection and emotional struggle.
    Even in darkness and brokenness, fragments of unseen beauty remain.

    Mabuti Ako ng Hindi Ako Mabuti
    Poetry by Rowan Evans

    I stand before the mirror—
    and all I see, staring back at me
    are cracks.
    I’m just a broken mess,
    a bowl full of holes—
    too big to mend with gold.

    I’ve got—
    too many missing pieces.
    Too many pieces left behind.
    There’s no Kintsugi here.
    No witnesses near.

    Shaking hands and tear stained face,
    I’m so alone, always alone.
    Even with people around.

    All my relationships—
    The color of autumn.
    People leave.

    Now I ask—
    why can’t I see the beauty
    in my own imperfections?
    Why do I only hold that view,
    for everyone but me?
    Why can’t I see?
    Why am I so blind to me?

    And I feel stuck in the dark.
    My laterns burned out,
    I’m wandering lost.
    Is this the cost—
    for being a gentle soul like me?

    The world wasn’t made for me—
    I’m too warm for apathy,
    I cling to empathy like a life vest.
    I give weary souls a place to rest,
    but nowhere for me to lay my head…
    So I stay up instead.

    Insomnia has a hold on me. 
    I’ve stayed up for two days— 
    in one twenty-four hour period. 
    How does that add up? 
    But that’s the math. 
    Don’t laugh. Don’t ask.
    Nani the fuck?

    Yet still, people ask,
    “How are you doing?”
    I say, mabuti ako
    ng hindi ako mabuti.


    If you enjoyed this poem, check out more of my work [here].

  • Author’s Note

    Pulled Away Again came from that quiet guilt that builds when you fade from people you love—not because you’ve stopped caring, but because you’re too tangled in your own thoughts to reach out. It’s about the strange duality of existing in someone’s life and yet feeling like a ghost in it, the ache of being remembered and forgotten at the same time. I wrote this as a kind of apology, but not to anyone specific. It’s for all the friendships I’ve let drift away, for all the messages I’ve left unanswered, for every time I thought silence would hurt less than presence… for every time I thought existing in my head was easier than simply existing in the world.


    A solitary figure dissolving into shadows, with golden light tracing cracks across them, symbolizing introspection, isolation, and the hidden beauty of brokenness.
    “Pulled Away Again – exploring the delicate ache of distance, memory, and friendship through introspection and confession.”

    Pulled Away Again
    (Schrödinger’s Friendship)
    Poetry by Rowan Evans

    Fuck… I pulled away again—
    disappeared into shadows,
    became a bad friend.

    I don’t keep in touch,
    and I know it sucks.
    But,
    what am I supposed to say?
    I’m sorry,
    but you’ll tell me
    I don’t need to apologize…

    And I know,
    the sorry’s not for you.
    It’s for me,
    because I feel like a bad friend.
    I feel like the sad friend.

    The…
    nobody really
    wants around friend.

    The giver,
    the lover,
    the seer
    of broken things.
    The seer of beauty
    in all the broken things.

    I see the gold
    that fills the cracks.
    But only in others.
    Those Kintsugi souls,
    they shine so bright.

    While I just feel trapped…
    while I sit here still cracked,
    pieces scattered, never put back
    together.

    Fuck…
    I pulled away again,
    isolated, faded from perception.
    Because I feel…
    You’re better off without me.

    I’ll amount to nothing,
    And I know
    I’m not the only one
    that doubts me.

    Fuck…
    I don’t keep in touch,
    and I know it sucks.
    Yeah, I know,
    every—
    I’m sorry…
    It’s not for you.
    It’s for me.

    Because I feel
    like I’m a bad friend.
    The out of sight
    out of mind friend.
    The one nobody remembers,
    but somehow not forgotten.

    It’s a—
    Schrödinger’s Friendship.
    I’m both in your life
    and not.
    I am just walking rot.

    Sorry for everything
    I’ve never said,
    sorry for every moment,
    every thought.
    Especially the thoughts
    I thought I forgot.

    I’m sorry for the way
    I fade
    into obscurity.
    You’re always on mind
    but I’m afraid
    of what I’ll say.

    Will today be the day?
    Will I finally I slip up?
    Say something stupid,
    and fuck it up?
    Be just another disappointment—
    A regret etched in history,
    a blemish on an otherwise
    positive memory.

    I’m a face
    you can’t place.
    A name
    that rings no bells,
    rings no memory.
    I am
    my own
    worst enemy.


    If you’ve made it this far, why don’t you check out more of my work? You can find the full library [here].