Tag: battle poet

  • Author’s Note

    I originally wrote these as two separate pieces, but once I stepped back and read them together, I realized they were having the same conversation.

    Kaio-ken with a Pen is the attack: speed, confidence, exaggerated battle-rap energy, and the idea that my mind can move faster than the people trying to keep up with it. The pen becomes the weapon, and Dragon Ball becomes the language I’m using to describe that creative intensity.

    Then came Zenkai (Stronger Now).

    That one felt like the natural aftermath. In Dragon Ball, a Zenkai is the idea of becoming stronger after surviving a near-death experience. That concept fit perfectly with the way I think about resilience: sometimes you get pushed to the edge, you survive the fight, and you come back with something you didn’t have before.

    So together, these poems became something of a two-part battle sequence:

    I attack with the pen.
    I survive the fight.
    I come back stronger.

    Neither piece is meant as a literal threat toward anyone. They’re me having fun with battle-poetry, Dragon Ball references, ridiculous power scaling, and the sheer joy of seeing how far I can push a metaphor before it explodes.

    Basically: Battle Rowan went Super Saiyan.

    Rowan Evans


    A poet holding a pen stands surrounded by explosive golden and crimson energy, symbolizing creative power, battle, and becoming stronger after adversity.
    One poem is the attack.

    Kaio-ken with a Pen
    Poetry by Rowan Evans

    I can go Super Saiyan easy,
    the way Chi Chi teached me—
    taught me, I forgot you see
    I’m the best, yes,
    don’t want to step to this—
    you don’t want to fought me—
    fight me, I mean—bitch bite me,
    you’re not like me.

    My mind is terrifyingly quick—
    thoughts comes, instant transmission—
    from my mind to the page
    in a Final Flash attack—
    Kaio-ken with a pen, is this the end?

    Fin.

    Kaio-ken with a pen, I’m at it again,
    this is my battle to win.
    It’s going take you, a Kamehameha
    and Kaio-ken times ten just to test me—
    but it won’t be enough to best me.


    A poet holding a pen stands surrounded by explosive golden and crimson energy, symbolizing creative power, battle, and becoming stronger after adversity.
    The other is what happens when you survive it.

    Zenkai (Stronger Now)
    Poetry by Rowan Evans

    I’m Goku after a fight
    and a Senzu bean,
    you know what that means—
    I’ve gotten stronger now,
    you pushed me to the edge—
    took me to the brink,
    but you couldn’t end it—
    you couldn’t finish me.

    So do your little dance,
    put on the Potara—do it—
    put your minds together,
    just know, even two as one—
    you won’t get the job done.
    I won’t borrow strength from no one,
    don’t need no spirit bomb
    to drop bombs—

    No Kamehameha—
    just ha-ha, I’m laughin’ at you.


    Journey into the Hexverse…

    [Don’t Push Me]
    A playful battle-poetry piece about turning insults into punchlines, standing your ground, and refusing to be intimidated. Don’t Push Me mixes swagger, humor, rhyme, and Rowan Evans’ signature self-aware interruptions.

    [B.S.T.F.U.]
    A playful battle-poetry exercise packed with insults, internal rhymes, punchlines, wordplay, and literary swagger. B.S.T.F.U. is Rowan Evans flexing the verbal muscles—not calling out anyone in particular.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Don’t Push Me is another exercise in letting my battle-poet voice stretch its legs.

    This isn’t meant as a literal threat or a callout toward any particular person. It’s playful bravado—the kind of exaggerated, cartoonish toughness that happens when I take an ordinary insult, run it through my sense of humor, and see how far I can push the rhyme.

    The opening starts with something I’ve genuinely heard for most of my life: being called “four-eyes.” From there, the poem turns that insult into ammunition. If you’re going to give me material, I’m going to make something out of it.

    And then, naturally, my brain couldn’t resist sabotaging the intimidation.

    I’m not— (shhh, nice kitty)

    Because apparently even Battle Rowan has an editor.
    Sometimes the strongest thing you can do with anger isn’t explode.
    Sometimes it’s turn it into a punchline.

    Rowan Evans


    A confident poet wearing glasses stands on a dark stage with swirling ink and a mischievous cat silhouette behind them.
    Sometimes you don’t have to throw the first punch—you just have to know what to do with the material they give you.

    Don’t Push Me
    Poetry by Rowan Evans

    You called me four-eyes?
    And you want me
    to react to that?
    I’ve had glasses since I was two,
    bifocals since five—
    I’ve had four eyes,
    longer than you’ve been alive.

    What’s next?
    You gonna call me slow?

    (I’m fast as fuck, boi.)

    Physically or mentally?
    Doesn’t matter though,
    there’s something
    you should know.

    I don’t back down,
    I stand my ground—
    because every fight I’m in,
    is like a fight for my life—
    I’m scrawny as fuck, man,
    still use no weapons—
    just fists, no knife.

    So trust me—

    you don’t want the jokes to stop,
    you don’t want to know
    what it’s like, when I really talk—

    so please don’t push me,
    ’cause I’m not— (shhh, nice kitty)


    Journey into the Hexverse…

    [B.S.T.F.U.]
    A playful battle-poetry exercise packed with insults, internal rhymes, punchlines, wordplay, and literary swagger. B.S.T.F.U. is Rowan Evans flexing the verbal muscles—not calling out anyone in particular.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]