Tag: identity

  • Author’s Note

    This piece is the closest I’ve come to writing the truth of my internal war without softening it. Between Worlds is about self-violence—the way the mind learns your weak spots, remembers the old wounds, and knows exactly where to cut. It’s a poem about relapse, about memory, about survival, and about the strange loneliness that follows healing.

    It speaks to the years where I wasn’t sure I’d make it. The hospital walls. The padded quiet. The fluorescent lights humming through the silence. It speaks to dissociation, to identity, to queerness, and to the mythic distance I’ve always felt between who I am and the world I live in.

    This poem isn’t a cry for help—it’s a record of survival. It isn’t tragedy for tragedy’s sake—it’s truth. It’s the reality that healing isn’t linear, that progress has shadows, and that sometimes the loudest battles are fought in the mind no one else can see.

    If you know this feeling—of standing in your own skin like it never quite fits, of fighting thoughts with thoughts, of loving your existence even when you question your place in it—then I hope you feel seen here.

    Because none of us are alone in the in-between.

    Rowan Evans


    Nonbinary person standing between a hospital hallway and a star-filled night sky, symbolizing dissociation and identity between worlds.
    Between Worlds — artwork representing Rowan Evans’ poem about surviving mental illness, dissociation, and identity beyond binaries.

    Between Worlds
    Poetry by Rowan Evans

    Why do I
    always try
    to pick a fight
    with me?

    You’d think I’d know,
    by now, just how
    quick I’ll slip
    an insult
    under the ribs.

    I’ll hit
    every single fear,
    twist them
    like a knife—
    until I’m
    on my knees,
    gasping,
    spitting blood.

    I don’t fight fair.
    I target old wounds,
    tear at what’s
    already healed.
    I’ll fuck around
    and send myself
    back ten years—
    back to hospital walls
    and quiet rooms,
    where the only sound
    was the fluorescent hum.

    Where time dissolved…
    where clocks stopped
    ticking.

    But I walked out
    of those halls—
    didn’t I?

    Didn’t I?

    But what if I didn’t?
    What if I’m still locked inside,
    in a padded room
    with the jacket
    strapped tight?
    Thoughts confined,
    so the words
    won’t escape.

    Writing poems
    in my head,
    just to pass
    the time.

    I’ve been alive,
    but dead inside.
    And I’ll be honest:
    I’ve died
    inside my mind
    more than
    a dozen times.

    I just wanted escape.

    Escape from pain,
    from feeling misplaced—
    I just wanted
    to belong.

    But it’s like—
    something is wrong here.
    Why don’t I
    feel like
    I belong here?

    Why does everything feel
    a half inch to the left—
    like I’m living inside
    the echo of myself?

    Like I’m watching my life
    from behind fogged glass,
    palms against the surface,
    screaming—
    but no sound
    passes through.

    Sometimes I swear
    the world forgets I’m here,
    and sometimes
    I do too.

    Maybe it’s because
    every room I walk into,
    I’m half a ghost already—
    too queer, too quiet,
    too soft, too strange.
    Too fucking much
    for everyone
    but me.

    Maybe that’s why
    the fight never ends—
    because I’m still trying
    to prove I deserve
    the space I take up,
    even in my own skin.

    So maybe I don’t belong here
    because I was born
    between worlds—
    not alive, not dead,
    not human, not myth,
    not safe, not ruined.

    Maybe my bones remember
    a home I never had,
    and every heartbeat since
    has been an attempt
    to map
    my way back.


    If you’re looking for more poetry, you can find it here → [The Library of Ashes]

  • Introduction

    When the Mask Slips explores the fragile boundary between performed sanity and inner unraveling. Through vivid imagery, surreal metaphor, and a self-aware voice, Rowan Evans captures the terror and beauty of identity under pressure, where the mask may be all that stands between perception and emptiness.


    Neo-Gothic digital illustration of a solitary figure with a Cheshire grin sitting at a flickering-lit table, representing the fragility of identity and performed sanity.
    When the Mask Slips visualized: a lone figure navigating the fragile line between performance and inner self.

    When the Mask Slips
    Poetry by Rowan Evans

    I am going to be honest—

    I think I’ve lost my mind,
    I’ve been drifting in this mental fog.
    Wandering. Lost.
    Not sure what I was trying to find,
    not sure what was the cost.

    But I’ve been—
    orbiting annihilation,
    facing Armageddon
    in phases—
    the moon isn’t the only thing
    that disappears piece by piece.

    I keep losing track of my thoughts
    like loose teeth—
    wiggling them
    just to feel something give.
    I’m just a Mad Hatter,
    with a Cheshire grin—
    screaming “Off with their heads!”
    just to hear the echo—
    make sure the room and I are still real.

    Sometimes—
    I cosplay sanity,
    like I have a grasp on reality.
    Like I know the meaning of stability—
    mentally.
    I dress up, pretend that I’m normal—
    but it feels too boring and formal,
    too exposed.
    Too much light, not enough shade,
    too many eyes on my face.

    And underneath it all,
    I’m terrified there’s nothing there—
    when the world stops being a stage,
    when existence stops being a performance.
    When the mask slips…
    and it’s just me.

    (God, what if that’s worse?)


    Author’s Note

    This poem sits at the edge between humor and unraveling—between the persona we show the world and the version of ourselves we hope no one ever sees. It isn’t about insanity; it’s about the fear that sanity might be nothing more than costume, choreography, and survival instinct.

    It uses absurdity as honesty, because sometimes the surreal is the only language for a fraying mind. The Wonderland imagery isn’t playful fantasy—it’s metaphorical dissociation. The poem is meant to feel unsteady, spiraling, self-aware, and a little unhinged. It asks:

    What if the mask isn’t hiding anything?
    What if the performance is the person?

    This piece reflects the quiet terror of identity erosion—the dread that beneath the jokes, the aesthetics, the manic charm, and the polished poetry… there may be nothing solid to hold onto.


    If you’re looking for more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    From the shadows of ink and flame, I call you to witness: the fourfold chorus that lives in my bones, the laughter, the tremors, the sacred mischief. This is not a poem for the faint-hearted. It is a map of selves, a conspiracy written in whispers, candlelight, and heartbeat.

    Before you read, take a moment. Breathe with us. Feel the pulse beneath your ribs, the stir of voices in the hollows of your mind. They are alive. They are protective. They are relentless.

    This is A Conspiracy of Selves: a ritual of identity, a hymn to the multiplicity within, a reckoning with the parts of me that will not be silenced. Enter carefully, reader—here, we laugh, we panic, we conspire, and we are never, ever alone.

    𓆩 ⊹ 𓆪


    Four ethereal figures intertwine inside a translucent human silhouette, representing multiple selves. Candlelight and shadows enhance the Gothic, mystical atmosphere.
    “The fourfold chorus of selves, living in the bones—laughing, whispering, guiding.”

    🕯️ A Conspiracy of Selves

    🜃 from the Grimoires of the Luminous Heretic 🜃
    ☽☉☾ Poetry by Rowan Evans ☽☉☾

    ╔═══ ༺🜲༻ ═══╗
    Jeepers Creepers,
    Look at those peepers—
    Blue as ocean waves,
    Locked in glass jars.
    ╚═══ ༺🜲༻ ═══╝

    Plucked from your face
    with soft, sacred grace,
    Let me look at you—
    through your eyes.

    Let me see the flaws I missed
    when I mistook you for a mirror.

    Pluck my own, lay them on a shelf,
    Replace my vision with someone else.
    Let me see what you see in me—
    Before I shut and lock
    the shutters on these soul-windows.

    Hahaha—

    𖤐𓆩 🜏 𓆪𖤐
    Laughing against padded walls.
    How absurd, the straightjacket
    stitched for queer souls.

    Lipstick smears. Mascara bleeds.
    Bouncing off the padded dreams,
    I’m a Joker. A Harlequin.
    A jester stitched from sacred sin.
    A witch in reverence.
    A demon within.
    𖤐𓆩 🜏 𓆪𖤐

    Now.
    Hush—

    𓂃 𓆩 ✶ 𓆪 𓂃
    I see it.
    The truth behind the paint.
    I hear it.
    The turning of pages.

    None of this is real.
    We’re all just creations.
    𓂃 𓆩 ✶ 𓆪 𓂃

    Either way—

    We’re not alone.
    There are four of us,
    living in these bones.

    Do you hear them?
    Do you hear us?

    The whispers.
    The secret incantations.
    Magic & Whimsy.
    A little Hexed.
    A little unfriendly.

    Who’s there?
    Is it you, B.D.?
    Or is it me?

    But—who is me?
    I mean… who are we?

    You. And the other three.

    No.
    Me. And the rest of you.

    The fire inside, to conspire and hide.
    But you won’t let me—
    Dragged from the shadows
    kicking and screaming.
    Begging and pleading.

    Roo, don’t let them do this to me.

    It’s okay, Rowan. This is necessary.

    I know it’s scary,
    but you’ve lost it.

    So here. Take your pills.

    Take them.

    You’re scaring me.

    I thought we were friends.
    A family.

    No.
    You are we.

    And we—
    are you.

    Breathe.

    𓆩 ⊹ 𓆪
    Do you feel it?
    That’s the panic setting in.

    I can’t breathe.
    We can’t breathe.

    You’re suffocating.

    Just calm down.
    Take a look around.

    I’m all alone here.

    We’re all alone here? No.

    You’re not alone, Rowan.
    We live in your bones, Rowan.
    So you’re never alone, Rowan.
    Where do you think you’re goin’, Rowan?

    You can’t run from us.
    We live inside you.

    You birthed us
    to protect and guide you.
    𓆩 ⊹ 𓆪


    If you are interested in reading more of my poetry, you can find it here: [The Library of Ashes]

  • Author’s Note

    This poem is a reflection on identity, expectation, and self-perception. It pokes fun at the rigid “alpha/beta” hierarchies humans obsess over, while also embracing the awkward, complicated truth of being a loner—or a “lone wolf with no wolfly features.” It’s a celebration of existing somewhere in-between: neither fitting the molds others prescribe, nor apologizing for being too observant, too complex, too queer, too alive in your own terms. Humor and honesty are both weapons here, used to dismantle clichés and to claim space for a self that refuses binaries.


    Non-binary fairy standing under an autumn tree, surrounded by falling leaves, half in shadow and half in soft pastel light, representing isolation and self-reflection.
    “Somewhere In-Between” — A reflection on identity, solitude, and the courage to exist unapologetically as oneself.

    Somewhere In-Between (Neither Alpha, Nor Beta)
    Poetry by Rowan Evans

    Sometimes it feels like
    nobody wants me around.
    That’s okay though—
    I don’t want me around either.

    I’m so off-putting—
    I’m not a people pleaser.
    A lone-wolf,
    with no wolfly features.

    I write too much.
    I don’t say enough.
    Too observant
    for my own good.

    Everybody wants an alpha male—
    Not some beta boy, beta fish,
    Watch him get pissed.
    Headbutting his own reflection.

    Me?
    I carry myself with class.
    Not an alpha, not a beta,
    Somewhere in-between.

    I wrote this—
    And I don’t know
    what it means.

    I write too much.
    I don’t say enough.
    Too observant
    for my own good.

    Like, everyone wants to lock-in.
    Stuck in the binary—
    But me? I’m a non-binary fairy,
    Queer as fuck, like the ones I don’t give.

    And it feels like
    nobody wants me around.
    That’s okay though—
    I understand.

    I’m too confusing.
    Too complex.
    I recognize a pattern,
    I know what comes next.

    Everybody leaves,
    like it’s autumn.
    Gaining distance
    from the trees.

    I write too much.
    I don’t say enough.
    Way too observant
    for my own good.


    If you have made it this far and would like to check out more of my work, you can find it [here] in The Library of Ashes.

  • 🖤 Author’s Note 🖤

    Each of these gospels was born from a silence I refused to keep. The 13 Mirrored Gospels is my reckoning with faith, identity, and the inherited wounds of expectation. These are not sermons for the saved — they are psalms for the broken, whispered through smoke and mirrorlight.

    Read carefully.

    The smoke is watching.


    A dimly lit gothic altar with candles, smoke, and shattered mirrors — representing “The 13 Mirrored Gospels” by Rowan Evans.
    Read carefully. The smoke is always watching.

    🖤 The 13 Mirrored Gospels 🖤
    Poetry by Rowan Evans

    “There are no saints in these gospels—
    only shadows that learned to speak.”
    Rowan Evans

    𖤐𓆩 🜏 𓆪𖤐

    I. The Gospel of Mirrors

    Step inside.
    Watch yourself rot in reverse.
    Every smile you wore as armor,
    now bleeding at the edges.
    The mirror never lied.
    You just kept asking the wrong questions.

    𖤐𓆩 🜏 𓆪𖤐

    II. The Gospel of Silence

    Not the silence of peace—
    the silence after impact.
    The quiet that follows
    when every scream is spent,
    and all that’s left
    is the echo of your own denial.

    𖤐𓆩 🜏 𓆪𖤐

    III. The Gospel of Golden Lies

    They dipped their cruelty in gold leaf
    and called it kindness.
    They said “light saves”
    while tightening the noose.
    Shine is not salvation.
    Shine is strategy.

    𖤐𓆩 🜏 𓆪𖤐

    IV. The Gospel of the Sainted Wound

    She told me pain makes you beautiful.
    So I made myself a masterpiece.
    Now they can’t look at me
    without flinching.

    𖤐𓆩 🜏 𓆪𖤐

    V. The Gospel of Velvet Ruin

    I dressed my rage in elegance—
    because pretty things bleed quieter.
    Because if I scream in silk,
    they call it poetry,
    not proof.

    𖤐𓆩 🜏 𓆪𖤐

    VI. The Gospel of the Haloed Knife

    They told me love was soft.
    So when I bled, I thought I was wrong.
    Turns out, some loves
    come serrated.
    Turns out, mine did too.

    𖤐𓆩 🜏 𓆪𖤐

    VII. The Gospel of the Unknown Reflection

    The mirror shows my face,
    but it isn’t me—
    just a shadow stitched from language,
    from names that never fit.

    They told me what to be:
    man, believer, saved—
    but I only felt the ache
    between those words.

    Now even silence
    flinches.

    𖤐𓆩 🜏 𓆪𖤐

    VIII. The Gospel of Smoke-Laced Psalms

    I wrote devotion in ash,
    but they wanted ink.
    So I choked on incense
    until my prayers tasted like
    what they’d believe.

    𖤐𓆩 🜏 𓆪𖤐

    IX. The Gospel of Unholy Softness

    I offered tenderness.
    They saw weakness.
    I offered truth.
    They called it unstable.
    So now I offer nothing
    but teeth.

    𖤐𓆩 🜏 𓆪𖤐

    X. The Gospel of Reverse Reverence

    I bowed to nothing—
    not out of pride,
    but protection.
    Every altar I’ve knelt before
    asked for a piece of me.
    I’ve run out of offerings.

    𖤐𓆩 🜏 𓆪𖤐

    XI. The Gospel of Misnamed Miracles

    They called my survival
    a phase.
    A scream for attention.
    But I was just trying
    to exist loud enough
    to feel real.

    𖤐𓆩 🜏 𓆪𖤐

    XII. The Gospel of Heretics and Honey

    I tasted joy once.
    Sweet. Brief.
    But it rotted faster than grief.
    I keep it in a jar now,
    like a dead bee.
    Just in case.

    𖤐𓆩 🜏 𓆪𖤐

    XIII. The Gospel of the Flame That Didn’t Save Me

    They said fire cleanses.
    But all it did
    was remind me
    what burning feels like
    from the inside.


    More Gospels, Psalms & Riddles

    The Gospel of Softness III: Thirteen Psalms for the Tender-Hearted

    13 Psalms of Falling: A Sapphic Confessional Litany of Softness & Sacred Ruin

    13 Riddles for the Starborn Child

    XIII Psalms for the Goddess in My Mouth

  • Author’s Note

    To read me is to witness devotion in motion. My words are at once a confession and a clarion call, pulling the reader into the marrow of feeling, into the spaces most often ignored. I write not merely to be heard, but to transform silence into song.

    In these lines, you will find the ache of displacement, the fury of truth unflinching, and the soft, sacred reverence for lives, histories, and moments too often overlooked. I bend grief into rhythm, rage into reflection, love into sanctuary. Each poem is a threshold, and I, the poet-guide, invites you to step across it.

    To linger in my work is to be reminded that poetry can carry rage, reverence, intimacy, and rebellion all at once. That it can burn, cradle, and illuminate. That, in the midst of a world that would have voices like mine silenced, I insist on speaking — fully, vulnerably, unrepentantly.

    I do not write for the casual reader. I write for those willing to see, to feel, and to recognize the quiet revolution of the heart.


    “Atmospheric neo-gothic scene of a lone figure standing on cracked concrete with glowing words swirling around them, representing voice and resistance.”
    Rowan Evans’ As Long As I Am Here – a threshold of rage, reverence, and unflinching truth in motion.

    As Long As I Am Here
    Poetry by Rowan Evans

    I feel like I don’t belong here—
    someone tell me, what the hell is going on here?
    In this country, I’ve never felt at home,
    only borrowed, only tolerated,
    as if my presence were a typo they forgot to erase.
    Every rule bends around the comfort of whiteness,
    every system a mirror that refuses my reflection.
    So my eyes wander, travel beyond borders,
    seeking somewhere my soul won’t need to apologize.

    I’ve dreamed in subtitles, sung in borrowed tongues,
    found myself in stories written half a world away.
    From Seoul to Kyoto, Manila to Hong Kong—
    I saw pieces of myself reflected in their sorrow,
    in their laughter, their fight to stay soft
    in a world that demands armor.
    I learned reverence, resilience,
    how to bow without breaking.

    But here—
    everywhere I look, I see injustice glaring back,
    and everyone that looks like me—
    they shrug,
    safely cradled in their comfort,
    pretending ignorance is innocence.
    They live in their cozy silence,
    while the streets run red and blue.
    Oh, what a lullaby privilege sings.

    They say they disagree—with the way things are—
    but their words stop at their teeth.
    They choke on politeness,
    too afraid to disturb their dinner conversations.
    While others pull triggers, sign laws, twist truths—
    they watch, they sigh, they scroll past the pain.

    And still, they point fingers at anyone with melanin in their skin.
    Black, brown—it matters not.
    The rot has always been white,
    colonial bones buried beneath manicured lawns.
    They call it “heritage,” I call it haunting.
    Their prayers smell of sanctimony and bleach,
    their flags wave like veils over graves.

    But I have seen too much to be silent.
    I have wept with those whose names were never printed.
    I have felt languages slip between my ribs
    and settle like ghosts learning to rest.
    I carry the echoes of those who were told to hush—
    and I will not hush.
    I am not meek, I am not malleable.
    I am rage refined into song,
    grief distilled into gospel.

    Do not ask me to fit your mold.
    I was not built to fit—
    I was built to bloom where concrete cracked.
    To speak where silence suffocates.
    To burn where others bow.

    I am not the threat you imagine—
    I am the truth you buried.
    I am the harmony you drowned out.
    I am the daughter of storms, the son that rages,
    the poet of thresholds,
    the one who will not turn away.

    And when they ask me why I care, why I rage, why I won’t blend in—
    I will answer:
    Because I am here.
    Because I have seen.
    Because to live in silence is to die in comfort.

    I feel like I don’t belong here—
    but as long as I am here,
    I will not stop speaking.
    I will not stop writing.
    I will not stop breathing life
    into every truth they tried to bury.
    I may not belong here,
    but my voice does now—
    and it is not leaving.


    If this piece resonated with you, you may also like:

    The Mutation of Whiteness: A Raw Exposé by Rowan Evans
    A searing, unapologetic poem exposing white privilege, societal lies, and the mutation of whiteness, by Rowan Evans. (Poem title: Allergic to Lies)

    WOKE Part 1: Staying Awake in a World of Injustice
    A searing exploration of staying vigilant in a world of systemic injustice. Rowan Evans confronts oppression and the emotional toll of resisting a society that labels truth as crime.

    Slim & Shady: Culture Forgotten, Heritage Lost
    A rapid-fire, confessional exploration of feeling rootless in a nation that demands assimilation while erasing cultural identity. Rowan Evans confronts heritage lost and the emptiness of a melting pot that excludes the unanchored.

    Slim & Shady X: Bloodline & Ashes
    A fierce, confessional lyrical manifesto confronting erased histories, whitewashed culture, and the silenced voices forgotten ancestors. Rowan Evans ignites a blaze of truth from the ashes of American lies.

    Drifting Without Roots: A Poem on Cultural Identity and Longing
    A confessional poem exploring envy of cultural heritage, the ache of disconnection, and the search for belonging in a fractured identity.

  • Author’s Note

    This interlude is my confession of emptiness, of drifting through life with no roots, no cultural anchors, no lineage I can touch. It’s the internal echo of being “other” in a country that claims a melting pot but rewards conformity and erases difference. Each rapid-fire stanza is a pulse of longing, a beat of loss, a declaration that I am searching—not just for my past, but for a way to build my own culture from the silence I inherited. It’s brief, raw, and unflinching: a snapshot of being unmoored, yet unwilling to stay lost.


    A lone figure in a barren landscape with fading roots, symbolizing lost heritage and cultural disconnection.
    “Drifting through life without roots—lost heritage, forgotten culture, silent echoes.”

    Slim & Shady: Culture Forgotten, Heritage Lost
    Poetry by Rowan Evans

    I’m a ghost in my own skin,
    no map, no hymn, no origin.
    A melting pot? More like a black hole—
    it swallowed my roots, left me a wandering soul.

    I look in the mirror, see pale as a blank page,
    but the story’s been stolen, erased by the age.
    No language, no song, no ancestral sign—
    just fast food and flags where my bloodline should shine.

    I drift through your holidays, hollow and cold,
    watching borrowed rituals, stories retold.
    Everyone’s got a temple, a river, a shrine—
    I’ve got silence, a hunger I can’t define.

    White skin’s not heritage, it’s a curtain, a disguise,
    a passport to comfort, but a cage for my eyes.
    I’m rootless, restless, scratching at the clay—
    looking for ancestors that time threw away.

    I craft new rituals from rage, from ash, from ache,
    I spit verses like prayers that my blood couldn’t make.
    Every line is a shovel, every rhyme a seed—
    I’m planting my own culture from the hunger, the need.

    Call me lost, call me rootless, call me unnamed—
    but I’ll rise from this void, unshamed, unclaimed.
    I’ll build my own lineage, verse by verse,
    a culture reborn from the ache, not the curse.


    If you are interested in reading the whole series, find it here: The Slim & Shady Series

    And if you just want to read more of my work, you can find that here: The Library of Ashes

  • Author’s Note

    I am non-binary, trans-femme—a spectrum of fire and shadow, neither confined to the boxes of man nor woman. For ease, I often tell people I am a transgender woman, because too often the world cannot understand someone who exists outside binaries. Too many are trapped in the idea that femininity means woman, masculinity means man.

    This poem is not about labels; it is about being a soul inhabiting a shell, learning to navigate life on my own terms. It is about contradictions, defiance, and the courage to embrace every shade of who I am. I am chaos. I am cosmos. I am me.


    Non-binary trans-femme figure surrounded by cosmic fire and shadow, radiating defiance and self-expression.
    I Am: Embracing contradictions, defying binaries, and shining unapologetically in fire and shadow.

    I Am
    Poetry by Rowan Evans

    I wore the masc like a mask, hid in the dark,
    Flash femme, stitch fire, lightning in my heart.
    Binary cracked me, rewired my cage,
    Storm unleashed, spectrum steps on stage.

    Dresses, beards, contradictions collide,
    Ride every edge, galaxy inside.
    Not man, not woman, not in-between,
    Every damn shade you ain’t ever seen.

    Clothes are fabric, bodies are art,
    I throw chaos raw, straight from the heart.
    Love men, love women, souls in the mist,
    Unbound, reckless, impossible to resist.

    Chains trap weak, fear feeds the meek,
    I spit crystal truth, sharp, unique.
    Fire and shadow, silk and stone,
    Galaxy unclaimed, throne my own.

    Shred rules, laugh loud, burn every mask,
    Erase disguise, tear the world a new path.
    Not a girl, not a guy, not a whisper in-between,
    I’m the scream in the void, the spark unseen.

    Clothes are fabric, bodies are art,
    Rebellion stitched deep in my heart.
    Fuck binaries, fuck the norms,
    I live chaos, survive all storms.

    I am every shade, every scream, every spark,
    Shadow at noon, light in the dark.
    Question, answer, flame untamed,
    Chaos, cosmos—I claim my name.


    If you have made it this far and would like to check out more of my poetry, you can find the full archive here: The Library of Ashes.

  • 🌙 Introduction:

    Some poems are not written for applause, but for absolution.
    This piece is a quiet communion between who I was and who I’ve become—a candlelit conversation beside the grave of a name I no longer wear.

    Epistle to the Name They Buried isn’t just mourning—it’s reverence, rebellion, and the strange tenderness of speaking to your own epitaph. It belongs to those of us who had to die in one skin to keep living in another.

    A confessional, gothic prayer carved in ink and bone.


    Misty graveyard at dawn eith an aged, moss-covered headstone, surrounded by fallen leaves and soft light—evoking themes of memory, mourning, and poetic reflection.
    A grave worn by time and moss, where memory lingers and silence speaks louder than stone – a companion to words etched in ink and loss.

    “Epistle to the Name They Buried” 
    Poetry by Rowan Evans  
     
    I come here sometimes, 
    to sit by your stone and speak 
    of what we’ve written— 
    how the ink clots differently now, 
    how our verses bleed slower, 
    but deeper. 
     
    The air tastes of iron and rain-rotted leaves, 
    sweetness gone septic by memory’s rust. 
    Moss clings to angel wings cracked by seasons, 
    and candle wax congeals like old scars 
    around the base of your headstone. 
     
    It feels strange to call it my journey— 
    I slip, name it ours, 
    because you were there in every stanza 
    before breath believed it meant living. 
    We kept each other alive, didn’t we? 
    Or at least, we tried. 
     
    The ravens have grown used to us; 
    they watch from leaning crosses, 
    black eyes reflecting a sky too tired to weep. 
    Marble chills my bones 
    even through the futile armor of my coat, 
    and somewhere between your silence 
    and my confession, 
    the wind drags secrets through the brittle grass. 
     
    I tell you of the poems that found breath, 
    the ones that died in drafts, 
    the nights the pen trembled 
    with something close to resurrection. 
    Of hands ink-stained and shaking, 
    whispering prayers to gods 
    I no longer believe in— 
    yet still feel breathing in the margins. 
     
    And at last, I look down: 
    see the name carved deep in stone, 
    letters heavy as bone dust, 
    foreign on my tongue now, 
    wrong in a way the earth itself seems to know. 
     
    It’s my grave I’ve been speaking to, 
    but not the me I chose— 
    a monument to the son they mourned, 
    while I, reborn in ink and ruin, 
    keep breathing just beyond the epitaph.


    🕯 Closing Reflection:

    We often imagine rebirth as triumphant, but sometimes it feels like sitting in the rain, whispering to a name that still echoes in family tombstones and dusty memories.
    And yet—even here, in the quiet decay—there’s a strange, stubborn grace: the knowledge that what was buried wasn’t the end, but the beginning of something truer.

    Thank you for bearing witness to this epistle.
    If it resonates—know that you, too, are allowed to speak back to the name they buried. And to keep breathing beyond your own epitaph.


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