Tag: memory

  • Author’s Note

    I’ve always had a difficult time describing what music actually does to me.

    People often say a song makes them feel happy, sad, nostalgic, or energized.

    That has never felt quite specific enough.

    Music feels physical.

    Some songs settle over me like fog.

    Some arrive like thunderstorms.

    Some feel like walking outside after rain when the air still smells different.

    And then there are the songs that somehow collapse time.

    They don’t simply remind me of childhood.

    They return me to it.

    Not through memory alone, but through sensation.

    The warmth of pavement beneath bare feet.

    The way summer evenings seemed endless.

    The strange certainty that tomorrow would always have enough time.

    That’s what fascinated me while writing this piece.

    Not the songs themselves, but the environments they create inside us.

    The weather of memory.

    The emotional climates we revisit every time a familiar melody begins.

    I’ve always believed that poetry and music are close relatives.

    One speaks through rhythm.

    The other through silence between the notes.

    Both have the remarkable ability to transport us somewhere we cannot physically return to.

    This poem is my attempt to describe that journey.

    Not through genres or artists.

    Through atmosphere.

    Because sometimes music doesn’t just soundtrack our lives.

    Sometimes it changes the forecast within them.

    Rowan Evans


    A person wearing headphones stands beneath a sky shifting from storm clouds to warm sunlight, symbolizing how music changes emotions and memories.
    Some songs don’t just play. They change the weather inside us.

    Where Music Becomes Weather
    Poetry by Rowan Evans

    I put my headphones on,
    hit the button—
    noise cancelling.
    Then I let the music play,
    let it lead my emotions
    whatever which way.

    I drift through different soundscapes—
    crossing borders in sound,
    watching emotion mix with ink
    like paint on the canvas.

    Certain songs
    feel like humidity.
    They put a heavy feeling
    in your chest,
    it almost makes it hard
    to catch your breath.

    Other songs
    feel like clouds.
    The way they hold me
    in soft hands.
    And I feel safe,
    because they hold me close
    but in motion—
    like a slow dance.

    But then
    there are those songs—
    the ones that feel
    like warm concrete
    on bare feet.
    Like time travel,
    I’m back in my childhood.

    Back when summer felt endless,
    and every day was measured
    by the position of the sun.

    Before I knew what nostalgia was—
    only that certain songs
    felt familiar before I’d ever heard them.


    Journey into the Hexverse…

    [A Heart That Echoes in Another Language]
    A poetic journey through music across Japan, Korea, China, and the Philippines, exploring how sound becomes identity, memory, and emotional geography.

    [Sound as a Vessel]
    “Sound as a Vessel” is a free verse poem about music as emotional architecture, exploring how international artists and soundscapes shaped identity, creativity, memory, and poetic voice.

    [The Music Holds Me Upright]
    A reflective free verse poem about using music, writing, and rhythm to navigate anxiety, depression, and emotional overwhelm.

    [Global Takeover]
    What if home isn’t a place—but something you build from the music you love? Global Takeover blends sound, culture, and identity into one borderless space.

    [I’ll Be There to See Your Sunrise]
    Love has never come easily to me. This poem explores the fear, vulnerability, and quiet courage required to stay emotionally present when connection begins to matter deeply. “I’ll Be There to See Your Sunrise” is about choosing love despite the risk of heartbreak—and promising to remain long enough to witness someone fully.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I’ve written a lot of poems about dreams.

    At this point, it’s probably one of the most consistent threads running through my work.

    The reason is simple:

    Dreams don’t feel imaginary to me.

    They feel remembered.

    Not while I’m fully awake. Not after I’ve had time to process them. But in those first moments between sleeping and waking, there’s often a strange overlap where the emotions arrive before reality does.

    For a brief moment, everything feels true.

    The conversation happened. The place existed. The person was there.

    Then awareness returns.

    The room comes back. The walls come back. The weight of the body comes back.

    And with it comes the realization that none of it happened.

    That’s the feeling this poem is trying to capture.

    Not the dream itself, but the return from it.

    The title became the key.

    Because waking up doesn’t feel like opening my eyes.

    It feels like returning to my bones.

    Returning to gravity. Returning to limitation. Returning to the version of reality that can be touched and verified.

    The strange thing is that the emotions don’t disappear when the dream does.

    The dream fades.

    The feelings stay.

    And sometimes that lingering feeling creates a kind of grief that is difficult to explain to people who don’t experience dreams this way.

    A quiet grief.

    Not because something real was lost.

    But because, for a moment, it felt real enough to matter.

    Rowan Evans


    A solitary figure sits beside a moonlit bay as the dreamlike shoreline gradually fades into a quiet bedroom, symbolizing the emotional transition from dreaming to waking.
    Some dreams disappear with the sunrise. Others stay with us long after we’ve returned to our bones.

    Returning to My Bones
    Poetry by Rowan Evans

    The moon shimmers over the bay,
    suspended in the sky—
    the way I feel suspended in her eyes.

    And it makes me feel crazy,
    because she’s never looked at me—
    not really, not in reality.

    It’s only happened in dreams.

    That’s when I drift
    between awake—
    and asleep.

    This is when
    my mind
    starts to
    wander.

    Then it snaps.

    I’m back in my room again.

    The moon loses its shimmer,
    the bay fades from view.
    My body tenses as I become
    aware again,
    of the mattress beneath me—

    of the walls that enclose me.

    I feel the weight pressing in.
    The reality of returning
    to my bones.
    It’s a quiet grief—
    realizing that the emotions
    will linger,
    but the truth is
    it never happened.

    And somehow,
    that hurts the most.


    Journey into the Hexverse…

    [Maybe You’ll Want Me Too]
    A poem about the subtle shift from knowing someone to constantly thinking about them. Through humor, metaphor, and confession, Maybe You’ll Want Me Too explores affection, attachment, and the fragile hope that being wanted might matter more than being needed.

    [Before My Feet Touch the Floor]
    What happens when your dreams feel more real than your waking life? Before My Feet Touch the Floor explores the strange grief of waking up, the lingering memory of dream selves, and the quiet question of which version of us is truly real.

    [Recognizes Home]
    A free-verse poem exploring the difference between love as dependency and love as choice. It challenges the idea that love must be need-based, instead centering the quiet strength of choosing someone while still remaining whole on your own.

    [Ocean Waves (1, 4, 3)]
    A moonlit shoreline, a rowboat full of ducks, a piggybank with no cents, and a confession hidden in plain sight. Ocean Waves (1, 4, 3) explores how humor, wordplay, and absurdity can become a side door to vulnerability when the truth feels too difficult to say directly.

    [L Words & Heart]
    A playful, self-aware poem about love, longing, loyalty, and the quiet ways another person can reshape our inner world. What begins as humor slowly reveals a heartfelt confession about affection, imagination, and the faces that linger in our dreams.

    [Just Before Waking]
    A street that feels familiar. A life that hasn’t happened yet. Just Beyond Waking explores the fragile space between dreams, memory, longing, and the quiet feeling that some futures are already waiting for us.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I’ve written about dreams for years.

    Not because I think they predict the future. Not because I think they’re magical.

    Because they feel real.

    Real enough that sometimes waking up feels stranger than the dream itself.

    I don’t think people talk enough about that moment between sleeping and waking—the brief period where both realities still exist at the same time.

    The dream is fading.

    The room is returning.

    And for a few seconds, you’re caught between them.

    That’s where this poem lives.

    I’ve had dreams that felt so vivid, so emotionally complete, that waking up felt like losing something. Not a person. Not a place. A version of myself.

    A self that existed somewhere else.

    The older I get, the more fascinated I become by that feeling.

    Why do some dreams linger for hours while entire days disappear from memory?

    Why do imaginary places sometimes feel more familiar than real ones?

    Why does waking occasionally feel like arriving somewhere instead of returning?

    This piece doesn’t try to answer those questions.

    It simply sits with them.

    Because there are mornings when the first thing I feel isn’t relief that the dream is over.

    It’s grief that it ended.

    And I suspect I’m not the only one.

    Rowan Evans


    A woman sits on the edge of her bed between waking and dreaming as a surreal dream-world fades around her.
    Some mornings feel less like waking up and more like saying goodbye to a life that only existed while you were asleep.

    Before My Feet Touch the Floor
    Poetry by Rowan Evans

    Dreams—
    a common topic
    in my poetry.

    It’s because
    they don’t feel fake to me.
    They feel like memories.

    Do know what it’s like
    to wake up confused—
    because you’re in your own room?

    How do you live—
    when your dreams are more alive
    than your waking life?

    It’s as if the person I was
    a moment ago
    is still out there,
    waiting for me
    to return.

    So I lie there,
    trying to remember
    which version of me
    is the imposter—
    the one who wakes,
    or the one who wanders.

    Sometimes I think
    the dream‑me
    is the one who remembers,
    and I’m the one
    who forgets.

    Because if I feel more alive
    in the places I can’t stay,
    what does that make
    the life I return to?

    There’s a mourning
    no one talks about—
    the kind that happens
    before your feet
    touch the floor.


    Journey into the Hexverse…

    [The Streets I Walk When I Sleep]
    “The Streets I Walk When I Sleep” is a deeply intimate free verse poem about recurring dreams, emotional connection, longing across distance, and the strange feeling of remembering places and moments that have never happened in waking life.

    [Memories From a Life Yet to Come]
    Some dreams feel less like fantasy and more like memory. “Memories From a Life Yet to Come” is a reflective free verse poem about longing, displacement, emotional alignment, and the strange comfort of recognizing yourself more clearly in dreams than in waking life.

    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some people grow up knowing exactly where they belong.
    Others grow up carrying a quiet sense of elsewhere—something felt long before it’s understood.

    This piece traces that feeling as it moved through me over time: the early moments of disconnection, the private planning, the slow patience of a dream that never burned out. It isn’t about leaving a place as much as it is about realizing that orientation matters more than arrival.

    Not all rebellions are loud.
    Some of them are lived quietly, for years, while you learn how to wait without letting the dream die.


    A person standing at dusk, facing a distant horizon with a compass motif in the sky, symbolizing longing and the pull toward somewhere else.
    Some dreams don’t disappear.
    They learn how to wait.

    Still Tilting Elsewhere
    Poetry by Rowan Evans

    I find myself
    drifting through my thoughts,
    not lost this time.

    I remember fourteen.
    Hi Hi Puffy—
    Ami and Yumi on the screen,
    seeing Tokyo streets,
    thinking “I hate this place.”
    It was the first time
    I felt the disconnect.

    Suddenly,
    I was hyperaware—
    I didn’t belong here.

    I remember fifteen.
    The first time
    I started planning.
    The first time
    I dreamed of jet engines,
    of taking off,
    making escape.

    I remember sixteen.
    Started speaking,
    manifesting—
    wishing it into existence.
    I remember seventeen,
    when my dream,
    became a quiet rebellion.

    And I was
    only becoming
    more aware,
    I didn’t belong here.

    I remember eighteen.
    Applying for a job,
    I knew I wouldn’t get.
    Simply for the chance to split.
    It was more about the “what if’s,”
    what if they saw something—
    what if they took a chance?

    And then—
    found family
    from the Philippines.
    Two girls of thirteen,
    they became like nieces to me.
    They were the spark
    that stoked the ember,
    that would simmer
    just beneath the surface.

    It’s been
    eighteen years
    since then.

    Eighteen years,
    and the ember never cooled.
    It lived in the quiet places—
    behind decisions,
    beneath routines,
    inside every map I drew
    that didn’t include here.

    And the dream didn’t fade.
    It learned patience.
    It learned silence.
    It learned to wait
    without dying.

    Now,
    I feel the shift again—
    the same quiet pull,
    the same soft rebellion,
    older now,
    but no less certain.

    I still carry that fourteen-year-old
    like a compass in my chest.
    I carry that seventeen-year-old
    like a promise I haven’t kept yet.
    I’ve grown,
    but the compass never changed.
    Every version of me
    still tilts toward somewhere…
    else.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece came from that disorienting in-between space—when your thoughts scatter, your body feels unreal, and you’re not sure how you got there. Sometimes it isn’t logic that brings you back. Sometimes it’s a voice. A laugh. A presence that reminds you who you are.


    A person sitting on a hospital floor under fluorescent lights, surrounded by sterile white walls, with a subtle warm glow suggesting grounding and emotional return.
    Sometimes all it takes is a voice to bring you back.

    Grounded
    Poetry by Rowan Evans

    Sterile white walls,
    fluorescent bulbs
    light the halls—
    I stumble
    and fall,
    sprawled
    across the floor.

    What was I
    even here for?

    Vision snaps.
    Vision blurs.
    Voices heard.

    I’m not alone.
    It’s me
    my thoughts
    and I—

    Flicker and fade,
    between here
    and anywhere.

    Voices echo.
    Voices linger.

    Touch—
    Soft and grounding,
    it brings me back
    to myself.

    Slowly. Blinking.
    It’s her voice…

    Her voice echoes,
    and reverberates.
    A giggle. A laugh.

    And I’m back.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I’d been stuck in my head for days—looping memories, fogged thoughts, the usual spiral.

    Then I had a dream.

    In it, someone I care deeply about cut through the noise in the bluntest, most effective way possible. It wasn’t gentle. It wasn’t poetic. But it worked.

    This poem came from that moment—the realization that sometimes the way forward isn’t overthinking, but following the one thread that still feels steady.

    Even through the fog.


    A glowing thread leads through foggy woods toward a softly lit clearing at night, symbolizing guidance and emotional connection.
    Sometimes the way out of your head is just one honest thread—and the courage to follow it.

    The Thread That Led Me Home
    Poetry by Rowan Evans

    The fog rolls over hills,
    and a chill clings
    to my mind.
    Memories linger
    in flickering fragments,
    clinging static—
    the kind that hums
    behind the eyes,
    buzzing with moments
    I thought I buried
    but never really left.

    They circle back—
    whispers caught
    between stations,
    half-formed voices
    I almost recognize
    but can’t quiet name.
    Threads of memory
    tangled in the mist,
    pulling me back
    to places
    I never meant to revisit.

    I stumble through playgrounds,
    bumping off walls
    as I march down the hall.
    A single thread,
    I’ve begun to follow—
    It leads through memory,
    after memory.
    Twisting and turning,
    it knots—
    and I pause,
    fingers trembling
    over the tangle,
    wondering what unravels
    if I pull too hard.

    I run fingers
    over threads.
    Gripping soft,
    pulling slow—
    I watch
    as the string
    slips free—
    and it hums,
    like it’s guiding me.

    So I follow.

    Step after step,
    one foot
    in front
    of the other.
    I step and stumble
    through fog,
    thick as my thoughts.
    And when
    I feel lost,
    my fingers tighten
    grabbing the string
    like a lifeline.
    It’s the only guide
    through my mind.

    I stumble through,
    snapping twigs
    and branches.
    The rustle of
    rotting leaves
    under feet,
    until I see it.
    A light,
    a clearing.
    And when I reach it,
    when I find
    the strings conclusion—
    what do I see?

    You.
    A smile.
    Home.


    Closing Note

    Yesterday’s poem was about the weight of memory. This one is about the moment something — or someone — breaks through that weight. Not to fix it, not to erase it, but to remind me that I don’t have to walk through the fog alone.


    Journey into the Hexverse

    [Memory Lane Has No Exit]
    With my birthday approaching, I found myself trapped inside my mind—wandering memory lane, revisiting love, loss, and the moments that built me. This poem is a reflection on betrayal, survival, and the quiet realization that drifting isn’t the same as healing.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem came from the space between impulse and consequence—the moment when truth is sharp enough to wound, and restraint becomes a form of survival. Etched in Memory is about knowing exactly how much damage your words can do, and choosing silence not because you are wrong, but because you are precise.

    Some of us learn early that a look can say too much, that honesty—when fully unleashed—doesn’t fade. It marks. It lingers. It becomes permanent.

    This piece is a quiet confession of power held back, of violence softened into poetry, of restraint learned the hard way. Not because the truth wasn’t there—but because it would have lasted.

    Rowan Evans


    A shadowed figure looking away as dark ink bleeds from their eyes, symbolizing restraint, silence, and words etched into memory.
    Some truths don’t need to be spoken to be permanent.

    Etched in Memory
    Poetry by Rowan Evans

    My eyes learned restraint—
    before my mouth ever did.
    So I wouldn’t betray myself
    when I talked my shit.

    It was all—
    facts (fax), no printer.
    I did not
    speak a lie.

    But I
    would try
    not to speak at all.

    Because my eyes
    learned restraint—
    before my mouth ever did.

    Yet, they would
    always
    push me.

    Until…

    I would
    poetically
    dissect them—

    methodically
    dismember,
    until they
    remember.
    My words
    etched
    in memory.

    But my eyes
    learned restraint—
    before my mouth ever did.

    So I look away…

    to stop this shit.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Some people leave, but their weather stays.
    This poem is not about loss—it is about endurance, memory,
    and the quiet strength it takes to remain standing
    when the storm remembers everything.


    A lone figure standing beneath storm clouds, symbolizing memory, endurance, and emotional survival.
    Some people leave, but their weather stays.

    I Am the Storm That Remembers
    Poetry by Rowan Evans

    Everyone comes into our lives for a reason,
    but some are only meant for a season.
    Then the weather changes,
    and they begin to drift.
    It may not hit like an immediate shift,
    it may slowly unfold and fade.

    Yet even as they go,
    their footprints linger,
    like sunlight caught in the corner of a room,
    warm but unreachable.

    For me, memories swirl
    like storm clouds roiling overhead,
    thunder rolling through my chest,
    lightning flashing their faces,
    voices cutting through the wind—
    too sharp to ignore, too loud to forget.

    I try to run.
    I try to close the windows,
    pull the shutters tight.
    But the storm is patient.
    It seeps through cracks,
    slips under doors,
    lingers in the spaces I thought I’d cleared.

    Rain falls in shards,
    drenches my quiet moments,
    washes over laughter I can’t recover,
    drowns the footprints of the ones who left.
    And yet, in the chaos,
    there is a strange kind of clarity:
    the storm remembers,
    and so do I.

    I wish I could let it go,
    to be like them—
    so quick to forget,
    so light in the sun.
    But I am not.
    I am the storm’s echo,
    the residue of seasons past,
    and somehow, I carry their weight
    and my own,
    and I am still here,
    breathing,
    walking,
    storm-beaten but alive.


    If you’re looking for more poetry, you can find it here: [The Library of Ashes]

  • Author’s Note

    Some experiences leave marks that cannot be erased. Some truths are shouted silently in the shadowed corners of memory.

    Echoes of Reality is my attempt to give voice to a time I was silenced, to the confusion and pain that lingered long after the moments themselves. This piece does not seek comfort or closure—it seeks acknowledgment. It is a testament to survival, to remembering, and to insisting that my reality is my own.

    Read with care, and hold space for the truth it carries.


    Moody, dimly lit room with shadows and a journal, representing reflection on trauma and survival.
    Echoes of Reality – a poetic testament to memory, trauma, and survival.

    Echoes of Reality
    Poetry by Rowan Evans

    Have you heard somber words spoken,
    and felt the cold touch of trauma?
    Because I know the confusion caused
    by their cold invalidation,
    the questioning of reality,
    like did it really happen—
    the way I’m remembering?

    Their touches, unwanted,
    but that’s not what they’ll tell you,
    gaslighting, rewriting,
    reality to confuse and manipulate,
    to keep you questioning,
    did that really happen—
    the way I’m remembering?

    You try and get away,
    but it follows, always advancing,
    unwanted, it was unwanted,
    but that’s not what they tell you,
    until eventually, even you’ll believe,
    it didn’t really happen—
    the way you’re remembering.

    It’s been years, so why do I still feel them,
    why is my skin not coming clean?
    If it never happened,
    why does it replay in my darkest dreams,
    why does the nightmare keep repeating,
    if it never happened—
    the way I’m remembering?

    I’ve struggled through the dark,
    trying to resurface, but I’m lost here,
    I’m stuck in this place,
    it endlessly replays
    and still, I keep questioning,
    are these even memories?
    But why would I make it up,
    for what?

    My eyes are open, now I see,
    this was my reality,
    it happened, you can’t say it didn’t,
    because it happened to me,
    I lived it.
    I felt it.
    And I know,
    it happened exactly—
    as I’m remembering.