Author’s Note
Some poems begin with a carefully constructed metaphor.
This one began with a step-ladder.
And then immediately refused to behave.
Blended Hardware is intentionally ridiculous. I started with a simple object and let my mind wander wherever the language wanted to take it: ladders became hoses, hoses became an excuse for a terrible joke, friendship became Star Wars, Obi-Wan became a teacher, Luke became Leia, and suddenly I was revisiting different versions of myself across my writing history.
That wandering is the point.
I’ve been thinking a lot lately about how much more playful my relationship with language has become. I don’t always sit down with a destination in mind anymore. Sometimes I just start writing and see what happens.
This poem is one of those moments.
It also became a strange little conversation between different versions of Rowan. The fifteen-year-old writer appears briefly, the Gothic voice tries to take over, and the present-day me immediately interrupts to tell her to calm the hell down.
That self-interruption is probably one of my favorite parts of the piece.
I can write something dramatic and immediately recognize that I have made the moment far more Gothic than it needs to be.
I can make a joke, realize the joke went somewhere questionable, and then literally put myself on trial inside the poem.
That is part of what makes writing feel like a playground again.
I don’t have to protect every poem from being silly.
I don’t have to make every metaphor profound.
I don’t have to prove that every line deserves to exist.
Sometimes I can just follow a thought until it becomes a garden hose, an Obi-Wan reference, a fifteen-year-old version of myself, and an increasingly concerned author asking whether she accidentally threatened somebody.
And honestly?
That’s enough.
— Rowan Evans

Blended Hardware
Poetry by Rowan Evans
This is my step-ladder.
I call it a step-ladder,
because I had another
ladder before—
and yeah, I got plenty hose—
different shapes and different sizes,
some are six feet, some are four—
I’m glad I only have two outside faucets,
’cause I wouldn’t have plenty hose,
if I had one more. (I only have two hoses.)
You’re not just my homie,
you’re my Obi-wan Kenobi—
and I’m Luke, mixed with Leia.
That means you’re my teacher,
and my only hope, playa.
(I’m sorry for that, truly.
I don’t know what I was thinking.
I’m going to…
I’m going to put the pen down now.)
SIKE! I lied like it’s 1999—
four more years and the myth would start,
a poet born with a blackened heart.
(Dial back,
that was too gothic for this piece.)
I mean, sike… I lied like it’s 2005—
and I’m fifteen with a pen again,
two years into the journey
mapping how I’d survive—
and I mean me, not them—
I’m talking the person
they’d grow into.
The person I’d caution you,
against taking a pen to—
that’s a battle you wouldn’t win, boo.
(Wait…
was that a threat?
In a joke poem?
Too far, Rowan…
too far.)
Journey into the Hexverse…
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[Content Warning]
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[Chemical X]
Chemical X explores the rapid, associative way one creative mind moves—from cartoons to sports, comic books to music—revealing that inspiration isn’t linear, but a collision of memory, humor, rhythm, and intuition.
[Off Leash Thought]
A reflective free verse poem exploring the mind as a living, wandering force—unpredictable, creative, and sometimes chaotic—through the metaphor of a dog off leash. It embraces mental drift not as a flaw, but as a natural part of creative thought and self-awareness.
If you’re interested in more poetry, you can find it here → [The Library of Ashes]



