Tag: self-discovery

  • Author’s Note

    There’s a kind of disconnection that goes beyond mood or circumstance.

    It’s not just about having a bad day, or feeling out of place for a moment. It’s deeper than that—like something fundamental doesn’t line up. Like the life you’re living doesn’t match the shape of who you are.

    For a long time, I tried to understand that feeling as something internal. Something to fix, adjust, or push through.

    But this piece comes from questioning that.

    From considering that maybe the discomfort isn’t a flaw—
    maybe it’s misalignment.

    Maybe it’s the result of existing in a space that doesn’t reflect you, doesn’t hear you, doesn’t hold the parts of you that matter.

    And maybe the answer isn’t to force yourself to fit—
    but to find where you already do.

    Rowan Evans


    Person sitting alone at the edge of a bed at dawn symbolizing feeling out of place and disconnected.
    Sometimes it’s not that you’re lost—it’s that you woke up in a life that was never meant for you.

    The Wrong Side of the Globe
    Poetry by Rowan Evans

    I wake up—
    not just on
    the wrong side
    of the bed.

    I wake up
    on the wrong
    side of the globe—

    in a life
    that doesn’t fit
    the shape of me

    I wake up
    in a timezone
    my body refuses,
    in a climate
    my skin protests,
    in a country
    my soul didn’t choose.

    I wake up
    as the wrong version
    of myself,
    a silhouette
    in someone else’s dawn,
    a life misaligned
    with its own pulse—

    speaking a language
    this place won’t hear,
    carrying histories
    this soil won’t hold,
    belonging to a map
    not on the wall.

    I wake up…

    in a morning
    meant for someone else.

    In a season
    I wasn’t built for.

    In a story
    I don’t remember choosing.

    I wake up
    already tired
    from carrying a life
    that was never mine…

    I wake up
    wanting a world
    that fits my outline—

    a morning
    that knows my name.

    So I drift off—
    falling into sleep,
    praying that I…

    wake up
    to a place
    that feels like mine,

    a life
    that finally fits—

    the shape of me.


    Journey into the Hexverse!

    [Where the Tide Calls Me]
    What if feeling stuck isn’t about being lost—but about resisting where you’re meant to go? Where the Tide Calls Me explores belonging, movement, and the courage to follow an unseen pull.

    [I Was Already On My Way]
    What if the places that call to you aren’t random? I Was Already On My Way explores identity, travel, and the realization that some paths have been forming long before we recognize them.

    [Of No Single Nation]
    What if belonging isn’t tied to where you’re from? Of No Single Nation explores identity beyond borders, reframing home as something found in connection rather than geography.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some things don’t arrive all at once.

    They show up in fragments–small moments, passing interests, people you meet, places that linger in your thoughts longer than they should.

    At first, it feels random.

    Disconnected.

    But over time, patterns start to form.

    This piece comes from recognizing one of those patterns.

    Looking back and realizing that what felt like curiosity… was actually direction. That the pull I kept feeling wasn’t new–it was something that had been building quietly for years.

    And maybe that’s what alignment feels like.

    Not a sudden shift.

    But a slow realization that you’ve been moving toward something long before you understood why.

    Rowan Evans


    Person standing at a crossroads with signs pointing toward distant cities symbolizing life direction and travel.
    Some paths don’t begin when you choose them—they’ve been forming long before you realize you’re on them.

    They say—
    you’re an American,
    you can’t change it.
    It runs through the blood,
    burrows in the marrow.
    You’re an American today,
    you’ll be one tomorrow.

    Sure—
    that’s true.

    American is the label
    I wear.

    But it’s not the one
    I claim.

    These are the lands
    I was born in—
    but they’ve never
    been home.

    I’ve known
    since I was fourteen
    I was meant
    to leave.

    Started planning
    at seventeen.

    Eighteen—
    applied for a job
    in Japan.

    I pictured
    walking Tokyo’s streets,
    slipping through alleyways—

    a quiet life
    in a city alive.

    Nineteen—
    felt the pull
    of Korea,
    the hum of Seoul
    in my soul.

    Twenty—
    I wandered China
    in my mind.

    But it never felt
    quite right.

    So I kept searching,
    listening
    to the shifts
    inside.

    And then—

    a pattern emerged.

    I didn’t notice it
    at first.

    Manila.
    The Philippines.

    A thread
    that’s been there
    since I was eighteen.

    Subtle—
    at the start.

    Two kids
    I took
    under my wing.

    That’s how it began.

    And then it kept appearing—
    in the friends
    I met online,

    in the people
    I was drawn to.

    It felt like
    a magnetic pull.

    In the last year—
    maybe more—

    it’s become stronger
    than ever before.

    And somewhere
    in that pull—

    is her.

    Not the reason—

    but proof

    that I was already
    on my way.

    This doesn’t feel
    like curiosity anymore.

    It feels like alignment.

    Like something in me
    has been pointing
    in one direction
    all along—

    and I’m only now
    choosing
    to follow it.


    Journey into the Hexverse!

    [121° East]
    A single line of longitude becomes something more—a reflection of distance, identity, and the quiet decision to become who you were always meant to be.

    [Coordinated of Escape]
    A deeply introspective poem about overthinking, emotional loops, and the desire to start over. Coordinates of Escape traces the journey from internal chaos to a deliberate destination—both physical and personal.

    [Of No Single Nation]
    What if belonging isn’t tied to where you’re from? Of No Single Nation explores identity beyond borders, reframing home as something found in connection rather than geography.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece comes from a place of wanting more than surface-level connection.

    It’s easy to exist in spaces where we show only what’s safe–what’s presentable, what won’t be questioned too deeply. But I’ve always been drawn to what lives underneath that. The quiet parts. The complicated parts. The things people carry but don’t always speak out loud.

    This poem isn’t just about seeing someone–it’s about being trusted with what’s beneath the surface. The scars, the thoughts, the moments that shaped them in ways the world doesn’t always get to witness.

    There’s a kind of intimacy in that. Not in fixing or changing someone, but in understanding them. In holding space for everything they are, even the parts that feel hidden or unfinished.

    At its core, this piece is about connection–not the easy kind, but the kind that asks you to slow down, to listen, and to see someone fully.

    And maybe, to be seen the same way.

    Rowan Evans


    Person standing at the edge of water with a glowing emotional world beneath the surface representing vulnerability and depth
    The surface is safe—but the truth lives beneath it.

    Beneath the Surface
    Poetry by Rowan Evans

    Why are so many okay with
    settling at the surface?
    I want to dig deeper—
    get to the core of you.

    See where the roots lie,
    the ties that bind—
    let me see the universe
    behind your eyes.

    Windows to a galaxy
    all your own
    and I want to call,
    at least one of those worlds—
    my home.

    Let me go beyond
    what the eyes can see,
    let me peer within,
    let your soul breathe.

    Take a breath,
    relax.

    I just want to know—
    I want to see the essence,
    the truth,
    And all of the scars
    you don’t disclose.

    I want to hear the stories
    of the battles fought,
    the wars waged
    in silent thought.

    The ones
    nobody else knew—
    I want to help mend
    the fractures in you.

    The surface is safe,
    but I want the depths,
    the places
    where your heart has wept.
    I want to touch
    the parts untouched by light—
    where dreams
    and fears take flight.

    Let me see the storm
    inside your soul,
    the cracks,
    the pieces,
    the parts—
    that don’t feel whole.

    Because—
    I want to understand.

    Not just the surface,
    but every grain of sand.
    Every emotion, every tear—
    All of the things
    that make you real,
    that make you—

    You.

    Not the mask,
    not the show,
    But the truth
    you often don’t show.
    I want to see—
    to feel,
    and to know.

    The beautiful chaos
    that makes you whole.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece lives in a space between two interpretations, and I wrote it that way on purpose.

    It can be read as a reflection on identity–on the versions of ourselves we carry, the ones we’ve been, and ones we hesitate to become. A room filled with selves, each one shaped by different choices, different fears, different moments of almost.

    But it can also be read as something more relational. The figure in the piece–“her”–can exist as a person. Someone who feels steady, certain, present in a way the speaker isn’t yet. Someone who becomes a point of gravity.

    What matters to me is that the distance between them comes from the same place in both readings.

    Not circumstance.

    Not timing.

    But hesitation.

    In that way, the poem sits in the overlap between becoming and connection–where reaching someone else and becoming yourself start to feel like the same act.

    Rowan Evans


    Multiple versions of a person standing in a dim surreal room with a distant glowing figure symbolizing identity and connection
    A room full of who I was, who I am, and who I haven’t learned to be yet.

    Standing Between Us
    Poetry by Rowan Evans

    I walk into a room
    that knows my name too well.

    It is filled with me—
    not reflections,
    not mirrors—
    but selves.

    They stand where I once stood,
    breathe how I used to breathe,
    hold their hands like I remember doing
    before I knew why.

    Some look at me.
    Most don’t.

    They are not ghosts—
    not quite.
    I cannot see through them.
    They have weight.
    Presence.
    Like memories
    that never learned how to fade.

    I move through them anyway.

    Shoulder brushing shoulder—
    past brushing present—
    future turning its head
    just a second too late.

    And then—

    her.

    Not fully seen.
    Never fully seen.

    A glimpse
    between the space
    of two mistakes,
    I used to make.

    A flicker
    caught in the outline
    of who I used to be
    and who I might become.

    I follow.

    Or maybe I orbit.

    Because every time I get close,
    another version of me steps in the way—
    hesitation given form,
    fear with a body,
    longing wearing my face.

    I want to call out—
    but which voice is mine?

    They all sound like me.

    So I keep moving.

    Through regret.
    Through almosts.
    Through the selves that loved—
    too early,
    too late…

    too quietly.

    And still—
    I see her.

    Soft.
    Certain.
    Waiting in the space
    I haven’t learned to stand in yet.

    I think—

    no.

    I know.

    She is not lost in this room.

    I am.

    And every version of me
    that I refuse to become
    is standing between us.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Sometimes a place stops feeling like home long before you actually leave it. The streets still know your name, but something in you has already begun drifting toward another horizon.

    This poem came from that feeling – the quiet moment you realize your roots are no longer meant for the soil you’re standing in. It’s not always about running away; sometimes it’s about allowing yourself to grow somewhere new.

    Roots & Wings sits in that space between leaving and becoming. Between the life that shaped you and the one waiting somewhere beyond the horizon.

    We carry out roots with us, even when we learn how to fly.

    Rowan Evans


    A bird flying toward the sunset above palm trees and the ocean, symbolizing freedom and new beginnings.
    Sometimes growth means planting new roots—and trusting your wings to find the horizon.

    Roots & Wings
    Poetry by Rowan Evans
    (written February 18th, 2025)

    These streets whisper my name, but I no longer listen,
    my roots ache for softer soil, where the sun glistens.
    I’ll plant myself where the palms embrace the sea,
    then let the wind carry what’s left of me—
    a bird unbound, chasing horizons yet unseen.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I’ve written around this feeling for years — in metaphors, in longing, in coded language about distance and departure.

    This is the first time I’ve said it this plainly.

    For most of my life, I’ve felt like a visitor in the place I was born. Not in a dramatic way. Not in a rebellious way. Just in a quiet, persistent way that never left.

    This piece isn’t about anger. It isn’t about rejection.

    It’s about finally naming what I’ve always known—
    that sometimes “home” is assigned to you,
    and sometimes it’s something you’re still moving toward.

    Rowan Evans


    A lone traveler standing in an airport terminal at dusk, looking out at distant city lights with a suitcase beside them.
    Sometimes the place you’re born isn’t the place you’re meant to stay.

    Just Visiting
    Poetry by Rowan Evans

    I’ve been talking about it a lot lately,
    this feeling of wanting to escape
    that I’ve had since I was just a baby.
    I was forced to call this place home,
    because this is where I was born—
    it never felt like home,
    just a place I was visiting.

    Every day in school—
    I’d recite the pledge,
    like a good
    little patriot
    should.
    But I didn’t believe in it,
    there was no allegiance in it.

    They say they’re proud to be an American,
    well me? I’ve never been,
    because this is just a place to me.
    I’ve said it before, once in this poem alone—
    this place has never been my home.

    And I’ve lived all across it.
    Never once have I have felt planted,
    no roots took hold.
    Felt like a tourist—
    in a place I was
    supposed to belong.

    But I’ve known for a while now,
    my place is not within these borders.
    This place will never be
    home for me.
    But it will always be
    a part of me. (Sadly.)


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece is about a feeling I’ve struggled to name for most of my life — a feeling that I have tried to explain more recently — a quiet but persistent disconnect that began when I was fourteen.

    It isn’t about hating where I’m from.
    It isn’t about romanticizing somewhere else.

    It’s about that internal shift — the moment you realize you feel unrooted in a place where everyone else seems firmly planted.

    For years, I thought I was running away.
    Now I understand I’ve been moving toward something.

    Whether that “home” is a city, a country, a person, or a version of myself I haven’t fully stepped into yet — I don’t know.

    But I know this:
    I am not lost anymore.
    I am in motion.

    Rowan Evans


    A lone figure looking toward a distant city skyline under a star-filled night sky, symbolizing longing and the search for home.
    Sometimes home isn’t where you started. Sometimes it’s where you finally breathe.

    Toward Somewhere I Can Breathe
    Poetry by Rowan Evans

    I’ve tried my whole life
    to explain it.
    This disconnect,
    I’ve felt since
    2004.

    How can I make it
    any more clear?
    I just don’t belong here.

    I’m going to try
    and try to make it
    make sense.
    I was fourteen,
    Hi Hi Puffy AmiYumi
    on the screen.

    But that’s not the important part.

    Inside—
    I could feel
    threads fray,
    and they
    already existed
    in decay.

    But I learned quickly,
    in 2007 exactly—
    there is Filth in the Beauty,
    and the reverse
    can be the same.

    That’s when
    my view of the
    world changed,
    and became
    cemented.

    Something shifted,
    vision cleared—
    and everything
    I missed before,
    just appeared.

    Where everyone
    around me,
    seemed rooted
    in the here.

    And I—
    would close my eyes,
    and wish upon
    shooting stars.
    I wanted out,
    I wanted to leave,
    go somewhere far.

    I knew it would take time,
    I needed things to align.
    But now I know
    what I’m moving toward,
    what I’m working for.

    I’m moving toward home.
    A place, where I belong.

    Maybe when I finally leave,
    I’ll touch down in the Philippines
    to walk Manila’s streets,
    and finally be able to breathe.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem is not about wanting to die.
    It is about learning how to survive long before learning how to live.


    A shadowed figure in a dimly lit room, reflecting in solitude, surrounded by deep shadows and soft light, evoking introspection and survival.
    Reflecting on survival, solitude, and the quiet strength found in shadows.

    Since I Was Thirteen (Fluent in Survival)
    Poetry by Rowan Evans

    I feel like I’m lost,
    I’m wandering.
    Twisted thoughts,
    I’m pondering.

    My demise
    in a life I despise.
    It’s not that I want to die—
    I’m just tired
    of trying to survive.

    I want to be happy.
    I’m alive.

    But my head
    is so full of dread—
    every morning
    a negotiation
    just to get out of bed.

    Body feels heavy,
    limbs lagging—
    everything moves
    in slow-motion.

    Slipping into shadows—
    going home.
    The light has never felt like mine.
    I was born in the shadows,
    raised in the shade.
    Darkness has been
    my mindscape—
    since I was thirteen.

    I learned early
    how to make myself small—
    how to soften my footsteps
    inside my own head.

    I memorized the weight of silence,
    learned which thoughts were safe to keep
    and which ones
    needed to stay buried.

    Survival became a second language,
    spoken fluently,
    even when no one was listening.

    I say I’m alive
    like it’s a defense—
    like survival
    should be enough.

    But living
    feels like something other people do
    without rehearsing it first.


    Closing Note

    I wrote this for anyone who learned survival before they learned safety.
    For those who are still here, even when “alive” feels like a negotiation.
    You are not failing — you are fluent in something the world never taught gently.


    For more poetry, check out the archives: [The Library of Ashes]

  • Author’s Note

    I Just Want to Leave captures the restless, exilic energy that often pulses beneath my poetry. It is a declaration of detachment from a place that feels stifling, a yearning for freedom, and the fierce self-awareness that comes from knowing your worth and choosing to protect it. This piece resonates with anyone who has ever felt too much, too intense, or simply out of place—and serves as a reminder that leaving sometimes isn’t running away, it’s reclaiming yourself.


    A lone figure stands on a cliff at twilight, gazing toward an endless ocean with a ghostly American flag dissolving behind them, evoking defiance and longing.
    “I Just Want to Leave” – A neo-gothic confessional poem by Rowan Evans about yearning, exile, and reclaiming oneself.

    I Just Want to Leave
    Poetry by Rowan Evans

    They say—
    “You need to put yourself out there,”
    but I put myself out there,
    and nobody seems to connect with me.
    That’s fine—really though—
    ‘cause I don’t like Americans,
    I just want to leave.

    You’re proud
    to be an American?
    Well, not me.

    “If you don’t like it here, just leave.”

    Did you not hear
    what I just said?
    That’s exactly what I’m tryin’ to do.
    If I could,
    I’d be gone tomorrow, boo.
    Yeah, I’d pull a Danny Phantom—
    going ghost.

    I’d take a plane,
    or stowaway to escape.
    I’d cross oceans—
    hell, I’d swim if I had to.

    They say, “be proud,”
    but pride tastes like poison here.
    I’ve got no flag,
    pledge no allegiance.
    All I’ve got—
    is an open wound
    that wants to heal…
    somewhere else.

    It’d be—
    goodbye forever,
    and I’m never
    coming back.


    If you just want to read more of my work, you can find it all here: [The Library of Ashes]

  • Author’s Note

    I’m just… sitting here trying to figure out how to put all of this into words. These poems—they’re not tidy. They’re not meant to be. They are me trying to talk to myself, to the child I was, to the person I am now, to anyone who might understand.

    I’ve been writing for over twenty-two years. Twenty-two. I started when I was thirteen, barely a kid. By fourteen, I was deep into Japanese music, culture, media… then Korean, then Chinese. I lived a Japanese life in America. Movies, music, shows, rituals I made in my head—I was building a world where I felt like I belonged, even if the world around me didn’t make sense.

    I was also depressed. Anxious. I felt different from everyone else, but nobody really said why. Autism wasn’t mentioned. I didn’t have the language for it. Gender identity—same thing. I didn’t feel the things “I was supposed to” as a boy. I felt disconnected. I felt unseen. I felt untethered. I still sometimes do.

    I asked my parents, over and over: where are we from? Beyond the U.S., what’s our heritage? They said we were mutts. And yeah, I get it. But it left me with this gnawing emptiness—a gap I couldn’t fill. I tried to make sense of it all, but there wasn’t a clear answer.

    These poems are me talking to that inner child. Roo the Poet is that child’s voice—the part of me that’s been scared, lonely, unheard, and also resilient. They are a dialogue, a witness, a reminder that even when life is overwhelming, even when the world is messy and cruel, I—we—can keep moving, keep dreaming, keep reaching for light, even when it seems impossible.

    They are raw. They are messy. They carry grief, rage, confusion, hope, and the quiet fire of persistence. I’m putting them here because I need them to exist. Because I need to say: it’s okay to feel all of it. It’s okay to be broken. It’s okay to question, to rage, to cry, to laugh, to search, to not have the answers.

    I hope anyone reading this feels some part of it too. The fear, the hurt, the wonder, the resilience. The poems are my way of saying: you are not alone. The child inside you is still here. The voice that whispers your truths is still here. And maybe, just maybe, we can keep walking forward together.

    — Rowan Evans


    “Symbolic artwork of a child holding a candle among scattered poetry pages, representing self-discovery and growth.”

    The Child & The Future
    Poetry by Roo the Poet featuring Rowan Evans

    [Roo the Poet]
    Tell me, have we made it?
    Did our dreams take flight?
    Do our words now dance on pages,
    Spilling truth in black and white?

    I held the light so tightly,
    Afraid it’d slip away,
    But I kept it burning, flickering,
    To guide us through the grey.

    [Rowan]
    We’re not there yet, but we’re close,
    Closer than we’ve ever been.
    And Roo, it wouldn’t be possible
    Without the fire you lit within.

    You taught me to hold on,
    Even when the night grew cold.
    That light always casts a shadow,
    But both are stories to be told.

    [Roo the Poet]
    Do we still dream in color,
    Like we did when we were small?
    Do we still believe in magic,
    In the rise after the fall?

    Do we still whisper wishes,
    To the stars beyond the pane?
    Do we still chase the echoes,
    Of our past, through joy and pain?

    [Rowan]
    We dream, Roo, oh, we dream,
    But now with eyes wide open.
    We shape the stories with steady hands,
    No longer lost, no longer broken.

    The magic never left us,
    It just grew in different ways—
    In the strength of ink and paper,
    In the fire that never fades.

    [Roo the Poet]
    Then I have no fears, no sorrow,
    For the path we’ve yet to tread.
    Because you still carry the child I was,
    Even as you forge ahead.

    So promise me, no matter what,
    That light will always stay?
    That the shadow won’t consume us,
    That we won’t be led astray?

    [Rowan]
    I promise, Roo, I swear it true,
    The light will always shine.
    Because you’re the voice that kept me strong,
    The heart that still beats inside mine.

    So walk with me—hand in hand,
    Through darkness, through the dawn.
    For every dream we’ve yet to chase,
    Together, we’ll carry on.


    Lost in the Why
    Poetry by Roo the Poet

    I don’t understand why the sun feels colder,
    Why laughter sounds distant, like echoes in stone.
    They say time will heal, that pain makes us older,
    But I still feel small, lost and alone.

    The world keeps moving, but I stand still,
    Feet stuck in puddles that no one else sees.
    I try to be strong, to bend to their will,
    But inside, I’m just whispering, “Please.”

    Please tell me why the stars seem dimmer,
    Why warmth feels like a memory’s trace.
    Why grown-ups cry with voices that quiver,
    Yet smile like grief doesn’t leave stains on their face.

    I reach for the hands that once held me tight,
    But fingers slip through, like sand in the breeze.
    Was I meant to lose before knowing the light?
    To learn that love sometimes leaves?

    I hide my heart in paper-thin walls,
    Shielding the child I used to be.
    But each crack whispers, each shadow calls,
    That pain is the price of growing free.

    I don’t understand why the sun feels colder,
    But I’ll carry its warmth in the way that I shine.
    Even if grief makes my shoulders older,
    I’ll still hold space for the child inside.


    The Past & The Present
    Poetry by Roo the Poet featuring Rowan Evans

    [Roo the Poet]
    Are you tired, Rowan?
    I see your tears, your sad eyes,
    but you’re still standing—
    a little wobbly, but you’re still standing,
    like a toy with no batteries,
    but you keep going, don’t you?

    [Rowan]
    It’s hard, Roo.
    I feel like the wind keeps pushing me,
    and I just… bend.
    How do I keep going when I don’t know where I’m going?

    [Roo the Poet]
    But you are going, right?
    Like a tree with roots way deep in the ground—
    You bend, but you don’t break.
    The wind can blow and blow,
    but you stand up, because you’re strong inside.
    I know you are.

    [Rowan]
    I don’t always feel strong.
    I feel like I’m falling apart sometimes,
    like the world is too big,
    and I’m just too small to do anything.

    [Roo the Poet]
    You’re not too small!
    You’re big and strong like the moon,
    even when it hides behind the clouds.
    It’s still there, shining real bright,
    even if we can’t see it.
    I’m like that too.
    I’m always here, like the moon.

    [Rowan]
    But what if I can’t find my way back to the light?
    What if the pieces of me just don’t fit anymore?

    [Roo the Poet]
    Then we make new pieces!
    We glue ‘em together,
    make a brand new picture!
    It’s okay to be a little broken.
    Everyone’s a little broken sometimes.
    But that doesn’t mean you’re not special.

    [Rowan]
    I don’t know if I can be fixed, Roo.
    I’m too tired.

    [Roo the Poet]
    But you CAN be fixed, Rowan!
    You just gotta be patient.
    It takes time, like putting together a puzzle.
    And sometimes, you have to wait
    for the pieces to find their place.
    But that’s okay—
    you’ll figure it out. I know you will.

    [Rowan]
    And what about you?
    You always know what to say.
    How are you so sure that everything will be okay?

    [Roo the Poet]
    Because I trust you, silly!
    You’re like a little seed that will grow
    into the biggest flower,
    even when it’s all dark and hard.
    I know you can do it, Rowan.
    You’ll bloom, I promise.

    [Rowan]
    I don’t feel like blooming yet.
    I just feel stuck, like I’m caught in the mud.

    [Roo the Poet]
    You’re not stuck!
    You’re just waiting, like a flower needs the rain.
    The sun will come, I KNOW it will.
    And then you’ll be all bright and pretty.

    [Rowan]
    But what if I miss the sun?
    What if it doesn’t come for me?

    [Roo the Poet]
    Then we’ll make our own sun!
    We can draw it, paint it, make it real big!
    We don’t have to wait, Rowan.
    We can shine all by ourselves.

    [Rowan]
    I didn’t think I could do it alone, but you…
    you make me feel like I can try.

    [Roo the Poet]
    You don’t have to do it alone.
    I’m right here.
    I’ll help you, always.
    I’ll be your sunshine when it’s dark.

    [Rowan]
    Thank you for still fighting for me.
    Thank you for never giving up on me.

    [Roo the Poet]
    I won’t ever give up on you, Rowan.
    You’re my best friend.
    And I’ll always be here.
    You’re stronger than you know.
    And you’re never, ever alone.

    [Rowan]
    I think I can start believing that.
    I think… I think I’ll be okay.


    For those who feel these questions, this fire, and this search for self, my poem ‘I Am’ continues the journey—raw, unbound, and unafraid.