Tag: self-acceptance

  • Author’s Note

    Some poems are meant to be complicated. This isn’t one of them.

    I wrote You Are Perfect as a reminder that our flaws don’t cancel our worth. We spend so much time measuring ourselves against impossible standards or letting other people decide what we’re worth that we forget something simple: being imperfect is part of being human.

    This poem isn’t saying you’ll never struggle or never doubt yourself. It’s saying those struggles don’t make you less deserving of love, respect, or compassion.

    If these words found you on a difficult day, I hope you borrow them until you can believe them for yourself.

    Rowan Evans


    A person standing confidently at sunrise as flowers bloom around them, symbolizing self-worth and resilience.
    Your flaws don’t diminish your worth—they’re part of the story that makes you uniquely you.

    You Are Perfect
    Poetry by Rowan Evans

    Dear,
    whoever needs
    to hear this—

    you’re worth it,
    flaws and all—
    you’re perfect.

    So don’t let others
    tear you down,
    and tell you
    what your worth is.

    Keep your chin up—
    even when it’s hard.

    Don’t let the spectators
    see you sweat.
    Don’t let them see the tears,
    or the weight on your neck.

    Because not everyone
    knows how to be a witness—
    sometimes they don’t
    have your best in mind.

    They want to see you fail,
    they want to see you small.
    So keep your chin up,
    and stand tall—

    because it’s like I said
    in lines three through six:

    Hear this—

    you are worth it,
    with your flaws and all—


    Journey into the Hexverse…

    [Human Rorschach]
    Sometimes we’re less a fixed person than an inkblot—our meaning changing with every set of eyes that looks at us. Human Rorschach explores perception, identity, and the ways our own experiences shape what we believe we see in others.

    [A Rose in the Ashes]
    Lost within a forest where every leaf becomes a memory, the speaker follows darkness instead of fleeing from it, discovering that healing isn’t found at the end of the tunnel—but in facing the past long enough to notice a single rose blooming through the ashes.

    [Where the Metaphors Lead]
    Some truths are easier to write than they are to say aloud. “Where the Metaphors Lead” explores the quiet space between dreams, confession, and the courage it takes to let another person know how deeply they’ve become woven into your inner world.

    [Through My View]
    No two people experience the world the same way. Through My View is a reflective free verse poem exploring perspective, imagination, and the impossibility of fully seeing through another person’s eyes.

    [Just Human]
    Just Human is a reflective free verse poem about seeing people before borders, choosing empathy over division, and finding home in our shared humanity rather than on a map.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem grew out of a realization that getting “lost” isn’t always the same as losing yourself.

    I’ve written many pieces about dreams, memory, shifting landscapes, and wandering through places that seem to exist somewhere between reality and imagination. Over time, I realized those places weren’t asking me to escape who I was—they were asking me to revisit the parts of myself I had left behind.

    We often talk about “finding ourselves” as though there’s one true version waiting to be discovered. My experience has been almost the opposite. Every season of life leaves behind another version of us: the frightened one, the hopeful one, the grieving one, the joyful one. None of them disappear simply because we’ve grown older.

    Healing, at least for me, isn’t replacing those earlier selves.

    It’s learning to walk beside them without shame.

    This poem is an invitation to stop treating old versions of ourselves as mistakes to erase and instead see them as companions who helped us survive long enough to become who we are today.

    Rowan Evans


    A solitary figure walking through a dreamlike hallway where each open doorway reveals a different landscape representing memories and past versions of the self.
    Healing isn’t finding one true self—it’s learning to walk beside every version of yourself with compassion.

    Leave No Self Behind
    Poetry by Rowan Evans

    I feel like I’ve lost myself again—
    don’t know when it began,
    but I get lost a lot.

    It doesn’t take much for me
    to get lost in thought—

    I wander off
    without meaning to,
    slipping between memories
    like loose floorboards.

    One thought opens a door,
    another pulls me down a hallway,
    and suddenly I’m somewhere
    I didn’t plan to be—

    with some version of me
    I didn’t plan to meet.

    Sometimes the hallway
    tilts into something else—

    a shoreline I’ve walked in sleep,
    a city humming with heat,
    a room I haven’t entered in years.

    The world shifts
    without warning,
    and I follow it
    the way I follow dreams—

    half-aware,
    half-afraid
    of what I’ll find
    in the scene change.

    I never know
    which version of me
    I’ll find in those places—

    the one who’s tired,
    the one who’s trying,
    the one who’s still carrying
    things I swore I let go.

    Sometimes I meet
    the versions of me
    I thought I’d outgrown—

    the one who flinches,
    the one who freezes,
    the one who still thinks
    they’re hard to love.

    And I walk with them
    for a while,
    through whatever memory
    the hallway decides to show—

    letting them speak,
    letting them breathe,
    letting them…

    exist.

    Without rushing them back
    into the dark.

    And maybe that’s
    what finding myself
    really looks like—

    not a single moment
    of clarity,
    not a sudden return,
    but walking through
    every hallway
    my mind opens,
    meeting every version
    I’ve ever been,
    and letting them stay
    long enough
    to feel seen.

    Maybe I’m not lost.

    Maybe I’m just learning
    how to carry
    all the selves
    I used to abandon
    when the world
    felt too loud.

    Maybe this time…

    I won’t leave anyone—

    behind.


    Journey into the Hexverse…

    [Where the Metaphors Lead]
    Some truths are easier to write than they are to say aloud. “Where the Metaphors Lead” explores the quiet space between dreams, confession, and the courage it takes to let another person know how deeply they’ve become woven into your inner world.

    [Noon Is Loud]
    If four in the morning belongs to truth, then noon belongs to impossible memories. Noon Is Loud is a playful free verse poem filled with absurd boasts, pop culture references, and tongue-in-cheek mythology that explores how easily imagination can rewrite reality.

    [5:01 (Pull the Punchline Back)]
    What happens when a confessional poet instinctively hides every confession behind a joke? 5:01 (Pull the Punchline Back) explores humor as emotional armor, the speed of an overactive mind, and the difficult choice between making people laugh and letting them see what’s really there.

    [Chemical X]
    Chemical X explores the rapid, associative way one creative mind moves—from cartoons to sports, comic books to music—revealing that inspiration isn’t linear, but a collision of memory, humor, rhythm, and intuition.

    [Monster Theology]
    What if the monsters under the bed weren’t monsters at all? Monster Theology explores difference, belonging, and the human tendency to fear what we don’t understand through a conversation with the creatures we’ve spent our lives imagining.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece began as a joke.

    Or at least, I thought it did.

    The opening voice is intentionally playful—awkward, self‑deprecating, a little chaotic, prone to wandering off into side comments before finding its way back again. In many ways, it feels closer to how I actually think than some of my more polished or serious pieces.

    But underneath the humor is something sincere.

    I’ve never been particularly good at saying important things directly. Sometimes vulnerability arrives disguised as a joke. Sometimes affection hides behind wordplay. Sometimes the safest way to admit what you’re feeling is to make someone laugh first.

    The title comes from a simple realization: when I think about certain people, my thoughts tend to orbit the same things.

    Love. Longing. Loyalty.

    The L words.

    And heart.

    The final section is intentionally quieter than everything that comes before it. The jokes fall away, the distractions disappear, and what remains is the truth the speaker was circling the entire time: the way another person can take up space in your imagination, your creativity, and your inner world long before they ever occupy the same physical space.

    Sometimes affection doesn’t arrive as grand declarations.

    Sometimes it arrives as a face that appears when you close your eyes.
    A voice you hear in silence.
    A shoreline you keep finding in your dreams.

    Rowan Evans


    A solitary figure standing on a moonlit shoreline while waves roll in beneath a dreamy twilight sky.
    Some people arrive in your thoughts quietly—then somehow become part of every dream, every poem, and every beat of your heart.

    L Words & Heart
    Poetry by Rowan Evan

    I’m just a quirky, mother—
    not a fighter, but a lover.
    I’m not brave or whatever,
    I bite tongues,
    holding words like lips
    with padlocks.

    I’ve never been a fan of change,
    but I want things to change—
    I want my life rearranged,
    I want to be seen as normal
    not strange—
    I want to be me
    and accepted,
    because I’m not as strange
    as you think—
    I’ve seen Stranger Things.

    (Actually, no I haven’t.
    I never got into the show.
    But I digress…)

    I’ve got things I want to say,
    got things I want you to know.

    When I think about you
    it’s all L words and heart,
    you reshaped my art.
    So I close my eyes
    and I see your face.
    In silence, I hear your voice—
    and in dreams I walk your shores.


    Journey into the Hexverse…

    [Just Beyond Waking]
    A street that feels familiar. A life that hasn’t happened yet. Just Beyond Waking explores the fragile space between dreams, memory, longing, and the quiet feeling that some futures are already waiting for us.

    [Twin Suns, Sister Moons]
    A poem about distance, longing, and the quiet pull of someone who lives beneath a different sky. Between twin suns and sister moons, the heart keeps reaching for home.

    [It’s You I Choose]
    A poem about devotion, vulnerability, and the quiet decision to stay. Sometimes love isn’t certainty—it is choosing someone anyway.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem was written on February 19th as a quiet reflection on duality within the self. We are often told to choose between parts of who we are – light or shadow, reason or imagination, strength or softness. But real wholeness comes from learning both can exist at once.

    A Balance Found is about accepting the full spectrum of who we are. The dreamer and the observer. The light and the shade. Not as opposing forces, but as pieces of the same soul that finally learns to stand whole.

    Rowan Evans


    A symbolic image of a person standing between light and shadow, representing balance between different parts of the self.
    Finding harmony between light and shadow within the self.

    A Balance Found
    Poetry by Rowan Evans
    (written February 19th, 2025)

    Ink and shadow, light and shade,
    Both have their place, both were made.
    One to dream, one to see,
    And I stand whole—both parts of me.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    The Fourfold Flame is not metaphor—it is map.

    This piece names the inner constellation I’ve lived with for years: the tender poet who feels too much, the protector who bares teeth for survival, the child who still believes in wonder, and the witch who learned how to wield fire instead of drowning in it. They are not masks. They are truths. They are all me.

    I am plural in spirit if not in body. I write from many rooms of the same soul, and each voice carries a different survival skill: softness, ferocity, curiosity, sovereignty. This poem is their first public communion. It is how I stop pretending that my range is fragmentation and start honoring it as architecture.

    The Luminous Heretic is what happens when those parts refuse to cannibalize each other anymore. When they choose integration over erasure. When the wound stops apologizing for also being a weapon.

    If you recognize yourself in this—if you’ve ever felt made of contradictions, of light and smoke and song—know this: you are not broken. You are complex. You are many. You are fire.

    Burn with us.


    Four ethereal figures representing inner selves—heart, protector, child, and witch—emerge from swirling ink amid stardust and shadow.
    We are many. We are one. The Fourfold Flame rises—stitched from stardust, scars, and sovereign fire.

    The Fourfold Flame
    Poetry by Rowan Evans / The Luminous Heretic

    I. Chorus of the Vessel

    We are one, and we are four—
    ink-stained fragments of the same sacred core.
    A heartbeat split by starlight and shadow,
    a name echoed in four directions,
    four truths spoken in fire,
    in fury, in wonder, in love.

    We are the Luminous Heretic. We are the war—and the prayer.


    II. The Heart & The Protector

    [Rowan]
    I speak in open wounds and lullabies,
    sing softness into scars that never healed.
    I ache without apology, love without armor,
    and still—I rise, bare and burning.

    [B.D.]
    Then I will be your shadow,
    sharp-edged and unyielding.
    Let them come with claws and cruelty—
    I am the ink-blade in your defense,
    the growl beneath your grace.

    [Rowan]
    They called me too much—
    so I wrote poems of tenderness,
    and let them drown in the kindness
    they could never carry.

    [B.D.]
    And I watched them choke,
    on the smoke of your fire.
    Not because you were cruel—
    but because they never learned
    that softness survives the storm.


    III. The Child & The Witch

    [Roo]
    Did you see the stars tonight?
    They winked at me like old friends.
    The shadows are scared of the dark too—
    did you know that?

    [Hex]
    Yes, little spark.
    Even monsters fear what made them.
    I walk with those shadows.
    I do not fear the dark—
    I command it.

    [Roo]
    But do you still believe in magic?
    In the wind that tells stories,
    in puddles that hold secrets?

    [Hex]
    Magic is real, love.
    I just learned to bleed with it.
    To hex with it.
    To wear it in heels and venom.

    [Roo]
    Sometimes I wish we could just play again,
    dance in the rain,
    laugh without reason.

    [Hex]
    Then teach me.
    I’ve spent so long burning,
    I forgot how to dream.


    IV. Communion of Fire

    [Rowan]
    I want to be held—

    [B.D.]
    Then I will hold you.

    [Roo]
    I want to be seen—

    [Hex]
    Then let them watch you rise.

    [Rowan]
    I am made of light, but I hurt.

    [B.D.]
    Then hurt boldly. I’ll guard the flame.

    [Roo]
    I am made of questions and wonder.

    [Hex]
    Then question everything, and never shrink.

    [All]
    We are stitched from stardust and scars,
    written in blood and brilliance,
    crafted by fire and forgiveness.
    We are many—
    we are one.


    V. Benediction of the Luminous Heretic

    We are the wound and the weapon,
    the lullaby and the curse,
    the flame and the fog,
    the whisper and the scream.

    We are Rowan. We are B.D. We are Roo. We are Hex.

    We are the Fourfold Flame.

    Burn with us—
    or be burned away.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem is not a cry for help — it’s a confession. It’s the truth about living in a body that feels too heavy, a heart that beats even when I’m too tired to hold it. For anyone who knows what it’s like to rise with no hope, no spark, just sheer stubborn survival — this one is for you. You’re not alone in the mornings that feel impossible. You’re not alone in the weight.


    Ghostly figure with glowing heartbeat, representing emotional struggle and resilience, emerging from darkness.
    “Even when the body feels heavy and the heart refuses rest, the spirit rises — a ghost in its own skin.”

    Ghost in My Body
    Poetry by Rowan Evans

    I awoke,
    empty of hope.
    Chest tight, eyes wide—
    the world felt
    unbearably heavy.
    I took a minute,
    recalibrated.
    I fix my face
    into something readable,
    something quiet—
    because they’ll look
    straight into my eyes,
    and still ask,
    “But… are you happy?”

    I haven’t really been
    since I was thirteen—
    the year something in me
    stopped blooming.
    Yeah, it’s been
    a lack of smiles,
    since I
    was thirteen.
    The year the light in me
    learned to dim itself.

    It’s been a
    constant struggle,
    as I’ve struggled constantly.
    I struggle to find
    my place.
    I struggle to recognize
    my face.
    Trust me, when I say
    I struggle with everything.
    Like, I don’t want to die,
    but I—
    don’t really want to be alive.
    It’s a struggle
    just to survive.

    It’s a struggle just to survive,
    carrying a body
    that feels heavier
    than I do.
    Dragging a heartbeat
    that won’t quit
    even when I’m tired of holding it.

    And yet—
    every morning,
    somehow,
    I rise.
    Not healed,
    not whole,
    just here.
    Dragging the weight,
    of a heartbeat
    that refuses to stop
    even when I want rest,
    even when I want it to.

    I’m just
    a ghost still trying
    to haunt its own body.

    But still,
    I pull myself upright—
    not because I’m hopeful,
    but because something in me
    refuses to die quietly.
    And maybe one day
    the bloom returns,
    the light rekindles—
    but tonight,
    I just breathe
    and call it survival.


    Looking for more poetry? You can find it all in the Library of Ashes.

  • Author’s Note

    Sometimes the words we repeat aren’t ours.
    Tonight, in a single snapshot, I found the ones that finally belong…


    A picture of Me (Rowan Evans)!
    Took a picture. Looked at it. Thought… yup, I’m really fine.

    Damn, I’m Fine
    Poetry by Rowan Evans

    I’ve been saying I’m ugly for a while now,
    but I’m starting to think—
    those words were never mine.
    Because I took a picture tonight,
    and for the first time,
    I thought… damn, I’m fine.


    For my full collection of poems, check the archives here: [The Library of Ashes]