Tag: emotional honesty

  • Author’s Note

    Some words carry weight.

    I’ve said them before in lighter seasons, when the feeling was warm but feeling. This time feels different. This time, I want to be certain before I let them leave my mouth.

    This poem is about hesitation – not because I’m unsure of you, but because I want the words to be true when I say them.

    Rowan Evans


    Person standing quietly at a cliff edge overlooking a calm ocean at sunset.
    Some words are worth waiting to mean.

    Before I Say It
    Poetry by Rowan Evans

    I dance around them—
    the words I want to say.
    One letter followed by four,
    finished by three.
    It’s funny to me,
    this fear that grips my chest.
    I try my best
    to push it out,
    to keep it down.

    I bite my tongue
    so the words won’t come out.
    Even though,
    I’d stand on the ledge
    and shout.
    I’d scream it out.
    If I wasn’t so—

    scared.

    But what am I afraid of?
    What is it exactly,
    that makes this anxiety
    attack me?

    It’s the feelings inside,
    they feel brand new.
    Like nothing
    I’ve ever experienced.
    Sure, I have had
    crushes before—
    but this feels
    different.

    I’ve said—
    1-4-3 before,
    with ease.
    Easy as
    a summer’s breeze,
    with a warmth to match.
    But the feelings
    weren’t attached.

    But with you,
    the words hit my teeth—
    fall into retreat,
    because I want to be sure.
    I want to know
    that these feelings,
    that I’m feeling—
    these moths in my stomach,
    fluttering toward
    the flickering light
    inside my mind,
    the thoughts of you.

    I want to know
    they’re true.
    Because I never
    want to lie to you.


    If you’re interested in more poetry, you can find it here → [Library of Ashes]

  • Author’s Note

    This piece lives in the space between feeling something and saying it out loud. The moment before confession. The hesitation that isn’t rooted in doubt, but in understanding the weight of certain words.

    It’s about needing your own permission before you speak. About knowing that once something is said, it can’t be unsaid. And about realizing that sometimes the only way forward is through the risk.

    Some words change everything.
    Some words reveal what was already there.

    Rowan Evans


    A softly lit writing desk at night with an open notebook and pen, symbolizing vulnerability and a love confession.
    Some words are heavy.
    Some risks are worth taking.

    Only One Way to Find Out
    Poetry by Rowan Evans

    They told me to close my eyes,
    asked me, describe what I see—

    I see a vision of beauty,
    radiant and true.
    I see an angel’s face
    with a devil’s mind—

    You’re one of a kind.

    They told me to take this pen,
    write down everything
    that I feel. But what if,
    what I feel is too real?
    So I negotiate with myself,
    try to strike a new deal.

    Because I’ve got—
    so many things, I want to say.
    But I need my own permission,
    to undertake this mission.
    Because once pen touches paper,
    and ink bleeds across the page—
    it’ll twist into confession.

    What if I slip
    and I say,
    I love you?

    What would I do?

    How would I
    protect myself
    from this?
    If a simple
    four letter word
    slipped—

    would it end everything,
    or be a new beginning?

    I guess
    there is only
    one way
    to find out—


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    I’ve written around this feeling for years — in metaphors, in longing, in coded language about distance and departure.

    This is the first time I’ve said it this plainly.

    For most of my life, I’ve felt like a visitor in the place I was born. Not in a dramatic way. Not in a rebellious way. Just in a quiet, persistent way that never left.

    This piece isn’t about anger. It isn’t about rejection.

    It’s about finally naming what I’ve always known—
    that sometimes “home” is assigned to you,
    and sometimes it’s something you’re still moving toward.

    Rowan Evans


    A lone traveler standing in an airport terminal at dusk, looking out at distant city lights with a suitcase beside them.
    Sometimes the place you’re born isn’t the place you’re meant to stay.

    Just Visiting
    Poetry by Rowan Evans

    I’ve been talking about it a lot lately,
    this feeling of wanting to escape
    that I’ve had since I was just a baby.
    I was forced to call this place home,
    because this is where I was born—
    it never felt like home,
    just a place I was visiting.

    Every day in school—
    I’d recite the pledge,
    like a good
    little patriot
    should.
    But I didn’t believe in it,
    there was no allegiance in it.

    They say they’re proud to be an American,
    well me? I’ve never been,
    because this is just a place to me.
    I’ve said it before, once in this poem alone—
    this place has never been my home.

    And I’ve lived all across it.
    Never once have I have felt planted,
    no roots took hold.
    Felt like a tourist—
    in a place I was
    supposed to belong.

    But I’ve known for a while now,
    my place is not within these borders.
    This place will never be
    home for me.
    But it will always be
    a part of me. (Sadly.)


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece is about the space between independence and intimacy.
    About wanting without needing, and how that can sometimes feel scarier than either extreme.

    It isn’t a confession or a plea—it’s an acknowledgement.
    Of fear, of feeling and of the quiet hope that choosing someone doesn’t mean losing yourself.

    Rowan Evans


    A person standing quietly by a window at dusk, bathed in soft light, reflecting on vulnerability and emotional connection.
    Wanting someone doesn’t have to mean losing yourself.

    Not a Need
    Poetry by Rowan Evans

    Sometimes
    it’s hard for me
    to say what I feel.

    Sometimes
    I just want to
    close my mouth,
    and not let a peep out.

    Sometimes
    I have so much
    I want to say,
    but…

    I’m scared.

    I’m terrified.
    Honestly, I’m overwhelmed.

    Overwhelmed
    by how much
    you make me feel.
    By how much
    I want…

    You.

    It’s not a need,
    I’m just fine on my own.
    But maybe,
    with you,

    it’d be better
    than being alone.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This poem isn’t about skill.
    It’s about orientation.

    Some people write to be understood.
    Some people write because silence feels lethal.

    This piece is for the ones who learned to live in the deep—
    who didn’t choose intensity so much as need it to breathe.

    It isn’t an accusation.
    It’s a recognition.

    Not everyone was taught that the ocean is real.


    A figure breathing underwater in deep blue ocean light, symbolizing emotional depth and survival.
    Some of us learned to breathe underwater.

    Depths
    Poetry by Rowan Evans

    I write
    like I might
    die, if I don’t.

    You write
    like you’re trying
    to pen
    the perfect quote.

    We are not the same.

    But you
    are not to blame.
    It’s not on you
    to carry
    society’s shame.

    They went shallow,
    and punished the depths.


    Closing Note

    Some of us learned
    to breathe underwater.

    Some of us
    were told
    the ocean
    was a lie.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    Sometimes the hardest place to be is alone with your own thoughts.
    Not distracted. Not performing. Not numbed.
    Just you—unfiltered, unguarded, uncomfortably present.

    This piece isn’t about self-love as a slogan.
    It’s about self-confrontation.
    About whether you can remain seated when there’s no one left to impress, no one left to blame, and no one left to lean on.

    Because growth doesn’t begin when things feel good.
    It begins when you stop running.

    Rowan Evans


    A solitary person sitting quietly in a dim room, symbolizing self-reflection and inner confrontation.
    Sometimes the hardest company to keep is your own.

    Can You Sit With Yourself?
    Poetry by Rowan Evans

    Can you sit
    with yourself?
    Not on a pedestal,
    not on a shelf—
    can you fucking
    sit with your
    self?

    In your thoughts,
    in your mind—
    can you wander,
    can you stroll,
    or would you be
    troubled
    by what you find?

    Would you bend,
    or break—
    could you carry
    the weight?

    Fight the urge
    to turn,
    to run.

    Could you stay…

    or would you be
    troubled
    enough
    to leave?


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    To the reader:

    This poem is a meditation on choice, autonomy, and intimacy. It’s about standing whole, unshaken, and still choosing to love someone—not because we need them, but because we want them. The lines explore that delicate balance between independence and desire, between survival and longing.

    It is a celebration of being complete in oneself while recognizing that closeness, when chosen freely, amplifies life rather than diminishes it.
    This piece is for anyone who has ever loved fiercely while remaining unbroken.

    Rowan Evans


    “Silhouetted figure in twilight holding a glowing thread toward a distant figure, representing choice, independence, and intimate connection.”
    ‘I Don’t Need You’ – Choosing love from strength, not need. A poem by Rowan Evans.

    I Don’t Need You
    Poetry by Rowan Evans

    I don’t need you.
    I can breathe on my own—
    lungs have done it for decades
    without asking permission.

    I don’t need you.
    I can sleep alone,
    learn the shape of empty sheets,
    make peace with the cold side of the bed.

    I don’t need you
    to make me whole.
    I arrived here intact—
    scarred, yes,
    but assembled by my own hands.

    I don’t need your voice
    to steady me,
    your name
    to keep the dark from biting.
    I’ve survived worse silences
    than your absence.

    I don’t need you
    to save me.
    I am not drowning.
    I am not broken.
    I am not waiting
    to be rescued.

    But—

    I don’t want to breathe
    without you knowing the rhythm of it.
    I don’t want sleep
    that doesn’t reach for you
    out of habit, out of hope.

    I don’t want a life
    where your laughter
    isn’t stitched into my days,
    where love is only something
    I prove I can live without.

    I can.
    I know that.

    But I don’t want to.

    I want you—
    not as oxygen,
    not as shelter,
    not as a missing piece—

    but as the one
    I choose
    while standing steady,
    while whole,
    while free.

    I don’t need you.

    I just
    want you
    here.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • I’m less interested in what people show the world
    than in what they carry when no one is asking.

    I’ve learned that silence has weight.


    Soft light filtering through sheer curtains in a quiet room, creating a calm and intimate atmosphere
    Silence has its own weight.

    How You Take Your Silence
    Poetry by Rowan Evans

    I want to go beneath the surface—
    to see the substance,
    where true beauty lives.

    Don’t tell me how you take your coffee:
    tell me how you take your silence.

    I want to see the things
    you’ve been taught to hide:
    the tremor beneath your laughter,
    the cracks in the walls
    where light leaks through,
    the fingerprints of your fears
    pressed into the corners of your mind.

    The corners where your smile falters,
    the shadows that dance behind your eyes,
    the way your hands betray the calm
    you wear like armor.

    I want to trace the maps
    of the roads you walked alone,
    I want to know the weight
    of your quiet—

    I want to see how it shaped you,
    how it made you
    the whole of you.


    Author’s Note

    Silence has its own language.
    I’m still learning how to listen.


    If you’re interested in more poetry, you can find it here → [The Library of Ashes]

  • Author’s Note

    This piece came from a place of uncomfortable clarity — the kind that only arrives after you’ve survived enough storms to notice the patterns in the people around you. There’s a strange truth I’ve learned over the years: some people loved me louder when I was breaking than when I was healing. Pain made me poetic, easy to praise, easy to place on a pedestal of tragedy. But healing? Healing is quieter, steadier, less romantic. And somehow, to some people, that made it less worthy of attention.

    I didn’t write this to shame anyone. I wrote it because it’s real — because recovery deserves reverence too, because resilience isn’t any less beautiful than collapse, and because we don’t talk enough about how lonely healing can be.

    This piece is for anyone who’s ever felt more valuable broken than whole. For anyone rebuilding themselves without applause. For anyone learning to exist without having to bleed for validation.

    You are still art.

    Rowan Evans


    A solitary figure in a dim, gothic museum surrounded by cracked statues, symbolizing healing after emotional collapse.
    Even survival can feel quiet in a world that only learned to listen to the sound of breaking.

    When Survival Gets Quiet
    Poetry by Rowan Evans

    It’s always been strange to me
    how people praised me louder
    when I was dying inside
    than when I wasn’t.

    And I don’t say this
    to make anyone feel shame—
    it’s just something I’ve noticed
    over time.
    Over a lot of motherfuckin’ time.

    I can think back
    to so many moments
    where I was ready to check out.
    Where the smallest thing
    felt like the final straw.

    And I don’t say that
    to minimize, or erase,
    or make light of the weight
    those moments carried.

    They held me like a museum tragedy—
    a relic of ruin,
    a beautiful collapse.

    But when I finally learned to breathe again,
    their applause softened,
    like my healing made the art
    less valuable.

    Maybe it’s easier to love me
    when I’m bleeding metaphors
    than when I’m quietly rebuilding.

    Maybe survival is too quiet
    for people who only learned
    to listen to the sound
    of breaking.


    Looking for more poetry? You can find it all in the Library of Ashes.

  • Author’s Note

    One confession for every year I have been writing.
    Some truths are small.
    Some are unbearable.
    All are mine.


    Handwritten letters on a dimly lit desk with a pen and shadowy figure, evoking introspection and confessional poetry.
    22 Confessions: One poem for every year, revealing truths both small and unbearable.

    22 Confessions
    Poetry by Rowan Evans

    I.
    i have told someone
    i loved them,
    when i didn’t mean it—
    just to see if i could.

    II.
    i stare at my reflection
    too long.
    still—
    i don’t see what others do.

    III.
    i’ve held grudges
    longer—
    than i’ve held hands.

    IV.
    i crave chaos in silence,
    as if noise
    could make me
    alive.

    V.
    i have written letters
    i will never send.
    they carry my soul.
    anyway.

    VI.
    i envy people who forget.
    i remember
    everything.

    VII.
    i love someone
    so deeply,
    it hurts—
    to breathe around them.

    and still—
    they are never mine.

    VIII.
    i sometimes wish
    i could be unremarkable
    just for a day.

    IX.
    i judge myself
    harder than anyone else
    ever could.

    X.
    i laugh at the wrong moments
    to hide the right ones.

    XI.
    i hold people to impossible standards,
    and silently blame myself
    when they fail.

    XII.
    i have hurt the innocent
    to protect myself.
    i called it survival.
    it was selfishness.

    XIII.
    i crave being seen—
    but panic when i am.

    XIV.
    i have whispered secrets
    to strangers
    i would never share
    with friends.

    XV.
    i write confessions
    i pray nobody reads.

    XVI.
    i have loved my own pain
    more than i have loved—
    anyone else.

    XVII.
    i sometimes pretend
    to be stronger
    than i feel.

    XVIII.
    i am afraid of being ordinary.
    extraordinary terrifies me too.

    XIX.
    i have loved
    the idea of people
    more than the people themselves.

    XX.
    i keep parts of myself
    in boxes
    even i cannot open.

    XXI.
    i crave connection—
    but it terrifies me—
    every single time.

    XXII.
    i am still learning
    how to forgive myself.
    before it is too late.


    Closing question:

    I’ve confessed 22 truths. Which one would you admit aloud?


    To read more of my work, check out the archives: [The Library of Ashes]