Tag: identity

  • Author’s Note

    I’ve written around this feeling for years — in metaphors, in longing, in coded language about distance and departure.

    This is the first time I’ve said it this plainly.

    For most of my life, I’ve felt like a visitor in the place I was born. Not in a dramatic way. Not in a rebellious way. Just in a quiet, persistent way that never left.

    This piece isn’t about anger. It isn’t about rejection.

    It’s about finally naming what I’ve always known—
    that sometimes “home” is assigned to you,
    and sometimes it’s something you’re still moving toward.

    Rowan Evans


    A lone traveler standing in an airport terminal at dusk, looking out at distant city lights with a suitcase beside them.
    Sometimes the place you’re born isn’t the place you’re meant to stay.

    Just Visiting
    Poetry by Rowan Evans

    I’ve been talking about it a lot lately,
    this feeling of wanting to escape
    that I’ve had since I was just a baby.
    I was forced to call this place home,
    because this is where I was born—
    it never felt like home,
    just a place I was visiting.

    Every day in school—
    I’d recite the pledge,
    like a good
    little patriot
    should.
    But I didn’t believe in it,
    there was no allegiance in it.

    They say they’re proud to be an American,
    well me? I’ve never been,
    because this is just a place to me.
    I’ve said it before, once in this poem alone—
    this place has never been my home.

    And I’ve lived all across it.
    Never once have I have felt planted,
    no roots took hold.
    Felt like a tourist—
    in a place I was
    supposed to belong.

    But I’ve known for a while now,
    my place is not within these borders.
    This place will never be
    home for me.
    But it will always be
    a part of me. (Sadly.)


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem traces the moment when disconnection stopped being temporary and started feeling structural.
    At fourteen, I didn’t just feel out of place—I felt offline. Like my signal never quite reached the world I was standing in.

    The language of technology felt like the closest mirror for that experience: dropped signals, endless queues, systems that never respond. This isn’t nostalgia, and it isn’t blame—it’s recognition. Naming the feeling that followed me for years before I understood what it was.

    Some people search for belonging.
    Some of us search for a connection that was never stable to begin with.

    Rowan Evans


    A person sitting alone in a dark room with glowing cables and signal symbols, representing emotional disconnection and longing for belonging.
    Some disconnections start early—and never fully resolve.

    Disconnected Since Fourteen
    (Lost in Queue)
    Poetry by Rowan Evans

    I used to sit alone, lost in thoughts
    of far off places—far from…
    home.

    I’d write about every one,
    write about them in my…
    poems.

    The way longing bled into art,
    art bled the words from my heart.
    It was the truth spilling—
    feeling homeless,
    since I was fourteen.

    Felt disconnected,
    like the Wi-Fi dropped.
    Mind static, dramatic,
    screaming like…
    dial-up.

    Trying to connect
    to somewhere that never answers.
    Server overloaded,
    lost in queue—
    endless, connection loop.

    I do not belong here.
    Everything feels wrong here.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem started as play.

    I wasn’t trying to be deep or careful — I was letting my brain sprint, letting pop culture, mythology, and intrusive thoughts collide on the page. Comics, villains, alter egos, masks — all the familiar metaphors we use when our minds feel too loud to live in quietly.

    What surprised me wasn’t the darkness, but the balance. This isn’t a descent — it’s a return with awareness. Standing in the light doesn’t mean pretending the shadows don’t exist. It means no longer fearing them.

    This is what it feels like when poetry stops being a tool and starts being a force — when the ink takes over, and you let it.


    Surreal illustration of a figure in shadow with ink tendrils rising up their spine, symbolizing chaos, identity, and creative obsession.
    Where chaos, identity, and ink collide.

    Back to Darkseid
    Poetry by Rowan Evans

    I walk in,
    ready to rock
    like a shock
    to the system.

    Watch me
    ghost ride the whip,
    hit you with the
    penance stare.

    Watch as you become
    hyper aware
    of every misdeed,
    and every sin seeps
    into the veins.

    It circulates
    until it hits
    the brain.

    Lights out.

    Silence.

    My noggin’s
    an asylum,
    I’m sick in the head.
    Coin flip of fate,
    I’m two-faced
    with my joker’s thoughts.

    I’m a dark knight,
    on a dark night—
    fighting the monsters
    that my mind creates.

    Don’t try to figure me out.
    I’m an enigma, a riddle
    with no answer.

    A twisted harlequin
    in a garden
    made by Ivy.
    Each petal unfurls,
    guiding—
    leading me back
    from the edge.

    Now I’m standing in the light,
    back to Darkseid—
    I no longer fear
    Apocalypse.

    Watch my ink
    twist into tendrils.
    Watch as they
    wrap around,
    and creep up
    my spine like venom.
    Watch as poetry
    slowly,
    takes over
    my mind.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some people grow up knowing exactly where they belong.
    Others grow up carrying a quiet sense of elsewhere—something felt long before it’s understood.

    This piece traces that feeling as it moved through me over time: the early moments of disconnection, the private planning, the slow patience of a dream that never burned out. It isn’t about leaving a place as much as it is about realizing that orientation matters more than arrival.

    Not all rebellions are loud.
    Some of them are lived quietly, for years, while you learn how to wait without letting the dream die.


    A person standing at dusk, facing a distant horizon with a compass motif in the sky, symbolizing longing and the pull toward somewhere else.
    Some dreams don’t disappear.
    They learn how to wait.

    Still Tilting Elsewhere
    Poetry by Rowan Evans

    I find myself
    drifting through my thoughts,
    not lost this time.

    I remember fourteen.
    Hi Hi Puffy—
    Ami and Yumi on the screen,
    seeing Tokyo streets,
    thinking “I hate this place.”
    It was the first time
    I felt the disconnect.

    Suddenly,
    I was hyperaware—
    I didn’t belong here.

    I remember fifteen.
    The first time
    I started planning.
    The first time
    I dreamed of jet engines,
    of taking off,
    making escape.

    I remember sixteen.
    Started speaking,
    manifesting—
    wishing it into existence.
    I remember seventeen,
    when my dream,
    became a quiet rebellion.

    And I was
    only becoming
    more aware,
    I didn’t belong here.

    I remember eighteen.
    Applying for a job,
    I knew I wouldn’t get.
    Simply for the chance to split.
    It was more about the “what if’s,”
    what if they saw something—
    what if they took a chance?

    And then—
    found family
    from the Philippines.
    Two girls of thirteen,
    they became like nieces to me.
    They were the spark
    that stoked the ember,
    that would simmer
    just beneath the surface.

    It’s been
    eighteen years
    since then.

    Eighteen years,
    and the ember never cooled.
    It lived in the quiet places—
    behind decisions,
    beneath routines,
    inside every map I drew
    that didn’t include here.

    And the dream didn’t fade.
    It learned patience.
    It learned silence.
    It learned to wait
    without dying.

    Now,
    I feel the shift again—
    the same quiet pull,
    the same soft rebellion,
    older now,
    but no less certain.

    I still carry that fourteen-year-old
    like a compass in my chest.
    I carry that seventeen-year-old
    like a promise I haven’t kept yet.
    I’ve grown,
    but the compass never changed.
    Every version of me
    still tilts toward somewhere…
    else.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I wrote Loki on March 1st, 2025, not as a tribute to the pop-culture trickster, but to the old god—the one who exists in contradiction, liminality, and transformation. The Loki of myth is not tidy. He is not easily moralized. He is fire and fracture, ally and adversary, mother and monster, savior and destroyer. He is becoming.

    This poem is less about mythology as history and more about mythology as mirror. Loki has always represented what unsettles systems built on rigidity: fluidity, change, refusal. In many ways, he is the god of those who do not fit neatly into the halls they are born into. Those who are renamed as “problem” when what they truly are is uncontainable.

    Writing this was an act of reclamation. Of honoring the sacredness of contradiction. Of recognizing that to shift, to change, to refuse a single shape, is not betrayal—it is divinity in motion.


    A mystical, shapeshifting figure surrounded by fire and shadow, evoking the Norse god Loki and the power of transformation.
    Not bound by name. Not fixed in form. Becoming is the divine act.

    Loki
    Poetry by Rowan Evans

    I have been son and mother, father and daughter,
    A whisper on the wind, a fire in the dark.
    I have been the tempest and the calm,
    A shifting shape, a name unchained.

    I was never made to fit in their halls,
    So they twisted my name into a curse.
    They carved my legacy with hands that feared
    What could not be tamed, what would not kneel.

    They call me trickster, traitor, monster—
    But what is a god if not a story rewritten?
    What is truth when bound by mortal tongues,
    When my form is fluid as the rivers they drink?

    I have worn every face, walked every path,
    Yet still, they wish to bind me to one.
    But I am the echo of change, the chaos of fate,
    A dance between dusk and dawn.

    Try as they might to paint me still,
    I will slip through cracks, through time, through names.
    For I am not one, nor two—
    I am all, I am none…

    I am Loki.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem isn’t about skill.
    It’s about orientation.

    Some people write to be understood.
    Some people write because silence feels lethal.

    This piece is for the ones who learned to live in the deep—
    who didn’t choose intensity so much as need it to breathe.

    It isn’t an accusation.
    It’s a recognition.

    Not everyone was taught that the ocean is real.


    A figure breathing underwater in deep blue ocean light, symbolizing emotional depth and survival.
    Some of us learned to breathe underwater.

    Depths
    Poetry by Rowan Evans

    I write
    like I might
    die, if I don’t.

    You write
    like you’re trying
    to pen
    the perfect quote.

    We are not the same.

    But you
    are not to blame.
    It’s not on you
    to carry
    society’s shame.

    They went shallow,
    and punished the depths.


    Closing Note

    Some of us learned
    to breathe underwater.

    Some of us
    were told
    the ocean
    was a lie.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Not all growth looks like transformation.

    Some of it looks like standing still
    while the world insists you should become
    someone easier to digest.

    This year, I’m not becoming new.
    I’m becoming certain.


    Muted fireworks against a dark night sky on New Year’s Eve, symbolizing reflection and quiet certainty rather than celebration.
    Not all beginnings need reinvention.

    No Resolutions
    by Rowan Evans

    Happy New Year.

    I’m not entering the new year with resolutions.
    I’m entering it with boundaries, clarity, and a spine.

    I will still write what burns.
    I will still refuse to be neat.
    I will still love loudly, witness fiercely,
    and walk away from anything that asks me to be smaller.

    If that disappoints you—
    good.

    I’m not here to be improved.
    I’m here to be exactly myself.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece is the closest I’ve come to writing the truth of my internal war without softening it. Between Worlds is about self-violence—the way the mind learns your weak spots, remembers the old wounds, and knows exactly where to cut. It’s a poem about relapse, about memory, about survival, and about the strange loneliness that follows healing.

    It speaks to the years where I wasn’t sure I’d make it. The hospital walls. The padded quiet. The fluorescent lights humming through the silence. It speaks to dissociation, to identity, to queerness, and to the mythic distance I’ve always felt between who I am and the world I live in.

    This poem isn’t a cry for help—it’s a record of survival. It isn’t tragedy for tragedy’s sake—it’s truth. It’s the reality that healing isn’t linear, that progress has shadows, and that sometimes the loudest battles are fought in the mind no one else can see.

    If you know this feeling—of standing in your own skin like it never quite fits, of fighting thoughts with thoughts, of loving your existence even when you question your place in it—then I hope you feel seen here.

    Because none of us are alone in the in-between.

    Rowan Evans


    Nonbinary person standing between a hospital hallway and a star-filled night sky, symbolizing dissociation and identity between worlds.
    Between Worlds — artwork representing Rowan Evans’ poem about surviving mental illness, dissociation, and identity beyond binaries.

    Between Worlds
    Poetry by Rowan Evans

    Why do I
    always try
    to pick a fight
    with me?

    You’d think I’d know,
    by now, just how
    quick I’ll slip
    an insult
    under the ribs.

    I’ll hit
    every single fear,
    twist them
    like a knife—
    until I’m
    on my knees,
    gasping,
    spitting blood.

    I don’t fight fair.
    I target old wounds,
    tear at what’s
    already healed.
    I’ll fuck around
    and send myself
    back ten years—
    back to hospital walls
    and quiet rooms,
    where the only sound
    was the fluorescent hum.

    Where time dissolved…
    where clocks stopped
    ticking.

    But I walked out
    of those halls—
    didn’t I?

    Didn’t I?

    But what if I didn’t?
    What if I’m still locked inside,
    in a padded room
    with the jacket
    strapped tight?
    Thoughts confined,
    so the words
    won’t escape.

    Writing poems
    in my head,
    just to pass
    the time.

    I’ve been alive,
    but dead inside.
    And I’ll be honest:
    I’ve died
    inside my mind
    more than
    a dozen times.

    I just wanted escape.

    Escape from pain,
    from feeling misplaced—
    I just wanted
    to belong.

    But it’s like—
    something is wrong here.
    Why don’t I
    feel like
    I belong here?

    Why does everything feel
    a half inch to the left—
    like I’m living inside
    the echo of myself?

    Like I’m watching my life
    from behind fogged glass,
    palms against the surface,
    screaming—
    but no sound
    passes through.

    Sometimes I swear
    the world forgets I’m here,
    and sometimes
    I do too.

    Maybe it’s because
    every room I walk into,
    I’m half a ghost already—
    too queer, too quiet,
    too soft, too strange.
    Too fucking much
    for everyone
    but me.

    Maybe that’s why
    the fight never ends—
    because I’m still trying
    to prove I deserve
    the space I take up,
    even in my own skin.

    So maybe I don’t belong here
    because I was born
    between worlds—
    not alive, not dead,
    not human, not myth,
    not safe, not ruined.

    Maybe my bones remember
    a home I never had,
    and every heartbeat since
    has been an attempt
    to map
    my way back.


    If you’re looking for more poetry, you can find it here → [The Library of Ashes]

  • Introduction

    When the Mask Slips explores the fragile boundary between performed sanity and inner unraveling. Through vivid imagery, surreal metaphor, and a self-aware voice, Rowan Evans captures the terror and beauty of identity under pressure, where the mask may be all that stands between perception and emptiness.


    Neo-Gothic digital illustration of a solitary figure with a Cheshire grin sitting at a flickering-lit table, representing the fragility of identity and performed sanity.
    When the Mask Slips visualized: a lone figure navigating the fragile line between performance and inner self.

    When the Mask Slips
    Poetry by Rowan Evans

    I am going to be honest—

    I think I’ve lost my mind,
    I’ve been drifting in this mental fog.
    Wandering. Lost.
    Not sure what I was trying to find,
    not sure what was the cost.

    But I’ve been—
    orbiting annihilation,
    facing Armageddon
    in phases—
    the moon isn’t the only thing
    that disappears piece by piece.

    I keep losing track of my thoughts
    like loose teeth—
    wiggling them
    just to feel something give.
    I’m just a Mad Hatter,
    with a Cheshire grin—
    screaming “Off with their heads!”
    just to hear the echo—
    make sure the room and I are still real.

    Sometimes—
    I cosplay sanity,
    like I have a grasp on reality.
    Like I know the meaning of stability—
    mentally.
    I dress up, pretend that I’m normal—
    but it feels too boring and formal,
    too exposed.
    Too much light, not enough shade,
    too many eyes on my face.

    And underneath it all,
    I’m terrified there’s nothing there—
    when the world stops being a stage,
    when existence stops being a performance.
    When the mask slips…
    and it’s just me.

    (God, what if that’s worse?)


    Author’s Note

    This poem sits at the edge between humor and unraveling—between the persona we show the world and the version of ourselves we hope no one ever sees. It isn’t about insanity; it’s about the fear that sanity might be nothing more than costume, choreography, and survival instinct.

    It uses absurdity as honesty, because sometimes the surreal is the only language for a fraying mind. The Wonderland imagery isn’t playful fantasy—it’s metaphorical dissociation. The poem is meant to feel unsteady, spiraling, self-aware, and a little unhinged. It asks:

    What if the mask isn’t hiding anything?
    What if the performance is the person?

    This piece reflects the quiet terror of identity erosion—the dread that beneath the jokes, the aesthetics, the manic charm, and the polished poetry… there may be nothing solid to hold onto.


    If you’re looking for more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    From the shadows of ink and flame, I call you to witness: the fourfold chorus that lives in my bones, the laughter, the tremors, the sacred mischief. This is not a poem for the faint-hearted. It is a map of selves, a conspiracy written in whispers, candlelight, and heartbeat.

    Before you read, take a moment. Breathe with us. Feel the pulse beneath your ribs, the stir of voices in the hollows of your mind. They are alive. They are protective. They are relentless.

    This is A Conspiracy of Selves: a ritual of identity, a hymn to the multiplicity within, a reckoning with the parts of me that will not be silenced. Enter carefully, reader—here, we laugh, we panic, we conspire, and we are never, ever alone.

    𓆩 ⊹ 𓆪


    Four ethereal figures intertwine inside a translucent human silhouette, representing multiple selves. Candlelight and shadows enhance the Gothic, mystical atmosphere.
    “The fourfold chorus of selves, living in the bones—laughing, whispering, guiding.”

    🕯️ A Conspiracy of Selves

    🜃 from the Grimoires of the Luminous Heretic 🜃
    ☽☉☾ Poetry by Rowan Evans ☽☉☾

    ╔═══ ༺🜲༻ ═══╗
    Jeepers Creepers,
    Look at those peepers—
    Blue as ocean waves,
    Locked in glass jars.
    ╚═══ ༺🜲༻ ═══╝

    Plucked from your face
    with soft, sacred grace,
    Let me look at you—
    through your eyes.

    Let me see the flaws I missed
    when I mistook you for a mirror.

    Pluck my own, lay them on a shelf,
    Replace my vision with someone else.
    Let me see what you see in me—
    Before I shut and lock
    the shutters on these soul-windows.

    Hahaha—

    𖤐𓆩 🜏 𓆪𖤐
    Laughing against padded walls.
    How absurd, the straightjacket
    stitched for queer souls.

    Lipstick smears. Mascara bleeds.
    Bouncing off the padded dreams,
    I’m a Joker. A Harlequin.
    A jester stitched from sacred sin.
    A witch in reverence.
    A demon within.
    𖤐𓆩 🜏 𓆪𖤐

    Now.
    Hush—

    𓂃 𓆩 ✶ 𓆪 𓂃
    I see it.
    The truth behind the paint.
    I hear it.
    The turning of pages.

    None of this is real.
    We’re all just creations.
    𓂃 𓆩 ✶ 𓆪 𓂃

    Either way—

    We’re not alone.
    There are four of us,
    living in these bones.

    Do you hear them?
    Do you hear us?

    The whispers.
    The secret incantations.
    Magic & Whimsy.
    A little Hexed.
    A little unfriendly.

    Who’s there?
    Is it you, B.D.?
    Or is it me?

    But—who is me?
    I mean… who are we?

    You. And the other three.

    No.
    Me. And the rest of you.

    The fire inside, to conspire and hide.
    But you won’t let me—
    Dragged from the shadows
    kicking and screaming.
    Begging and pleading.

    Roo, don’t let them do this to me.

    It’s okay, Rowan. This is necessary.

    I know it’s scary,
    but you’ve lost it.

    So here. Take your pills.

    Take them.

    You’re scaring me.

    I thought we were friends.
    A family.

    No.
    You are we.

    And we—
    are you.

    Breathe.

    𓆩 ⊹ 𓆪
    Do you feel it?
    That’s the panic setting in.

    I can’t breathe.
    We can’t breathe.

    You’re suffocating.

    Just calm down.
    Take a look around.

    I’m all alone here.

    We’re all alone here? No.

    You’re not alone, Rowan.
    We live in your bones, Rowan.
    So you’re never alone, Rowan.
    Where do you think you’re goin’, Rowan?

    You can’t run from us.
    We live inside you.

    You birthed us
    to protect and guide you.
    𓆩 ⊹ 𓆪


    If you are interested in reading more of my poetry, you can find it here: [The Library of Ashes]